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  The Cherry Orchard

  Anton Chekhov

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  The Cherry Orchard is Russian playwright Anton Chekhov's last play. It premiered at the Moscow Art Theatre 17 January 1904 in a production directed by Constantin Stanislavski. Chekhov intended this play as a comedy and it does contain some elements of farce; however, Stanislavski insisted on directing the play as a tragedy. Since this initial production, directors have had to contend with the dual nature of this play. 
   
  The play concerns an aristocratic Russian woman and her family as they return to the family's estate (which includes a large and well-known cherry orchard) just before it is auctioned to pay the mortgage. The story presents themes of cultural futility — both the futility of the aristocracy to maintain its status and the futility of the bourgeoisie to find meaning in its new-found materialism. In reflecting the socio-economic forces at work in Russia at the turn of the 20th century, including the rise of the middle class after the abolition of serfdom in the mid-19th century and the sinking of the aristocracy, the play reflects forces at work around the globe in that period. 
  (Summary from Wikipedia, edited by Elizabeth Klett)Cast: 
  Mme. Ranevsky: Ruth GoldingAnya: Arielle LipshawVarya: Elizabeth KlettGaev: Lars RolanderLopakhin: Andy MinterTrofimov: mbSimeonov-Pischin: Denny SayersCharlotta: Anna SimonEpikhodov: hefydDunyasha: Tricia GFiers: om123Yasha: Kim StichTramp: Musicalheart1Narrator: David LawrenceAudio edited by: Elizabeth Klett

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  A Rare Recording of Albert...

  Albert Henry Woolson

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  Albert Henry Woolson (February 11, 1850 - August 2, 1956) was the last known surviving member of the Union Army who served in the American Civil War; he was also the last surviving Civil War veteran on either side whose status is undisputed. Woolson was born in Antwerp, New York, in Jefferson County. His father, Willard Woolson, who enlisted in the Union Army, was wounded at the Battle of Shiloh and later transported to an Army hospital in Windom, Minnesota, where he would die of his wounds. Albert and his mother moved to Windom to accompany his father. Soon after, Albert enlisted as a drummer boy in Company C, 1st Minnesota Heavy Artillery Regiment on October 10, 1864. However, the company never saw action, and Albert Woolson was discharged on September 7, 1865. Woolson returned to Minnesota, where he lived the rest of his life as a carpenter and, later, as a member of the Grand Army of the Republic (G.A.R.), a powerful political organization made up of Civil War veterans where he became Senior Vice Commander-in-Chief in 1953. The following interview was recorded in 1954.

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  The Young Lutheran's Guide to...

  Garrison Keillor

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  A special performance combines a popular Garrison Keillor piece with a renowned orchestra.

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  Billie Eilish - In Her Own Words

  Billie Eilish

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  Legendary recording artist Billie Eilish walks us through personal highlights and moments from the book as she reflects on photos from her life and career - both on and off the stage - for the first time in this fascinating audio accompaniment.Billie Eilish is a 21st-century global pop phenomenon. Uncompromising and unapologetic, between her record-breaking, award-winning music and artistry, it's no surprise that she has become one of the biggest and most loved artists of her generation.Published simultaneously with the book, this stand-alone audio is full of exclusive, unique content. Capturing the essence of Billie inside and out, offering listeners personal glimpses into her childhood, her life on tour, and more, this audio edition is essential for any fan.Including never-before-told stories and recollections from her personal life and career, from the early years to her breakout success and including memories shared by her parents, this is an audiobook like no other - in her own words, providing a truly intimate window into her journey, narrated by Billie herself. A specially curated selection of Billie’s photos can be found on the audiobook’s bonus PDF. For even more exclusive never-before-seen photos, the companion print or ebook edition is a must-have for any fan. *To find the complimentary PDF, check out instructions at the FAQ of the digital retailer where you bought the audiobook download, or contact their customer service.

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  Death of a Salesman

  Arthur Miller

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  Stacy Keach and Jane Kaczmarek star in Arthur Miller’s 1949 masterpiece, a searing portrait of the physical, emotional, and psychological costs of the American dream. Willy Loman (Keach) is the play’s iconic traveling salesman, whose family is torn apart by his desperate obsession with success and social acceptance. As his two sons cast about aimlessly for their station in life, Willy begins to come unraveled when the reality of his life threatens his long-cherished illusions. 
   
  Recorded before a live audience at the Skirball Cultural Center, Los Angeles in March 2011. 
   
  Directed by Eric Simonson 
  Producing Director: Susan Albert Loewenberg 
   
  An L.A. Theatre Works full cast performance featuring: 
  Steven Culp as Biff Loman 
  Maureen Flannigan as Letta/Jenny 
  Jason Henning as Bernard/Stanley 
  Jane Kaczmarek as Linda Loman 
  Stacy Keach as Willy Loman 
  Kathryn Meisle as The Woman 
  Tim Monsion as Uncle Ben 
  Sam McMurray as Charley 
  John Sloan as Happy Loman 
  Kate Steele as Miss Forsythe 
  Kenneth Alan Williams as Howard 
   
  Recording, Editing and Mixing Engineer: Mark Holden for The Invisible Studios, West Hollywood 
  Sound Effects Artist: Tony Palermo

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  The Wireless World - Global...

  Simon J. Potter, David Clayton,...

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  The Wireless World sets out a new research agenda for the history of international broadcasting, and for radio history more generally. It examines global and transnational histories of long-distance wireless broadcasting, combining perspectives from international history, media and cultural history, the history of technology, and sound studies. It is a cowritten book, the result of more than five years of collaboration. Bringing together their knowledge of a wide range of different countries, languages, and archives, the coauthors show how broadcasters and states deployed international broadcasting as a tool of international communication and persuasion.Exploring the idea of a "wireless world," a globe connected, both in imagination and reality, by radio, The Wireless World sheds new light on the transnational connections created by international broadcasting. Bringing together all periods of international broadcasting within a single analytical frame, the study reveals key continuities and transformations. It looks at how wireless was shaped by internationalist ideas about the use of broadcasting to promote world peace and understanding, at how empires used broadcasting to perpetuate colonialism, and at how anti-colonial movements harnessed radio as a weapon of decolonization.

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