Otros libros que te pueden interesar

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  Do Jewish Lives Matter? - A Play

  Beverly Taylor

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  The play, “Do Jewish Lives Matter” arose out of the Crown Heights Riot in Brooklyn, a Pogrom where a Black boy was accidentally killed by a Hasidic driver with devastating results. James Baldwin, the famous Negro writer, as far back as 1948 wrote, “Georgia has the Negro as a target of hatred. Harlem has the Jew.” 
   In 1973 Rabbi Kahane wrote, “In no way should we refuse to see the danger to Jews that comes from Black hatred. It is of epidemic proportions.” And again in 1977, when addressing an audience, he said, “In Crown Heights, where poor Jews live side by side with Blacks and are regularly robbed, mugged, terrorized, a Black explosion against them is inevitable.”

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  Things That Happen - And Other...

  Bhaskar Chakrabarti

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  Bhaskar Chakrabarti's poetry is synonymous with the romantic melancholia inherent to Calcutta. His trenchant poetic voice was one of the most significant to emerge in the 1960s and '70s-perhaps the most prolific period of modern Bengali poetry. Spanning the rise of militant leftism, the spread of crippling poverty across India, the war in Bangladesh, the influx of millions of refugees, the dark, dictatorial days of Indira Gandhi's reign, and the disillusionment of communist rule in Bengal, Chakrabarti's poems plumb the depths of urban angst, expressing the spirit of sadness and alienation in delicate metaphors wrapped in deceptively lucid language.
  
  In this first-ever comprehensive translation of Chakrabarti's work, award-winning translator Arunava Sinha masterfully articulates that clarity of vision, retaining the unique cadence and idioms of the Bengali language. Presenting verses and prose poems from all of Chakrabarti's life-from his first volume, When Will Winter Come, published in 1971, to his last, The Language of Giraffes, published just before his death in 2005, and collecting several unpublished works as well-Things That Happen and Other Poems introduces the world to a brilliant and universal poetic voice of urban life.

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  The Cord

  Bijan Sheibani

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  Ash and Anya were happy, just the two of them. Then the baby came.
  Ash has spent the first two weeks of his son's life trying to work out where he fits. He watches his mother holding her grandchild for the first time, mesmerised by the mystery and delight of a new life. After she leaves, Ash watches Anya feeding their son – so close, almost intertwined.
  As sleepless nights, relentless crying and hushed arguments take their toll, a storm starts to grow as a chasm widens between Ash and his son, his wife and even his own mother.
  Lifting the roof off one family's home, The Cord is a brutally honest and moving insight into the challenging truths of family dynamics. It premiered at the Bush Theatre, London, in 2024, written and directed by Bijan Sheibani.

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  We're jumping tomorrow

  B. J. Birkmann

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  Written for boys who like to eat other people's sorrows, or not eat at all, and for girls who love them regardless. 
  Nick and Mark are 20-something nihilists with nothing but Thursday evenings, a mattress, and the weight of their own thoughts. In one final attempt to find meaning, they give themselves a week to search. If they fail, they jump. 
  We’re Jumping Tomorrow is an intimate, hauntingly poetic novella designed to be read in one sitting, like stumbling upon a stranger’s tragic story online, finding empathy for them, and then scrolling away. Combining sharp cynicism with raw, visual prose, it captures the fleeting yet profound nature of human connection, mental illness, and the quiet desperation of young adulthood. 
  Never quite meant for the public eye, We’re Jumping Tomorrow holds enough importance to be released anyway. Though darkness and pessimism spread throughout its pages, an unshakable sense of humor and self-deprecation stand firm, reflecting this generation’s ability to face even the most gruesome thoughts with a grin.

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  10 Rillington Place - The Trials...

  Mr Punch Audiobooks

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  In March 1950, Timothy Evans, aged 25, was hanged for the murder of his wife. 
  Sixteen years later the Queen was to grant him a full pardon.  So why did Timothy Evans confess to murder?  Why was John Reginald Christie, his neighbour, not arrested until April Fool’s Day three years later?  And what was the gruesome discovery behind the kitchen wall?   
  The shocking truth of the sordid and tragic events that took place behind the doors of number 10 Rillington Place was to horrify the nation. 
  A full-cast dramatisation starring RONALD PICKUP as John Reginald Halliday Christie and JONATHAN WRATHER as Timothy Evans with full supporting cast. 
  “Mr Punch is going from strength to strength, continuing their good run of classy audio...”  Talking Business

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  The Soul We Share

  Ricky Ray

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  Winner of the 2023 Aryamati Collection Competition.
  Through visceral and vulnerable poetry, Ricky Ray meditates on the pain and gratitude that arise from a keenly felt awareness of our fleeting existence. Recognizing his humanity as a facet of natural processes, Ricky measures the ache of living in a disabled body against the joy of \'being lived\' by the places he inhabits. As we accompany him and his soul dog, Addie, through the scenic woodlands of New England, the concrete jungle of Manhattan, and the swamps of the Deep South, the lines between humans, animals and nature begin to blur and move in concert. Shifting between forms both physical and elemental, we read of an existence lived not 'upon / but as one' with the Earth, \'whose being we are throughout and beyond our brief sojourn as human\'. At the heart of this collection is the transformative experience of Ricky's life with an old brown dog, which teaches that soul isn't merely something we possess—it's an animacy deeply shared.

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