Weitere Bücher, die Sie mögen werden

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  Journey into the magical world -...

  Pabitra Adhikary

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  Since my childhood, one question used to haunt me again and again. What is next after death? Does demise mean an unperturbed and relaxed slumber? There will be no urgency to wake up one day. Does death mean the failure of heart? And then there will be no feelings at all.
   
  What will the soul do after death? Will the soul get reunited with the great soul or
   
  paramatma or will it wander around as a ghost? Will there be salvation or will there be new rebirth?

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  Apocalypse Television - How The...

  David Craig, Robert Iger

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  On November 20, 1983, a three-hour made-for-TV movie, The Day After, premiered on ABC. Set in the heartland of Lawrence, Kansas, the film depicted the events before, during, and after a Soviet nuclear attack with vivid scenes of the post-apocalyptic hellscape that would follow. The film was viewed by over 100 million Americans and remains the highest rated TV movie in history. 
   
   
   
  The path to primetime for The Day After proved nearly as treacherous as the film's narrative. Battles ensued behind the scenes at the network, between the network and the filmmakers. But these skirmishes pale in comparison to the culture wars triggered by the film in the press, alongside a growing Nuclear Freeze movement, and from a united, pro-nuclear Right. Once efforts to alter the script failed, the White House conducted a full-throttled propaganda campaign to hijack the film's message. 
   
   
   
  Apocalypse Television features a dramatic insider's account of the making of and backlash against The Day After. No other book has told this story in similar fashion, venturing behind-the-scenes of the programming and news divisions at ABC, the backlash from the conservative movement and Religious Right, the challenges encountered by the film's production team, and the experiences of the citizens of Lawrence, Kansas, where the film was set and shot.

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  Your Thought

  Mitansh

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  “Believe you can and you're halfway there. No one can make you feel inferior without your consent.” “Success is not how high you have climbed, but how you make a positive difference to the world.” “Opportunities don't happen

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  Madonna's Erotica

  Michael Dango

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  Everyone wanted Madonna’s 1992 album Erotica to be a scandal. In the midst of a culture war, conservatives wanted it to be proof of the decline of family values. The target of conservative loathing, gay men reeling from the AIDS epidemic wanted it to be a celebration of a sexual culture that had rapidly slipped away. And Madonna herself wanted to sell scandal, which is why she released Erotica in the same season as her erotic thriller Body of Evidence and her pornographic coffee-table book simply titled Sex.But Erotica is more sentimental than pornographic. This ambivalence over sex is what makes the album crucial both for understanding its time and for navigating culture a generation later. As queer politics were transitioning from sexual liberation to civil rights like same-sex marriage, Madonna tried to do both. Her songs proved formative for works of queer theory, which emerged in the academy at the same time as the album. And Erotica was—and is—central to a developing consciousness about cultural appropriation. In this book, Michael Dango considers Erotica and its legacy by drawing both on the intellectual traditions at the center of today’s hysteria over critical race theory and “don’t say gay” and on his own experiences as a gay man too young to know the original carnage of AIDS and too old to grow up assuming he could get married. Madonna offered up Erotica as a key entry in the 1990s culture wars. Her album speaks all the more urgently to the culture wars of today.

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  Léon Bakst The art of Theatre...

  Elisabeth Ingles

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  At the beginning of the XXth century, there was an unprecedented explosion of creativity in all artistic fields. Overwhelming both Europe and North America, the Russian Ballet revolutionized theatrical design with their stage sets and their costumes that were ablaze with colour yet refind in effect, bearing much of the mystic of the Orient yet also visually influenced by the work of the Persian miniaturists. Together with Diaghilev, Léon Bakst showed himself to be the most talented of the theatre group designers of his time. The costumes he devised with exclusive art seemed to shimmer with a thousand colours. Dazzled by such powers of imagination, the author, Jean Cocteau, dedicated his book "Bonjour Monsieur Bakst" to him. The great contemporary composers Tchaïkovsky, Rimsky-Korsakov and Stravinsky, among others, all had occasion to call upon his creative genius. Today, his designs remain very popular and may still be seen on stage scenes all over the world, admired by a public that remains as enthusiastic as ever.

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  Luba Empire - Central Africa's...

  Rolf Hedger

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  The Luba Empire emerged as one of the most influential kingdoms in Central Africa during the pre-colonial period. Rooted in a rich tradition of oral history and cultural heritage, the empire played a central role in shaping trade, political organization, and social structures throughout the region. The Luba people developed a sophisticated society that not only thrived on local commerce but also participated in expansive regional networks, connecting diverse communities across the African continent. 
  The formation of the Luba Empire was marked by a blend of indigenous traditions and innovative political practices. At its core was a system of governance that efficiently harnessed local resources, maintained internal stability, and forged strategic alliances with neighboring groups. This centralized authority, balanced by localized autonomy, enabled the empire to mediate conflicts and expand its influence through both diplomatic and military means. The administrative techniques developed during this era laid the groundwork for a resilient state capable of adapting to shifting economic and social dynamics. 
  Economically, the Luba Empire became a beacon of trade and craftsmanship. Its strategic location allowed it to serve as a vital crossroads for commerce, facilitating the exchange of valuable goods such as salt, iron, and agricultural products. The empire’s success in trade was not only a product of its abundant natural resources but also of the innovative methods its people employed in agriculture, metallurgy, and artisanal production. These economic activities formed the backbone of a prosperous society that celebrated both practical skills and cultural achievements, fostering an environment of continuous growth and learning.

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