Otros libros que te pueden interesar

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  The Rappahannock Line

  Martin Hicks

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  The Rappahannock Line continues the story of Irish immigrant Daniel Ryan who serves in Robert E. Lee's Confederate Army of Northern Virginia. As the year 1862 draws to its close, the powerful Union army gathers its strength on the Rappahannock River in Virginia to renew its advance on the Confederate capital. Lee's army confronts it there bringing on a further bloody collision. 
  Ryan and his comrades endure the Winter that follows the brutal battle of Fredericksburg, as the Confederate army suffers critical supply shortages, while, across the river, the enemy, under a new commander, reorganises and strengthens itself again for the Spring resumption of campaigning, which will test the skills of General Lee and the courage and resolve of his outnumbered soldiers as never before.

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  The Devil Light - Former soldier...

  Edgar Wallace

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  Richard Horatio Edgar Wallace was born on the 1st April 1875 in Greenwich, London.  Leaving school at 12 because of truancy, by the age of fifteen he had experience; selling newspapers, as a worker in a rubber factory, as a shoe shop assistant, as a milk delivery boy and as a ship’s cook.  
   
  By 1894 he was engaged but broke it off to join the Infantry being posted to South Africa. He also changed his name to Edgar Wallace which he took from Lew Wallace, the author of Ben-Hur.  
   
  In Cape Town in 1898 he met Rudyard Kipling and was inspired to begin writing. His first collection of ballads, The Mission that Failed! was enough of a success that in 1899 he paid his way out of the armed forces in order to turn to writing full time.  
   
  By 1904 he had completed his first thriller, The Four Just Men. Since nobody would publish it he resorted to setting up his own publishing company which he called Tallis Press. 
    
  In 1911 his Congolese stories were published in a collection called Sanders of the River, which became a bestseller. He also started his own racing papers, Bibury’s and R. E. Walton’s Weekly, eventually buying his own racehorses and losing thousands gambling.  A life of exceptionally high income was also mirrored with exceptionally large spending and debts.  
   
  Wallace now began to take his career as a fiction writer more seriously, signing with Hodder and Stoughton in 1921. He was marketed as the ‘King of Thrillers’ and they gave him the trademark image of a trilby, a cigarette holder and a yellow Rolls Royce. He was truly prolific, capable not only of producing a 70,000 word novel in three days but of doing three novels in a row in such a manner. It was estimated that by 1928 one in four books being read was written by Wallace, for alongside his famous thrillers he wrote variously in other genres, including science fiction, non-fiction accounts of WWI which amounted to ten volumes and screen plays. Eventually he would reach the remarkable total of 170 novels, 18 stage plays and 957 short stories. 
   
  Wallace became chairman of the Press Club which to this day holds an annual Edgar Wallace Award, rewarding ‘excellence in writing’.  
   
  Diagnosed with diabetes his health deteriorated and he soon entered a coma and died of his condition and double pneumonia on the 7th of February 1932 in North Maple Drive, Beverly Hills. He was buried near his home in England at Chalklands, Bourne End, in Buckinghamshire.

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  If I Were You

  L. Ron Hubbard

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  Tom Little is a circus midget with giant dreams. He may be king of the midgets, but he’s got grander ambitions—to become the ringmaster. Now, drawing on some dark ancient secrets, he’s about to get his wish. But in assuming another man’s identity, Tom must also take on his enemies—who want to make him pay for the big man’s sins. The circus is coming to town, as the audio version of If I Were You puts you in the center ring of the magic, mystery, and madness.

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  The Strong - A tale from the...

  Marcel Schwob

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  Mayer André Marcel Schwob was born in Chaville, Hauts-de-Seine, France on 23rd August 1867 into a cultivated Jewish family.  
   
  As a child he devoured the works of Poe and Stevenson in French and then again in English.  His attachment to the bizarre and dark was already forming. 
   
  His education at the Lycée of Nantes earned him the 1st Prize for Excellence.  In 1881, he was in Paris with his maternal uncle to study at the Lycée Louis-le-Grand.  Schwob quickly developed his multilingual abilities and then studied philology and Sanscrit at the École pratique des hautes études before completing his military service in Vannes with the artillery. 
   
  After completing a Bachelor of Arts in 1888 he became a professional journalist and worked for the Phare de la Loire, the Événement and L'Écho de Paris. 
   
  The 1890’s marked his establishment as a brilliant writer with the publication of six short story collections.   
   
  He fell ill in 1896 with a chronic, incurable intestinal disorder.  He also suffered recurring bouts of influenza and pneumonia.  Intestinal surgery was given several times, at first with success but, by 1900, after two more surgeries, he was told that nothing more could be done for him.  Schwob now existed on kefir and fermented milk. 
   
  By the turn of the century, despite failing health, and often too ill to write, he embarked on several long travels, including to Vailima in the South Pacific where his literary hero Stevenson had died.  
   
  Schwob was regarded as a symbolist writer and a ‘precursor of Surrealism’.  He wrote over a hundred short stories, journalistic articles, essays, biographies, literary reviews and analysis, translations and plays.  
   
  Marcel Schwob died on 26th February 1905 of Pneumonia.  He was 37.

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  Sister Liberty

  Gregory Hill

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  Liberté, Egalité, Sororité 
  It’s 1885. When murderous circumstances force two widows--Annie & Euphémie---and the precocious Auguste to flee their French village, a quartet of missionaries from the Church of Solemn stow them away within the Statue of Liberty’s head on a steamer that arrives in New York after a deadly tempest. From NY, the Solemnites usher the refugees to the staid village of Solemn, Indiana, where pleasure is forbidden. 
  The village embraces the refugees while at the same time avoiding certain delicate subjects, including the relationship between the two widows, as well as Auguste’s endless blasphemies. 
  These delicate subjects become unavoidable when Solemn is tapped to host the All-Tent Revival. The revival calls itself a “multi-denominational marketplace for God.” More accurate would be: “a time-bomb composed of two-hundred rival factions of late-19th-century American crack-pot religious sects.”  
  Guess who sets off that bomb. 
  With its cast of obedient romantics, mystical nutbags, and adorable cynics, Sister Liberty is the rollicking, thunderous introductory volume to The Stables Family Chronicles. 
  WARNING! THIS AUDIOBOOK CONTAINS DESCRIPTIONS OF: whistling, allegorical situations, lesbians, apostasy, and a pleasure wheel. Also: Eleven instances of the word fuck. 

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  The Trial of Anna Thalberg - A...

  Eduardo Sangarcía

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  Winner of the 2020 Mauricio Achar Award 
   
   
   
  Does evil lurk in the shadows of the forest or within the human heart? Eduardo Sangarcía's tale of one woman's trial opens the door to deeper horrors. 
   
   
   
  Anna Thalberg is a villager shunned for her red hair and provocative beauty, so when she is dragged from her home and accused of witchcraft, her neighbors do not intervene. Only Klaus, her husband, and Father Friedrich, a priest experiencing a crisis of faith, set out to Würzburg to prove her innocence. There, locked in a prison tower, Anna faces isolation and torture while anxiety builds over strange happenings within the city walls. Can the two men convince the Church inquisitors to release Anna, or will she burn at the stake? 
   
   
   
  The Trial of Anna Thalberg is a tale of religious persecution, superstition, and suffering during the Protestant Reformation. While mapping the medieval fear of occultism and demons, it delves into enduring human concerns: the oppression of women, the inhumanity of institutions, and the question of God's existence. Frantic in pace and experimental in form, this is an unforgettable debut from Mexican author Eduardo Sangarcía.

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