Rejoignez-nous pour un voyage dans le monde des livres!
Ajouter ce livre à l'électronique
Grey
Ecrivez un nouveau commentaire Default profile 50px
Grey
Abonnez-vous pour lire le livre complet ou lisez les premières pages gratuitement!
All characters reduced
Cathay - cover

Cathay

Ezra Pound, Bai Li

Maison d'édition: DigiCat

  • 0
  • 0
  • 0

Synopsis

Cathay is a compelling anthology that bridges the chasm between the East and the West through an evocative fusion of literary styles and themes. This collection resonates with the voice of modernism, deeply influenced by both ancient Chinese poetry and Western poetic forms. By juxtaposing hauntingly vivid translations with Pound's transformative adaptations, the anthology captures the timelessness of sentiment and experience that speaks across centuries. It stands as a testament to literary innovation and intercultural dialogue, drawing attention to standout renditions such as "The River-Merchant's Wife: A Letter," which encapsulates emotional depth and precision, emblematic of the anthology as a whole. The contributors comprise a remarkable confluence of literary influences, with Ezra Pound as the editor, working harmoniously alongside the timeless verses of Bai Li. Their combined efforts create a channel between two distinct but remarkably harmonious literary traditions. Pound's modernist lens transforms these historical works, largely from the Tang Dynasty, infusing them with the cadence and sensibility of early 20th-century poetry. Through Pound's editorial vision and Bai Li's ancient lyricism, readers are privy to a rare symbiosis of cultural and temporal dialogues within the anthology. Cathay offers readers an unparalleled opportunity to explore the interwoven tapestries of diverse poetic traditions. This collection is an invaluable resource for those seeking a deeper understanding of the cross-cultural exchanges that define global literary heritage. By studying this anthology, readers are invited to engage in a contemplative exploration of universal themes like love, loss, and the passage of time, beautifully conveyed through divergent cultural lenses. It is a significant work for any enthusiast of poetry, history, or cultural studies, providing educational enrichment and fostering appreciation for timeless literary narratives.
Disponible depuis: 29/05/2022.
Longueur d'impression: 10 pages.

D'autres livres qui pourraient vous intéresser

  • The Inspector-General - cover

    The Inspector-General

    Nikolai Gogol

    • 0
    • 0
    • 0
    "The Inspector General" tells the story of a young and naive government clerk named Khlestakov who is mistaken for a high-ranking government inspector by the corrupt officials of a small provincial town. The officials go to great lengths to win favor with Khlestakov, unaware that he is an imposter. The play explores themes of corruption, greed, and the absurdity of human behavior.
    Voir livre
  • Lost Gip - cover

    Lost Gip

    Hesba Stretton

    • 0
    • 0
    • 0
    "Lost Gip" by Hesba Stretton is a touching tale of love, perseverance, and hope, set against the backdrop of 19th-century life. With Ashton Miller’s heartfelt narration, this audiobook brings a classic story to life, offering a profound listening experience. Produced and published by Antillas Publishing House, it continues the tradition of sharing timeless works from the public domain.
    Voir livre
  • LIFE LYRICS - Love Sex and Other Deviances - cover

    LIFE LYRICS - Love Sex and Other...

    MELODY FOWLER

    • 0
    • 0
    • 0
    Life Lyrics are insightful reflections that leave you with the sensation that Melody has reached into your heart, held your feelings in her hands, and then lets her pen tell your story, and often hers.
    Voir livre
  • Inferno - Dante Alighieri - cover

    Inferno - Dante Alighieri

    Dante Alighieri

    • 0
    • 0
    • 0
    Inferno (Italian for "Hell") is the first part of Dante Alighieri's 14th-century epic poem Divine Comedy.  
     
