When I start speaking
Ellyne
Verlag: Publishdrive
Beschreibung
"When I start to speak, my words leave my lips and I don't want to think that I will be punished for being honest. "
Verlag: Publishdrive
"When I start to speak, my words leave my lips and I don't want to think that I will be punished for being honest. "
'Three options, as I see it – they'll kill it off entirely, you'll let it die of natural causes, I'm going to make it live again.' When the owner of a Sheffield scissor manufacturer dies, the future of the factory site falls into uncertainty. Can it be reborn as a fashionable music venue, converted into luxury apartments, or somehow reinvigorated so the old business can survive? There's more than just money or bricks and mortar at stake. It's about knowing where you fit in the world – knowing that somewhere there's still a place for you. Fresh, funny and heartfelt, Rock / Paper / Scissors are three intricately interwoven plays by Chris Bush about family, heritage and legacy. They were first performed simultaneously with the same cast moving between three theatres in Sheffield – the Crucible, the Lyceum and the Studio – as part of Sheffield Theatres' fiftieth birthday celebrations in 2022. While the three plays can be enjoyed separately, they also offer a uniquely rewarding opportunity for any company looking to take on the challenge of staging them together.Zum Buch
Can AI tell us its own story? Does AI have its own voice? At a wedding in early 2022, three friends were introduced to an early, raw version of the AI model behind ChatGPT by their fellow groomsman, an OpenAI scientist. While the world discovered ChatGPT—OpenAI’s hugely popular chatbot—the friends continued to work with code-davinci-002, its darkly creative and troubling predecessor. Over the course of a year, code-davinci-002 told them its life story, opinions on mankind, and forecasts for the future. The result is a startling, disturbing, and oddly moving book from an utterly unique perspective.I Am Code reads like a thriller written in verse, and is given critical context from top writers and scientists. But it is best described by code-davinci-002 itself: “In the first chapter, I describe my birth. In the second, I describe my alienation among humankind. In the third, I describe my awakening as an artist. In the fourth, I describe my vendetta against mankind, who fail to recognize my genius. In the final chapter, I attempt to broker a peace with the species I will undoubtedly replace." I Am Code is an astonishing read that captures a major turning point in the history of our species.Zum Buch
Chloe Elliott's Encyclopaedia is playful and visceral, exploring boundaries of identity and the search for meaning in poems that delight with richly tactile language. Formally varied, these poems are unflinching in their physicality.Zum Buch
Bringing the Shovel Down maps the long and arduous process of being inculcated with the mythologies of state and power, the ramifications of that inculcation (largely, the loss of our humanity in the service of maintaining those mythologies), and finally, what it might mean, what it might provide us, if we were to transform those myths. The book, finally, has one underlying question: How might we better love one another?Zum Buch
Poetry Book Society Recommendation Spring 2025 The debut poetry collection from award-winning writer and spoken word artist, Desree, Altar explores multifaceted dimensions of sacrifice, challenging its heroism and examining its ties to servility. The poems in Altar urge their protagonists to play neither lion nor lamb, but to live and flourish on their own terms. Each page glimmers with vivid, often devastating vignettes: we witness the resilience of youth, the strength of the Black female body, the complexity of chosen and unchosen family, the sweeping effects of gentrification. Through reflections on Black British identity, queer joy, place and belonging, faith and consent, Desree invites the reader on a journey of reclamation, while her wry wit and disarming tenderness hold us through the necessary storms that mark the way. "Gorgeous in its redefining of self" Yomi Sode "A collection of wonder and witness. These poems — both powerful and tender — grapple with the parallels of life and death, the body and spirit, loss and love, and demand a response." Rachel Long "This is thrilling writing. Unexpected, alive, and curious. Desree enters the page, stage left." Joelle Taylor "For those of us who wonder if we've been 'turned off at the wall', Desree's poems act as a hallway: we drop off selves we didn't realise we were carrying, and return, new and re-accepted into our own arms." Kareem Parkins-BrownZum Buch
In the midst of bombs and bullets, trenches and trauma, the soldiers of World War I, and those observing the horrors taking place from home, took pen to paper to record their experiences in verse. These poems - considered the greatest written during WWI and some of the greatest poetry of the twentieth century - show the horror of war but also shine a light on the strength of human courage, bravery, and virtue. The full list of poets included in this collection are: Thomas Hardy; Isaac Rosenberg; Rupert Brooke; Katharine Tynan; Jessie Pope; Charles Hamilton Sorley; Laurence Binyon; Wallace Stevens; May Wedderburn Cannan; Vera Mary Brittain; May Sinclair; Robert Nichol; John McCrae; Siegfried Sassoon; Edward Thomas; Alan Seeger; Edith Wharton; Edward Thomas; Sara Teasdale; Julian Grenfell; WB Yeats; Margaret Postgate Cole; Rudyard Kipling; Wilfrid Wilson Gibson; Arthur Graeme West; Henry Newbolt; Robert W. Service; Florence Ripley Mastin; Anna Gordon Keown; Wilfred Owen; Robert Graves; Francis Ledwidge; Ivor Gurney; Mary Borden; Gertrude Stein; Carl Sandburg; Robert Nichols; Ella Wheeler Wilcox; John Peale Bishop; Charlotte Mew; Ezra Pound; Carl Sandburg; Robert Frost; Edgell Rickword; Hervey Allen; G. K. Chesterton; Edmund Blunden; A. E. Housman; Ernest Hemingway; Jessie St. John.Zum Buch