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  Stories I Love To Tell - that...

  Dick Foth

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  Dick Foth can’t stop telling stories. He's been making sense of life through story since he first realized words could become sentences. Now, after eight decades, friends have finally convinced Foth to record the stories he loves to tell in the way he loves to tell them: to a live audience. Stories I Love to Tell became a reality one evening at the Capital Turnaround in Washington, D.C.—a setting for some of Foth’s greatest adventures. And now you are invited into the audience, to find reasons for hope, courage to face hard things, and stories that bring us back together. Our brains are wired for and by story. Memories live in stories; relationships flourish there; identity is shaped there. Values ripen, and belonging is found across generations—around campfires and dinner tables—when moments turn into stories.Why listen to someone else’s stories? If it’s true that every human being somehow reflects God—and Foth believes it is—then maybe stories are the mirrors between every family, tribe, and person on planet Earth. In other words, it’s our stories that give our relationships a chance.Foth especially loves childhood stories, “because when I tell a story from my childhood, it reveals who I am. It is the lens through which I see my world.” As you listen to Stories I Love to Tell, you will see your own world more clearly. You will find yourself thinking, dreaming, and even feeling like a child again. There will be greater heroes to follow, deeper joys to discover, and even more of yourself to see. Foth’s low, kind, and rumbling voice constantly reminds us of the people who care for us, cheer us on, and—almost without our knowing it—become the heroes of the stories we, too, will love to tell. Enjoy!

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  Classic Rock & Rock Radio...

  Various Authors

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  This fascinating audio program includes actual radio commercials from the 1960s for the following bands: Blind Faith, Bee Gees, Iron Butterfly, Johnny Rivers, Neil Diamond, The Ventures, Jan & Dean, and The Stooges.

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  The Insanity of the Artist -...

  Thierry Delcourt

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  Salvador Dalí sublimated his madness without ever falling into it. Antonin Artaud, confronted with the traumas of childhood, oscillated all his life between an overflowing creation and accesses of madness. Niki de Saint Phalle, thanks to artistic expression, cured herself of a deep depression linked to the trauma of incest. Vincent van Gogh, in order to reach the summit of his art, put himself in danger to the point of committing suicide. Camille Claudel exhausted herself in her creation and ended up being interned and never creating again.
  Based on the life and work of a dozen artists of genius, Thierry Delcourt tries to understand these artists’ transition from the summits of creation and the artistic abyss. Why do some people fall into madness while others go through life without a hitch? Why do some sick people find healing through creation? Why do many artists have an obsessive need to create relentlessly?
  To these fascinating questions, this book offers striking answers about creation on the brink of the abyss.

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  I'm Not Your Muse - Uncovering...

  Lori Zimmer

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  An illuminating exploration of 31 incredible women—across art, architecture, dance, literature, and more—whose culture-defining contributions have, until now, been overshadowed by their role as "muses" to history's better-known men.  What does it mean to be someone's "muse"? Historically, to be called a “muse” among artistic circles has been marketed as a flattering title. It is a commendation that most often refers to a woman whose vivacity and beauty are the source of inspiration for a (usually) male artist or creator. Perhaps her inspiring presence is even credited in the story of his success. But the very concept of a muse underestimates these women and their abilities. At its root, muse is a support role, the title a consolation prize that claims to recognize a woman’s greatness—but only in her support of another.I'm Not Your Muse reclaims the narrative of 31 of these extraordinary women, from "The Mother of the Movies" Alice Guy-Blaché to Modernist designer Eileen Gray, prima ballerina Maria Tallchief, storied Harlem Renaissance editor Jessie Redmon Fauset, and many more. Each of these women advanced the narrative of culture and society, pushing the boundaries of visual arts, dance and movement, commercial architecture, music, journalism, and the performing arts. Whether by historical accident or cruel design, their contributions have historically been overshadowed by those of their male counterparts, and often collaborators. In this briskly written, incisively researched compendium, author and researcher Lori Zimmer repositions these women as the main characters of their own lives. Each profile is accented with original illustrations—including jaunty portraits in playfully constructed frames—by artist Maria Krasinski. Together, they highlight the contemporary accomplishments and historical legacies of a wide-ranging group of revolutionary women. Featured women include:  Louise Blanchard Bethune  Claude Cahun and Marcel Moore  Minnette de Silva  Clara Driscoll  Jessie Redmon Fauset  Loie Fuller  Martha Gellhorn    Eileen Gray  Belle da Costa Greene  Alice Guy-Blaché  Miss La La  Edmonia Lewis  Neysa McMein  Hildreth Meière  Lucia Moholy  May and Jane Morris    Na Hye-Sŏk  Fernande Olivier  Pan Yuliang    Ethel Reed    Clara Rockmore    Ada Bricktop Smith  Maria Tallchief  Alice B. Toklas  Suzanne Valadon    Baroness Elsa von Freytag-Loringhoven  Leonora Carrington  Remedios Varo  Kati Horna

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  Radio Records Dramatized...

  Charles Dickens, Adaptation by:...

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  We take great pride to invite you to walk back into the min-nineteenth century and live as never before the life and times of Ebeneezer Scrooge and "A Christmas Carol".  Come with us to the streets of London to hear and feel the horses and carriages going over the cobble stone streets.  Come and imagine in vivid color, sight and sound "The Christmas Carol" bringing to life 36 characters that will push you imagination to the brink of reality.  Come and envision Old jacob Marley appearing before his sinister old partner Scrooge to fortell of the things to happen which fate has set fortold.  Feel the presents of the ghosts as they take Scrooge one by one from the past to the future.  Feel the warmth and the laughter and even the sorrow of Tiny Tim and the Crachit Family.  Come listen and envision as the towns people laugh with out sorrow of the passing of Old Scrooge and the barter with the pawnbroker over the simplest things he left behind.  Envision what happened to Scrooge as the last phantom shows him the things of yet to come and the transformation of London's Coldest Old Miser.Truely this is "A Christmas Carol" with no parts left out.  We feel you will enjoy this story for it lives today as much as it did back then.

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  Truth is Still Out There The:...

  Bethany Jones

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  In September 1993, a TV show like no other appeared on our screens, asking us to consider the essence of truth and belief, to think about the nature and roles of science and humanity, and to question what we were told by those in power. Combining horror, science fiction, drama, crime, and comedy with cinematic filmmaking, The X-Files transported the paranoia of the sixties and seventies to the technologically savvy nineties as it followed two iconic characters, FBI Agents Fox Mulder and Dana Scully, in their labyrinthine pursuit of truth. Further, The X-Files reversed conventional television gender roles: Mulder was our believer in the paranormal, chasing down clues in search of his abducted sister; Scully was the skeptic, a scientist preaching rationality and objective truth. Now, thirty years later, the nature of conspiracy theories may have changed, but the anxiety surrounding them has not. In an era in which Watergate has been replaced by Gamergate and conspiracy theorists blindly embrace the myth of a stolen election and maintain that an all-powerful cabal of Satanic Democrats—defeatable by only one man—is preying on children, The X-Files remains as relevant as ever.

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