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  This Is Gonna Hurt - Music...

  Nikki Sixx

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  This is Gonna Hurt is music, photography, and life through the distorted lens of Nikki Sixx, bassist for heavy metal rock band Mötley Crüe’s and the New York Times bestselling author of The Heroin Diaries. A combination of powerful prose and dramatic photographs, This is Gonna Hurt is an arresting, deeply personal look through the eyes of a real rock star at a stark, post-addiction world.

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  O'Keeffe

  Gerry Souter

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  In 1905 Georgia travelled to Chicago to study painting at the Art Institute of Chicago. In 1907 she enrolled at the Art Students’ League in New York City, where she studied with William Merritt Chase. During her time in New York she became familiar with the 291 Gallery owned by her future husband, photographer Alfred Stieglitz. In 1912, she and her sisters studied at university with Alon Bement, who employed a somewhat revolutionary method in art instruction originally conceived by Arthur Wesley Dow. In Bement’s class, the students did not mechanically copy nature, but instead were taught the principles of design using geometric shapes. They worked at exercises that included dividing a square, working within a circle and placing a rectangle around a drawing, then organising the composition by rearranging, adding or eliminating elements. It sounded dull and to most students it was. But Georgia found that these studies gave art its structure and helped her understand the basics of abstraction. During the 1920s O’Keeffe also produced a huge number of landscapes and botanical studies during annual trips to Lake George. With Stieglitz’s connections in the arts community of New York – from 1923 he organised an O’Keeffe exhibition annually – O’Keeffe’s work received a great deal of attention and commanded high prices. She, however, resented the sexual connotations people attached to her paintings, especially during the 1920s when Freudian theories became a form of what today might be termed “pop psychology”. The legacy she left behind is a unique vision that translates the complexity of nature into simple shapes for us to explore and make our own discoveries. She taught us there is poetry in nature and beauty in geometry. Georgia O’Keeffe’s long lifetime of work shows us new ways to see the world, from her eyes to ours.

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  The Life Times and Work of Pablo...

  O.B. Duane

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  The Life, Times and Work of Pablo Picasso, an eBook in the Discovering Art series, provides an accessible illustrated introduction to the life and work of Picasso. Richly illustrated, the book charts Picasso's progression from competent representational painter, through his Blue Period, Cubism and the establishment of his own distinctive Modern Art style with the painting, in 1907, of five women in a brothel – Les Demoiselles dAvignon. To fully appreciate the lavishly illustrated Discovering Art series, view this eBook on your iPad or download the Kindle app to your Android tablet.

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  The Musical Aspects of the...

  Moustafa Gadalla

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  This book will show that the fundamentals, structure, formations, grammar, and syntax are exactly the same in music and in the Egyptian alphabetical language. The book will show the musical/tonal/tonic Egyptian alphabets—being derived from the three primary tonal sounds/vowels ; the fundamentals of generative phonology and the nature of the four sound variation of each letter and its exact equivalence in musical notes; the generative nature of both the musical triads and its equivalence in the Egyptian trilateral stem verbs ;utilization of alphabets and the vocalic notations for both texts and musical instruments performance; and much more. This book is divided into 10 chapters. Chapter 1: Historical Deception of the (Ancient) Egyptian Linguistics will clear the intended confusion to hide the alphabetical form of writing in Ancient Egypt—as being the SOURCE of all languages throughout the world. Chapter 2: The Seamless Language and/of Music covers the unity of musical tones and Egyptian alphabet as well as the intimacy between language/speech/vocals and music in the Egyptian system. Chapter 3: The Human Vocal Instrument covers the details of the human vocal generating system and its equivalence in musical instruments. Chapter 4: The Three Primary Tonal Sounds covers the three primary rhythmic tones and their equivalence in the Egyptian three quantal vowels/sounds. Chapter 5: The Musical/Tonal/Tonic Alphabet covers the letters of the Egyptian alphabet being derived from the three primary tonal sounds/vowels as well as the utilization of alphabet for musical instruments tonal notations. Chapter 6: Duality of Letters/Musical Tones shows the dual nature of alphabetical letters and musical tones. Chapter 7: The "Atom" of Musical/Vocal Sounds covers the fundamentals of generative phonology and the nature of the four sound variation of each letter; and its exact equivalence in musical notes. Chapter 8: The Musical Rhythmic Sound Segmentation covers the orderly sound seg

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  My Grandfather's Gallery - A...

  Anne Sinclair

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  On September 20, 1940, one of the most famous European art dealers disembarked in New York, one of hundreds of Jewish refugees fleeing Vichy, France. Leaving behind his beloved Paris gallery, Paul Rosenberg had managed to save his family, but his paintings-modern masterpieces by Cézanne, Monet, Sisley, and others-were not so fortunate. As he fled, dozens of works were seized by Nazi forces, and the art dealer's own legacy was eradicated.More than half a century later, Anne Sinclair uncovered a box filled with letters. Drawing on her grandfather's intimate correspondence with Picasso, Matisse, Braque, and others, Sinclair takes us on a personal journey through the life of a legendary member of the Parisian art scene in My Grandfather's Gallery. Rosenberg's story is emblematic of millions of Jews, rich and poor, whose lives were indelibly altered by World War II. Sinclair's journey to reclaim her family history paints a picture of modern art on both sides of the Atlantic between the 1920s and 1950s that reframes twentieth-century art history.

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  When Does the Mind-Bending...

  Gordon King

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  A Times Book of the Year 'Most underrated group? World of Twist.' - LIAM GALLAGHER'They're a top band. No one could do what World of Twist do, except World of Twist.' - NOEL GALLAGHER'They were such a special band, such a moment in time, and Gordon has written such a special book.' - JON RONSONWorld of Twist: the greatest lost band of all time.While fame, glory and untold riches seemed like an inevitability for World of Twist at the turn of the '90s, the universe was simply not ready for a group of retro futurists, psychedelic adventurers and cosmic tunesmiths.Too late for Madchester, too early for Britpop and too much fun to pigeonhole, the band went on to face a demoralising string of near-misses and 'what could have been's, ultimately falling apart in a medley of incompatible drugs, musical contretemps, sartorial differences and all-round shoulder-shrugging apathy.But they burned bright and left an indelible mark on everyone who looked deep into their light...Now, in When Does the Mind-Bending Start?, co-founder, guitarist and principal songwriter Gordon King tells the incredible inside story of his time with World of Twist, revealing the jealousy, anguish and personal demons experienced by the clashing personalities of King and the band's late singer, Tony Ogden.This is a memoir of tragedy and triumph, comedy and drama, demise and recovery.

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