Altri libri che potrebbero interessarti

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  You Took the Last Bus Home - The...

  Brian Bilston

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  Read, with his trademark charm and humour, by Brian Bilston.If you like a) laughing or b) words which rhyme with each other, you will love Brian Bilston - Richard Osman, author of We Solve Murders'There is poetry to be found in anything if you look hard enough.'You Took the Last Bus Home is a collection of ingenious, hilarious and touching poems from Brian Bilston, one of Britain’s funniest and best-loved poets.With endless wit, wisdom and delightful wordplay, Bilston's first collection of poetry offers profound insights into the common joys and sorrows of modern life. Exploring themes as diverse as love, death, and the unbearable torment of forgetting to put the rubbish out, all of Bilston’s poems are alive to the improbable nuances of the English language.Constantly experimenting with poetic forms – from Venn diagrams to Scrabble tiles – this irresistibly charming collection of poems will make you ponder the very essence of the human condition in the twenty-first century.'Bilston is a magician with words' - The Guardian'Brian Bilston is a laureate for our fractured times' - Ian McMillan

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  Lemon - Poems

  Isabella J Mansfield

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  lemon is an exploration of body and health. The poems in this chapbook come from learning to navigate life with a disability, anxiety and depression, bodily changes, illness and associated medical trauma, and the intersection of physical and mental health.

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  The Clearing - Poems

  Allison Adair

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  Winner of the 2020 Max Ritvo Poetry Prize, The Clearing navigates the ever-shifting poles of violence and vulnerability with rich imagination and a singular incisiveness, “asserting feminist viewpoints and mortal terror in lush musical lines” (New York Times).
  
  
  
  The women in Allison Adair’s debut collection—luminous and electric from the first line to the last—live in places that have been excavated for gold and precious ores. They understand the nature of being hollowed out, of being “the planet’s stone / core as it tries to carve out one secret place and fails.” And so, as these poems take us from the midst of the Civil War to our current era, they chart fairy tales that are at once unsettling and painfully familiar, never forgetting that cruelty compels us to search for tenderness. “What if this time,” they ask, “instead of crumbs the girl drops / teeth, her own, what else does she have.”
  
  
  
  Adair sees the dirt beneath our nails, both alone and as a country, and pries it gently loose until we remember something of who we are, “from before . . . from a similar injury or kiss.” There is a dark tension in this work, and its product is wholly “an alchemical feat, turning horror into beauty” (Boston Globe).

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  Nardagani - Finding Light in the...

  Narda Pitkethly

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  In September 2001, Narda Pitkethly’s brother vanished near Sun Valley, Idaho. Clues pointed in many directions sparking a determined search—one that pushed Narda to the edge and led her down an unexpected path. 
  From a chaotic childhood and restless adolescence to daring travels and recovery, Narda’s story is a testament to what can emerge from grief, and the light that can follow darkness. 
  Along the way, Narda finds her brother, and she creates Nardagani, an innovative reading method for people who struggle to read. 
  One woman’s search has become a gift to the world.

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  The Letters of Jane Austen

  Jane Austen

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  Jane Austen’s letters afford a unique insight into the daily life of the novelist: intimate and gossipy, observant and informative–they read much like the novels themselves. They bring alive her family and friends, her surroundings and contemporary events, all with a freshness unparalleled in modern biographies. Most importantly, we recognize the unmistakable voice of the author of such novels as Pride and Prejudice and Emma. We see the shift in her writing from witty and amusing descriptions of the social life of town and country, to a thoughtful and constructive tone while writing about the business of literary composition. 
    
  Austen’s personal correspondence has stirred up controversy since her untimely death in 1817 at age 41. The next year her brother Henry Austen wrote in the ‘Biographical Notice of the Author’ included with the publication of her novels Northanger Abbey and Persuasion that she ‘never dispatched a note or a letter unworthy of publication’. Years later, a niece Caroline Austen did not agree, ‘there is nothing in those letters which I have seen that would be acceptable to the public.’ In comparison to her published works, the letters do dwell upon ‘little matters’ of domestic life in the county, but to the patient reader we begin to understand Austen’s life and experiences beyond the minutia and realize through her clever descriptions and acerbic observations how this simple parson’s daughter became the author of novels that are so valued and cherished close to 200 years after their publication. 
    
  The author gained far more status after her death, and her six fulllength novels have rarely been out of print. A significant transition in her posthumous reputation occurred in 1833, when her novels were republished in Richard Bentley's Standard Novels series, illustrated by Ferdinand Pickering, and sold as a set.  
   

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  Hue & Cry

  Deirdre Kinahan

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  Two Dublin cousins, Damian and Kevin, are reunited for a family funeral in a highly charged encounter full of disillusion, denial and dark laughter.
  Deirdre Kinahan's short play Hue & Cry was first staged by Tall Tales theatre company at Bewley's Café Theatre, Dublin, in 2007.

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