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  Venetian Empire - The Grand...

  Kelly Mass

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  When we think of Venice, we think of masks, canals, murals and frescoes, and little “gondoliers” with picturesque boats. Venice, indeed, has an impressive artistic history. But did you know that Venice was also, for a while, a considerably-sized empire? 
  Although no enduring historic records associate with the creation of Venice, the Republic of Venice's history is typically said to start at 12 a.m. on Friday, March 25th, AD 421, when authorities from Padua established the city to develop a trading center in that area of northern Italy. 
  The creation of the Venetian republic is said to have accompanied the starting of the church of St. James at the exact same time. Still, the church (which is believed to be that of Saint Giacomo di Rialto) dates no earlier than the l lth century, and no after the mid-twelfth century. 
  According to legend, the area's first residents were Hun and Germanic refugees escaping succeeding waves of Hun and Germanic intrusions from the mid-second to mid-fifth centuries, who originated from near Roman cities like Padua, Aquileia, Treviso, Altino, and Concordia (contemporary Concordia Sagittaria), and the undefended countryside. 
  Let’s dive deeper into the history of the Venetian Empire. Let’s find out what made them so unique and successful at what they did.

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  On Class

  Deborah Dundas

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  Deborah Dundas is a journalist who grew up poor and almost didn’t make it to university. In On Class, she talks to writers, activists, those who work with the poor and those who are poor about what happens when we don’t talk about poverty or class—and what will happen when we do.
  		 
  Growing up poor, Deborah Dundas knew what it meant to want, to be hungry, and to long for social and economic dignity; she understood the crushing weight of having nothing much expected of you. But even after overcoming many of the usual barriers faced by lower- and working-class people, she still felt anxious about her place, and even in relatively safe spaces reluctant to broach the subject of class. While new social movements have generated open conversation about gender and racism, discussions of class rarely include the voices of those most deeply affected: the working class and poor. 
  On Class is an exploration of the ways in which we talk about class: of who tells the stories, and who doesn’t, which ones tend to be repeated most often, and why this has to change. It asks the question: What don’t we talk about when we don’t talk about class? And what might happen if, finally, we did?

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  As the Stage Turned - A Front...

  Jeannie Emser Schultz

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  Sammy Davis, Jr. opened it. Luther Vandross closed it. During the 19 years in between, a who’s who of the world’s top entertainers and speakers performed on the novel revolving stage of the Front Row Theatre, from Liberace to Alice Cooper, Jay Leno to Jerry Seinfeld, Marlene Dietrich to Dolly Parton, Presidents Ford and Carter and culinary grand dame Julia Child. Many were unknown opening acts, like Whitney Houston. Another, the legendary Roy Orbison, would unknowingly perform the final concert of his life there. 
  Cleveland Landmarks Press’ newest release, As the Stage Turned: A Front Row Theatre Memoir, captures the dynamic energy that sprung from one of the most unique entertainment venues in the country – a theater-in-the-round located in the sleepy suburb of Highland Heights, just outside of Cleveland. 
  Jeannie Emser Schultz, the venue’s longtime former director of marketing and publicity, has written a memoir capturing the star power and draw of the Front Row. It’s an homage to seemingly everything related to show business and the cultural significance of that famed theater that drew the biggest and brightest stars of its day. 
  For instance, where else would you learn that several days into Sammy Davis’s opening run at the Front Row in 1974, he received a phone call threatening his life? Or that the only way Frank Sinatra would agree to perform there was if he and his entire entourage could rent out the Shaker Heights home of Larry Dolin, the founder and president of the Front Row? Or that comedian Bob Newhart always kept a nude picture on his dressing room table of Anthony Newley looking backwards through his legs (Newhart told Emser Schultz it was one of the funniest pictures he ever saw)? 
  Emser Schultz’s narrative takes readers on a detailed and behind-the-scenes firsthand journey of the almost 20-year history of what was considered one of America’s most significant entertainment venues. Revisit your own fond memories of a lost Cleveland classic.

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  The Three Colors of Complicity

  Jemar Tisby

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  Compromise has three colors. 
  The American church has a history of creating and maintaining racist ideas and practices. This audio original recording from NYT bestselling author Jemar Tisby is based on the themes introduced in The Color of Compromise but goes a step further, showing how compromise has three distinct colors: green, white, and red. Green represents the greed than accompanies support of racism. It is white, representing the white supremacy that views white people as inherently superior to other skin colors. And it is red, representing the blood that has been spilled--and continues to be shed--to fight against racism. Tisby offers a powerful challenge to avoid complicity with racism by taking a bold stand for racial justice, starting today.

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  Velociraptor The: The History of...

  Editors Charles River

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  The massively popular 1990 novel Jurassic Park by Michael Crichton and its subsequent movie adaptations led to a huge resurgence in interest in dinosaurs and the prehistoric world. That interest continues to the present day, even though most of the dinosaurs in Jurassic Park weren’t actually from the Jurassic period. Triceratops, Velociraptor, Tyrannosaurus Rex and the huge sauropods such as Brachiosaurus that feature in the book and movies all actually belong to the Late Cretaceous period, more than 40 million years after the end of the Jurassic. Regardless, the movie made certain kinds of dinosaurs instantly recognizable, even if associated with the wrong era. 
  	Thanks to the movie, there has been some unwitting confusion over the identity of the Velociraptor, and this confusion was due in large part to the fact the name sounds far more scary than the creature to which the name originally belonged. Moreover, the creature to which the label was applied in the novel and movie was actually a distant cousin named Deinonychus, but as the story goes, the author, Michael Crichton, thought “Velociraptor” sounded “more dramatic.” The actual Velociraptor lived not in the badlands of North America, but in the badlands of central-eastern Asia, and it was not nearly as intimidating as Deinonychus. In fact, the main species of genus Velociraptor - Velociraptor mongoliensis - was no bigger than a turkey. Thus, in a very real sense, the Velociraptor has taken on a larger-than-life reputation.

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  Crows and Ravens - Mystery Myth...

  Rick de Yampert, H. Byron Ballard

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  Exploring history, folklore, mythology, and science, this book gives you a unique look at two of the most popular magical creatures of all time. The crow and his cousin, the raven, are featured players in many cultures throughout the world, including Norse, Celtic, Jewish, and Indigenous traditions. This guide teaches you how to welcome these highly intelligent birds into your own spiritual practice, whether you follow Wicca, Heathenry, Druidry, or any other path. 
   
   
   
  Crows and Ravens presents rituals, meditations, and exercises that help you discover the magic and mystery of corvids. Learn about crow and raven divination, create your own crow-raven talisman, uncover the shadowy side of corvids, and more. Found in nearly all urban and wild environments, these birds present you with magical opportunities and life lessons wherever you go.

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