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  Empire of Glass

  Kaitlin Solimine

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  In the mid-1990s, an American teenager, named Lao K in Chinese, stands on Coal Hill, a park in Beijing, a loop of rope in her hand. Will she assist her Chinese homestay mother, Li-Ming, who is dying of cancer, in ending her life, or will she choose another path? Twenty years later, Lao K receives a book written by Li-Ming called “Empire of Glass,” a narrative that chronicles the lives of Li-Ming and her husband, Wang, in pre and post-revolutionary China over the last half of the twentieth century. Lao K begins translating the story, which becomes the novel we are reading. But, as translator, how can Lao K separate fact from fiction, and what will her role be in the book’s final chapter?  A grand, experimental epic—Lao K’s story is told in footnotes that run throughout the book—that chronicles the seismic changes in China over the last half century through the lens of one family’s experiences, Empire of Glass is an investigation into the workings of human memory and the veracity of oral history that pushes the boundaries of language and form in stunning and unforgettable ways.

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  Song of the Sun God

  Shankari Chandran

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  Nala and Rajan, a young couple, begin their married life in 1946, on the eve of Ceylon’s independence from Britain.  Arranged in marriage, they learn to love each other and protect their growing family, against the backdrop of increasing ethnic tension. 
   
  As the country descends into a bloody civil war, Nala and Rajan must decide which path is best for their family; and live with the consequences of their mistakes. 
   
  Over time, Nala and Rajan teach their family why some parts of their history and heritage are worth holding onto; and why some parts and people have to be left behind. 
   
  Song of the Sun God spans three continents and three generations of a family that remains dedicated to its homeland, whilst learning to embrace its new home. 
   
  Funny at times, warm and tender at others, we see Nala and Rajan’s family navigate war, migration, old loyalties and new beginnings, relying on the philosophy of their religion, their ancestors and each other. 
   
  Song of the Sun God is about the wisdom, mistakes and sacrifices of our past that enable us to live more freely in the future. It is about finding home and forgiving family.

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  Nature's Fool

  Timothy Doyle

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  Magical realism meets historical fiction in this epic novel, loosely based on real events occurring in the first years of white incursion into South Australia from the 1830s to the 1870s. From Ireland to the land that would become Australia, Natures Foolk crosses oceans, lands and time in its exploration of identity, place and belonging. 
  Possessing enormous physical strength, Seamus has a sacred and intimate relationship with the sea, can shape-shift, and has been gifted with second sight. But he is no hero. Illiterate and largely mute, he is a warrior without a sword, a poet without words. In the absence of his own voice, Seamus' story is told by his son Tomas, a seannachie.

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  Jude and Diana

  Sharon Robart-Johnson

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  The only mention of Jude in Nova Scotia’s official history relates to her death: a slave-owning family was brought to trial for her murder in 1801. They were acquitted despite overwhelming evidence that they were guilty. Sharon Robart-Johnson pays tribute to such archival glimpses of enslaved people by re-creating the fullness of sisters Jude and Diana’s survival, emphasizing their joys alongside their hardship. She stories their movements through the U.S. to Nova Scotia, Canada, with the arrival of the United Empire Loyalists in 1783. As a child, Jude is sold away and then, by a lucky turn of fate, reunited with her fiercely loving family. Jude’s experiences harden her into a rebel who resists injustice without heeding consequences, and after her death, Diana is left alone to deal with racist and sexual violence.
  		 
  Through Robart-Johnson’s research, we experience nineteenth-century Nova Scotia, when political debates about abolishing slavery were just beginning to emerge. Through Robart-Johnson’s creativity, we enter the historical fiction of Jude and Diana and their strong familial bonds, each character developed with nuance and care. While chronicling the cruelty they endured, Robart-Johnson’s storytelling powerfully honours their humour, strength, and shining dignity.

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  Emma - Volume Three

  Jane Austen

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  The third volume of this classic novel by Jane Austen wonderfully narrated by Penny Wyatt-Gold. Penny has the perfect voice to bring all the author's characters to life in a way that will enthrall and entertain.

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  The Orphanage Girls Come Home

  Mary Wood

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  'These heartbreaking but also inspirational tales are full of the grit and hardship that have become hallmarks of a storyteller who writes straight from the heart.' - Lancashire Evening PostHeartfelt and moving, The Orphanage Girls Come Home is the beautiful conclusion to the Orphanage Girls series, set during WW1 and travelling from London's East End to Montreal, Canada.London, 1910. When Amy is chosen to be a part of a programme to resettling displaced children in Canada, her life changes overnight. Her great sadness is having to say goodbye to Ruth and Ellen, the friends who became family to her during the dark days at the orphanage. As she steps on board the ship to Montreal, the promise of a new life lies ahead. But during the long crossing, Amy discovers a terrifying secret.Canada, 1919. As the decades pass, Amy’s Canadian experience is far from the life she imagined. She always kept Ruth’s address to hand – longing to return to London and reunite with her dear friends. With the world at war, it seems an impossible dream . . .Separated by oceans, will Amy the orphanage girl ever come home?The Orphanage Girls Come Home is the third and final book in the Orphanage Girls series, which began with The Orphanage Girls and The Orphanage Girls Reunited. For more beautiful saga writing from Mary Wood, try The Guernsey Girls – available now.

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