Weitere Bücher, die Sie mögen werden

• 

  African Queen

  Mr Punch Audiobooks

  • 0
  • 0
  • 0

  Full Cast Radio Drama 
  Set in 1915 on the treacherous rivers of war-torn Africa. Humphrey Bogart plays the gin sodden river trader, Charlie Allnut, who reluctantly agrees to help the prim missionary Rose Sayer, played in this radio version by Greer Garson, to travel down river on a hazardous journey and destroy a German gun boat. Humphrey Bogart won the 1951 Oscar for Best Actor, and again plays the uncouth captain of the tramp steamer in this special radio production.   
  This high-quality audiobook has been re-mastered and re-edited from the original radio broadcast.

  Zum Buch

• 

  The Day-Breakers

  Michael Fraser

  • 0
  • 0
  • 0

  Saturated with locutions lifted from the late 19th century, The Day-Breakers deeply conceives of what African Canadian soldiers experienced before, during, and in the immediate aftermath of the American Civil War.
  		 
  “It is not wise to waste the life / Against a stubborn will. / Yet would we die as some have done. / Beating a way for the rising sun” wrote Arna Bontemps. In The Day-Breakers, poet Michael Fraser imagines the selflessness of Black soldiers who fought for the Union during the American Civil War, of whom hundreds were African-Canadian, fighting for the freedom of their brethren and the dawning of a new day. Brilliantly capturing the rhythms of their voices and the era in which they lived and fought, Fraser’s The Day-Breakers is an homage to their sacrifice and an unforgettable act of reclamation: the restoration of a language, and a powerful new perspective on Black history and experience.

  Zum Buch

• 

  Is My Microphone On?

  Jordan Tannahill

  • 0
  • 0
  • 0

  'After thousands of years, I have a mouth… So if you don't mind, Mum, Dad, I'm going to speak. I'm going to shout. When I become a human I'm going to use some words. Can you still hear me? Is my microphone on?'
  Young people have inherited a burning world. In Jordan Tannahill's urgent and lyrical play, they reckon with the generations who have come before them, questioning the choices that have been made, and the ones that they will yet be forced to make.
  In Is My Microphone On? an ensemble of young performers hold the audience to account, and invite them to experience the world together anew.
  The play was commissioned by the Theater der Welt festival in Germany, premiered in English by Canadian Stage, Toronto, in 2021, and performed by youth theatres across the UK as part of the 2023 National Theatre Connections Festival. It offers opportunities for a large, flexible cast of any size or mix of genders, and can incorporate chorus work, movement and music.

  Zum Buch

• 

  A Good House

  Amy Jephta

  • 0
  • 0
  • 0

  'Once they've been here long enough, they're no longer squatters. Then they're simply…
  Neighbours.'
  In the quaint suburban community of Stillwater, a mysterious shack springs up from the dust with the inhabitants nowhere to be seen. As speculation abounds, new residents Sihle and Bonolo are recruited by their neighbourhood to be the face of a campaign to demolish the shack.
  Funny, thrilling and provocative, Amy Jephta's play A Good House is an explosive exploration of race, resentment and community politics, about a couple who discover the limits of good neighbourliness and what is required to fit in.
  It was first performed at the Royal Court Theatre, London, in 2025, directed by Nancy Medina, in a co‑production with Bristol Old Vic in association with The Market Theatre, Johannesburg. It was shortlisted for the 2026 Susan Smith Blackburn Prize.

  Zum Buch

• 

  Iphigenia in Tauris

  Euripides

  • 0
  • 0
  • 0

  Orestes, coming into Tauri in Scythia, in company with Pylades, had been commanded to bear away the image of Diana, after which he was to meet with a respite from the avenging Erinnyes of his mother. His sister Iphigenia, who had been carried away by Diana from Aulis, when on the point of being sacrificed by her father, chances to be expiating a dream that led her to suppose Orestes dead, when a herdsman announces to her the arrival and detection of two strangers, whom she is bound by her office to sacrifice to Diana. On meeting, a mutual discovery takes place, and they plot their escape. - Summary by Theodore BuckleyCast List:Iphigenia: Elizabeth KlettOrestes: Ashur GharaviPylades: Rob BoardHerdsman: Jeffrey ChurchThoas: alanmapstoneMessenger: Beth ThomasMinerva: LydiaChorus: Kristin GjerløwNarrator: Availle

  Zum Buch

• 

  Oi You Lot

  Kareem Parkins-Brown

  • 0
  • 0
  • 0

  'The sky belongs to everybody and everybody belongs to the sky.
  When the genie comes out, wish for late busesand missed trains, and beers on benches,because when someone is gone, they are gone.'
  Kareem Parkins-Brown's highly-anticipated pamphlet is an audacious and richly plural celebration of friends and selves, present and otherwise. In Parkins-Brown's hands, language bends like an illusionist's spoon – a dazzling, fisheye-lens distortion of daily grief, absurdity and communion – while reminding us always that the trick is to carry on living.
  'Kareem Parkins-Brown's excellent pamphlet is like a funeral held in a bouncy castle: the line-breaks slip on their own tears, jumping mourners get bruised by their collisions and the laughing starts to sound a lot like crying.' Caroline Bird
  'I have been waiting for this book for years. There's no voice like Kareem Parkin-Brown's. Sacred and profane, these are critical, kinetic poems for, and of, right now.' Rachel Long
  'Kareem Parkins-Brown is one of the most beloved wordsmiths on the London poetry circuit. 'Oi You Lot' will show its readers why.' Raymond Antrobus

  Zum Buch