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  Great God Pan — Ch 3 The:...

  Arthur Machen

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  More classic horror narrations on Jonathan's YouTube channel: https://www.youtube.com/@JonathanDunneHorrorAudiobooks 
  Chapter 3: Description 
  The consequences of Dr. Raymond’s experiment deepen as Chapter 3 unfolds, drawing the reader further into a world where the boundaries of reality are unraveling. Strange occurrences ripple through London’s shadowed streets, and those touched by the experiment begin to exhibit signs of something both wondrous and terrifying. 
  Visions of an otherworldly presence grow clearer, hinting at a power ancient, malevolent, and beyond human comprehension. Fear and fascination intertwine as the experiment’s hidden horrors begin to manifest, challenging the mind and the senses. In this chapter, the line between the natural and the supernatural blurs even further, and the cost of forbidden knowledge becomes unmistakably real. 
  Narrated by bestselling horror author Jonathan Dunne, this chapter is part of Timeless Terrors No. 109, bringing Machen’s classic supernatural tale vividly to life, where curiosity can awaken forces that mortals are never meant to encounter.

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  Carmilla

  Joseph Sheridan La Fanu

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  The moonlight spills like silver across ancient walls, and somewhere in the velvet darkness, a whisper stirs—a name, half-sighed, half-forgotten. Carmilla. A name as soft as a caress, as chilling as a shadow at the edge of the candle's glow. She does not knock at your door; she drifts through it like a dream. She is beauty wrapped in mystery, desire woven with dread.
  This is not a story of fangs bared in the night, nor of crude terrors lurking in the crypt. Carmilla is subtler, more intoxicating—a tale that shivers on the border between love and death, fascination and fear. It is the pulse quickened without reason, the gaze held too long, the hush of silken footsteps on cold stone.
  Long before Dracula cast his shadow over the genre, Joseph Sheridan Le Fanu shaped the vampire legend with an elegance both haunting and hypnotic. He understood that true horror does not always come in the shape of monsters but in the slow unraveling of certainty, the delicate trespass of the unknown into the familiar.
  To read Carmilla is to step into a dream—one of moonlit corridors and stolen glances, of fevered devotion and something else, something nameless and ancient, curling at the edges of the night. But beware: dreams have a way of lingering, and shadows… shadows are never empty.

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  The Terrible Old Man

  H.P. Lovecraft

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  "The Terrible Old Man" is a short story by H. P. Lovecraft, written on January 28, 1920, and first published in the Tryout, an amateur press publication, in July 1921. It's notable as the first story to make use of Lovecraft's imaginary New England setting, introducing the fictional town of Kingsport. The Terrible Old Man is a strange elderly man "so old that no one can remember when he was young, and so taciturn that few know his real name". He lives alone in an ancient house on Water Street in the town of Kingsport. The Terrible Old Man reappears in the story "The Strange High House in the Mist" in a more benevolent role.

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  The Ebony Frame

  E. Nesbit

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  "The Ebony Frame" was first published in Longman's Magazine (1891) and later in "Grim Tales" (1893), a collection of E. Nesbit's romantic horror stories. A young man, who has come into possession of his deceased aunt's house, discovers a strange portrait of a beautiful woman. Could it be that he has met the subject of this bewitching image before?

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  Small Fires - This year's most...

  Ronnie Turner

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  Suspected of murdering their parents, sisters Lily and Della flee to a strange, unnamed island in Scotland, and their arrival puts in motion a horrifying series of events… Literary suspense meets folk horror in 2025's most original, mesmerising modern gothic masterpiece…
  `A deeply unsettling and thought-provoking tale of survival and storytelling, mixing elements of gothic and folk horror with literary suspense. Beautifully woven and eerily atmospheric´ Anna Mazzola
  `Rarely will you meet a story as unsettling, nor one as bewitchingly told. With its roots snaking into folk horror, Small Fires plays with the contemporary gothic vibe reminiscent of Midsommar and The Wicker Man … I challenge you to pick it up and when you do, to put it down´ Janice Hallett
  `Ronnie Turner has a way of weaving words into a spell – the darkest of spells. Mesmerising, sinister … this modern folklore gothic will chill you to the bone´ Essie Fox
  `Crackles with menace and authenticity. Kept me up late and crept into my dreams´ Sarah Hilary
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  Evil runs through this cursed island
  And these wicked sisters are about to make it burn…
  When sisters Lily and Della Pedley are persecuted for the shocking murder of their parents, they flee from their home in Cornwall to a remote and unnamed island in Scotland – an island known for its strange happenings, but far away from the whispers and prying eyes of strangers.
  Lily is terrified of what her sister will might do next, and she soon realises that they have arrived at a place where nothing is as it seems. A bitterness runs through the land like poison, and the stories told by the islanders seem to be far more than folklore.
  Della settles in too easily, the island folk drawn to her strangeness, but Lily is plagued by odd and unsettling dreams, and as an annual festival draws nigh, she discovers that she has far more to fear than she could ever have imagined. Or does she…?
  Chilling, atmospheric and utterly hypnotic, Small Fires is a contemporary gothic novel that examines possession, generational trauma, female rage, and the perilous bonds of family – an unsettling reminder that the stories we tell can be deadly…
  Midsommar meets Midnight Mass in a folk horror, modern gothic masterpiece.
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  `Clever, dark, and visceral … a vivid tale that will stay with me for a very long time´ Jo Jakeman
  `A story that grips you by the throat, and slowly unravels. Haunting and lyrical, Turner weaves folklore and myth through the pages like a poisonous ribbon. A book that will linger, long after you finish reading´ Rachel Greenlaw
  `A furious female folk horror with a brilliant twist … terrifyingly dark´ Emily Barr
  `A twisted, creepy and unsettling gothic tale set in one of the most sinister places I've ever encountered. I absolutely loved it´ Roz Watkins
  Praise for Ronnie Turner's So Pretty
  `Like Stephen King on crack … the most accomplished book I've read this year. Dark, gothic as hell, and genuinely scary´ M W Craven
  `Beautifully written and a real page-turner´ C J Cooke
  `Dark, lyrical and intriguing´ Fiona Cummins

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  The Diary of Alonzo Typer

  H.P. Lovecraft, William Lumley

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  This audiobook is narrated by an AI Voice.  
  The researcher of mysteries visits a haunted house in the state of New York. It is inhabited by infernal forces, brought forth by a once-dwelling Dutch family. 
  S.T. Joshi calls the prototype of the story "hopeless and illiterate" (H.P. Lovecraft: A Biography), additionally full of unintended comedy (it can be read in H.P. Lovecraft’s Collected Fiction: A Variorum Edition. Revisions and Collaborations). Lovecraft practically rewrote the story, attempting – perhaps unnecessarily – to preserve as many original ideas and sentences as possible. 
  To make matters worse, HPL had to personally deal with typing the work on a machine (which he hated), as only he could decipher the mercilessly smeared manuscript. Lumley (having no relation to the well-known author Brian Lumley) managed to sell the text to "Weird Tales" for $70. Lovecraft refused to accept part of the payment.

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