Maison d'édition: Krill Press
George MacDonald was one of the foremost fantasy writers of the 19th century and influenced just about every writer that came after him. He was a mentor of Lewis Carroll, a friend of Mark Twain's, and a man who helped shape the works of authors like Tolkien.
In 'Strike Pay', Lawrence returns to the scenes of his boyhood in Eastwood in Nottinghamshire. A group of miners, liberated from work by a strike, enjoy a day out but the hard realities of home life and mothers-in-law await their return. Tinged with good humour and the sense of comradeship among the miners and finally between the miner and his wife, this story epitomises working life before the Great War.Voir livre
Robert Louis Stevenson's classic tale of science and madness brought to life. Mr Utterson suspects something is wrong with his friend, Henry Jekyll. Ever since Dr. Jekyll made out a will giving everything to an utter unknown- one Mr. Edward Hyde- Mr. Utterson has had suspicions. Now, stories are starting to circulate about Edward Hyde, and Mr. Utterson sets out to discover the truth behind this strange character who roams foggy London streets.Voir livre
The Tragedy of Timon of Athens (The Life of Tymon of Athens) is a play by William Shakespeare, probably written in collaboration with Thomas Middleton in about 1605–1606, which was published in the First Folio in 1623. It is about the fortunes of an Athenian named Timon. The central character is a beloved citizen of Athens who through tremendous generosity spends his entire fortune on corrupt hangers-on only interested in getting the next payout. The earliest-known production of the play was in 1674, when Thomas Shadwell wrote an adaptation under the title The History of Timon of Athens, The Man-hater. Multiple other adaptations followed over the next century, by writers such as Thomas Hull, James Love and Richard Cumberland. The straight Shakespearean text was performed at Smock Alley in Dublin in 1761, but adaptations continued to dominate the stage until well into the 20th century. ... Flavius arrives. He wants the money as well, but he also wants Timon to come back into society. Timon acknowledges that he has had one true friend in Flavius, a shining example of an otherwise diseased and impure race, but laments that this man is a mere servant. He invites the last envoys from Athens, who hoped Timon might placate Alcibiades, to go hang themselves, and then dies in the wilderness. Alcibiades, marching on Athens, then throws down his glove, and ends the play reading the bitter epitaph Timon wrote for himself, part of which was composed by Callimachus: "Here lies a wretched corpse of wretched soul bereft: Seek not my name: a plague consume you wicked caitiffs left!" Here lie I, Timon, who alive, all living men did hate, Pass by, and curse thy fill, but pass and stay not here thy gait... Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.Voir livre
This tale of a man who, when tinkering with magic, becomes changed into an ass is one of the most entertaining and remarkable stories from classic Latin literature. It is funny, bawdy and completely approachable - but also shows life from the point of view of a beast of burden in the Roman Empire of the second century CE.Lucius is an active young man enjoying life - and the favours of an attentive maid, one Fotis - when the temptation to experiment with a magic potion proves too great.Life is very different as a four-footed animal, and he goes from one drama to another, in danger of his life at one point, facing seduction at another.Within this account of these adventures, Apuleius (c124-c170 CE) places ribald stories which are more familiar through retellings by Boccaccio and Chaucer. But there are also passages of considerable literary beauty, particularly in the extended account of Cupid and Psyche.The Golden Ass, in this lively performance by Jonathan Keeble, is a delight from start to finish.Translation: Bohn (1853), revised for this production.Voir livre
These British Isles, moored across from mainland Europe, are more often seen as a world unto themselves. Restless and creative, they often warred amongst themselves until they began a global push to forge a World Empire of territory, of trade and of language. Here our ambitions are only of the literary kind. These shores have mustered many masters of literature. So this anthology’s boundaries includes only those authors who were born in the British Isles - which as a geographical definition is the UK mainland and the island of Ireland - and wrote in a familiar form of English. Whilst Daniel Defoe is the normal starting point we begin a little earlier with Aphra Behn, an equally colourful character as well as an astonishing playwright and poet. And this is how we begin to differentiate our offering; both in scope, in breadth and in depth. These islands have raised and nurtured female authors of the highest order and rank and more often than not they have been sidelined or ignored in favour of that other gender which usually gets the plaudits and the royalties. Way back when it was almost immoral that a woman should write. A few pages of verse might be tolerated but anything else brought ridicule and shame. That seems unfathomable now but centuries ago women really were chattel, with marriage being, as the Victorian author Charlotte Smith boldly stated ‘legal prostitution’. Some of course did find a way through - Jane Austen, the Brontes and Virginia Woolf but for many others only by changing their names to that of men was it possible to get their book to publication and into a readers hands. Here we include George Eliot and other examples. We add further depth with many stories by authors who were famed and fawned over in their day. Some wrote only a hidden gem or two before succumbing to poverty and death. There was no second career as a game show guest, reality TV contestant or youtuber. They remain almost forgotten outposts of talent who never prospered despite devoted hours of pen and brain. Keeping to a chronological order helps us to highlight how authors through the ages played around with characters and narrative to achieve distinctive results across many scenarios, many styles and many genres. The short story became a sort of literary laboratory, an early disruptor, of how to present and how to appeal to a growing audience as a reflection of social and societal changes. Was this bound to happen or did a growing population that could read begin to influence rather than just accept? Moving through the centuries we gather a groundswell of authors as we hit the Victorian Age - an age of physical mass communication albeit only on an actual printed page. An audience was offered a multitude of forms: novels (both whole and in serialised form) essays, short stories, poems all in weekly, monthly and quarterly form. Many of these periodicals were founded or edited by literary behemoths from Dickens and Thackeray through to Jerome K Jerome and, even some female editors including Ethel Colburn Mayne, Alice Meynell and Ella D’Arcy. Now authors began to offer a wider, more diverse choice from social activism and justice – and injustice to cutting stories of manners and principles. From many forms of comedy to mental meltdowns, from science fiction to unrequited heartache. If you can imagine it an author probably wrote it. At the end of the 19th Century bestseller lists and then prizes, such as the Nobel and Pulitzer, helped focus an audience’s attention to a books literary merit and sales worth. Previously coffeehouses, Imperial trade, unscrupulous overseas printers ignoring copyright restrictions, publishers with their book lists as an appendix and the gossip and interchange of polite society had been the main avenues to secure sales and profits.Voir livre
Persuasion is the last novel fully completed by Jane Austen. It was published at the end of 1817, six months after her death. - The story concerns Anne Elliot, a young Englishwoman of 27 years, whose family is moving to lower their expenses and get out of debt. They rent their home to an Admiral and his wife. The wife's brother, Navy Captain Frederick Wentworth, had been engaged to Anne in 1806, and now they meet again, both single and unattached, after no contact in more than seven years. This sets the scene for many humorous encounters as well as a second, well-considered chance at love and marriage for Anne in her second "bloom".The story begins seven years after the broken engagement of Anne Elliot to then Commander Frederick Wentworth. Anne, then 19 years old, fell in love and accepted a proposal of marriage from the handsome young naval officer. He was clever, confident, ambitious and employed, but not yet wealthy and with no particular family connections to recommend him. Her father, Sir Walter, and her older sister, Elizabeth, maintained that Wentworth was no match for an Elliot of Kellynch Hall, the family estate. Lady Russell, acting in place of Anne's late mother, persuaded her to break the engagement, which Lady Russell saw as imprudent for one so young.Voir livre