    Track List: 
     
    01	Bk 1, Inferno: Canto I - Canto V 
    02	Bk 1, Inferno: Canto VI - Canto X 
    03	Bk 1, Inferno: Canto XI - Canto XV 
    04	Bk 1, Inferno: Canto XVI - Canto XX 
    05	Bk 1, Inferno: Canto XXI - Canto XXV 
    06	Bk 1, Inferno: Canto XXVI - Canto XXX 
    07	Bk 1, Inferno: Canto XXXI - Canto XXXIV
    Voir livre
  • The Complete Poems of Guy Wetmore Carryl - cover

    The Complete Poems of Guy...

    Guy Wetmore Carryl

    • 0
    • 0
    • 0
    Come and experience this delightfully humorous collection of satirical fables that playfully subvert traditional moral lessons, entitled "Fables for the Frivolous" by Guy Wetmore Carryl. Each fable presents a witty and whimsical tale featuring talking animals, mythical creatures, and foolish humans, all navigating absurd situations with clever wordplay and unexpected twists. If you or your child (but especially you) need a collection of stories that poke fun at human foibles and societal conventions while offering a lighthearted perspective on life's absurdities, then this is the book for you! 
    "Mother Goose for Grown-Ups" is a delightful reinvention of classic nursery rhymes tailored for a more mature audience. In this witty and irreverent collection, Carryl puts a humorous spin on beloved childhood favorites such as "Humpty Dumpty," "Jack and Jill," and "Mary Had a Little Lamb," with each rhyme being transformed into a clever and comical tale. If nostalgia is calling your name, but the intellectual side of your brain won't let you be whimsical, throw this on your headphones and let Guy Wetmore Carryl appeal to both sides of your fancy with "Mother Goose for Grown-Ups!" 
    "Grimm Tales Made Gay" is a hilarious reinterpretation of classic Grimm fairy tales infused with humor and irreverence. In this collection, each Brother's Grimm tale is transformed into a witty and whimsical narrative, featuring absurd situations, clever wordplay, and unexpected plot developments. From Cinderella's sassy stepsisters to Little Red Riding Hood's encounter with a cunning wolf, Carryl's reinterpretations offer a fresh and entertaining take on beloved childhood favorites. With its charm, wit, and laugh-out-loud humor, "Grimm Tales Made Gay" is sure to delight readers of all ages! 
    (Illustrations by Albert Levering)
    Voir livre
  • On Hearing That Constantinople Was Swallowed Up By An Earthquake - Poem by a 18th Century female author who was also an abolitionist pioneer - cover

    On Hearing That Constantinople...

    Amelia Opie

    • 0
    • 0
    • 0
    Amelia Alderson, an only child, was born on the 12th November 1769 in Norwich, England. 
    After the death of her mother on New Year’s Eve 1784 she became her father's housekeeper and hostess. 
    The young Amelia was energetic, attractive, and an admirer of fashion.  She spent much of her youth writing poetry and plays and putting on local amateur theatricals.  At 18 she had published anonymously ‘The Dangers of Coquetry’. 
    Amelia married in the spring of 1798 to the artist John Opie at the Church of St Marylebone, in Westminster, and together they lived in Berners Street where Amelia was already living. 
    Her next novel in 1801 ‘Father and Daughter’, was very popular even though it dealt with such themes as illegitimacy, a socially difficult subject for its times.  From this point on published works were far more regular.  The following year her volume ‘Poems’ appeared and was again very popular.  Novels continued to flow and she never once abandoned her social activism and her call for better treatment of women and the dispossessed in her works.  She was also keenly involved in a love of society and its attendant frills. 
    Encouraged by her husband to write more she published Adeline Mowbray in 1804, an exploration of women's education, marriage, and the abolition of slavery.  
    Her husband died in 1807 and she paused from writing for a few years before resuming with further novels and poems.  Of particular interest was her short poem ‘The Black Man's Lament’ in 1826.  Her life now was in the main spent travelling and working for charities and against slavery.  She even helped create a Ladies Anti-Slavery Society in Norwich which organised a parliamentary petition of 187,000 names of which hers was the first name. 
    After a visit to Cromer, a seaside resort on the North Norfolk coast, she caught a chill and retired to her bedroom.  
    Amelia Opie died on the 2nd December 1853 in Norwich.  She was 84.
    Voir livre