D'autres livres qui pourraient vous intéresser

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  Muses and Muscle Memory: The...

  Chris-Ann Miche

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  This is a specially curated, abridged edition. The full, unabridged edition will be available soon. 
  In a world where we can feel so disconnected, bogged down by the motions and minutes that steal dreams and tuck the self out of sight, Muses and Muscle Memory: The Audio Experience invites you to sneak away and reconnect. There are moments — beautiful, chaotic, and in-between — that make us who we are; they're as ingrained as the bones beneath our skin. And there are muses — bursts or bodies — that inspire us to feel, to explore, to change, or to appreciate. But we need the space: to think, to remember, to create, or just to be. 
  Narrated by the author, Chris-Ann Miche, and sound designed by Joel Young, each poem pulls you into a vivid landscape of words, with sounds from everyday life, that ask you to sit, listen, breathe, and contemplate. 
  Touching on complicated themes like memory, grief, desire, love, fear, freedom, and more, Chris-Ann comes out of intellectual hiding to lead you through glimpses of her past and present, to give you a safe place to get lost, a secure place to feel, to linger in nostalgia, to explore longing and warmth, while considering what’s to come, away from the noise of the world. 
  In the words of RaeChelle-Faith Hamilton, "Chris-Ann truly has a gift. Her uncanny ability to pull you into her world, while evoking treasured moments from your own experiences, reflects empathy, and true craftsmanship. Her collection not only narrates her own life's questions, but beautifully and effectively reflects how we may also perceive the world, but are unable to find the words. Chris-Ann has not only found her voice but has managed to help us find our own.”

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  Human Resources - Poems

  Ryann Stevenson

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  Winner of the Max Ritvo Poetry
  Prize, Ryann Stevenson’s Human Resources is a sobering and
  perceptive portrait of technology’s impact on connection and power.Human Resources follows
  a woman working in the male-dominated world of AI, designing women that don’t
  exist. In discerning verse, she workshops the
  facial characteristics of a floating head named “Nia,” who her boss calls “his
  type”; she loses hours researching “June,” an oddly sexualized artificially
  intelligent oven; and she spends a whole day “trying to break” a female
  self-improvement bot. The
  speaker of Stevenson’s poems grapples with uneasiness and isolation, even as
  she endeavors to solve for these problems in her daily work. She attempts to
  harness control by eating clean, doing yoga, and searching for age-defying skin
  care, though she dreams “about the department / that women get reassigned to
  after they file / harassment complaints.” With sharp, lyrical intelligence, she
  imagines alternative realities where women exist not for the whims of men but
  for their own—where they become literal skyscrapers, towering over a world that
  never appreciated them.Chilling and lucid, Human
  Resources challenges the minds programming our present and future to consider
  what serves the collective good. Something perhaps more thoughtful and human,
  Stevenson writes: “I want to say better.”

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  The Frozen Earth & Other Poems -...

  Winifred Holtby

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  Winifred Holtby was born on 23rd June 1898 to a prosperous farming family in the village of Rudston in Yorkshire.  
   
  A governess provided her early education before she went to Queen Margaret's School in Scarborough.  After passing the entrance exam for Somerville College, Oxford in 1917, she decided to join the Women's Army Auxiliary Corps in early 1918.  However, soon after her arrival in France, the War ended. 
   
  She returned to study at Oxford and met fellow student Vera Brittain.  After graduating from Oxford, in 1921, Winifred and Vera moved to London, hoping to establish themselves as authors. 
   
  Her early novels met with only moderate success but as a journalist she was both prolific and increasingly well-known.  Her articles graced more than 20 newspapers and magazines, including the Manchester Guardian newspaper.   
   
  Winifred was a committed feminist, socialist and pacifist.  She gave many lectures for the League of Nations Union.  She was also active in the Independent Labour Party and was a campaigner for the unionisation of black workers in South Africa. 
   
  In 1931 the symptoms of high blood pressure, recurrent headaches and bouts of lassitude brought forth a diagnosis of Bright's disease.  She was given two years to live and now put all her efforts into what was to become her crowning achievement: South Riding.  Released posthumously it received lavish praise and enormous sales.  Her canon of works tackle difficult subjects head on, many in unusual ways, brimming with verve and usually strong female protagonists. 
   
  Winifred Holtby died on 29th September 1935 in London.  She was 37. 
  01 - The Frozen Earth & Other Poems by Winifred Holtby - An Introduction 
  02 - The Frozen Earth by Winifred Holtby ''Edwards's Funeral March'' 
  03 - Two Early Poems (No Mourning by Request & The Debt) by Winifred Holtby 
  04 - The Foolish Clocks by Winifred Holtby 
  05 - Prayer by Winifred Holtby 
  06 - Hills in the Transvaal by Winifred Holtby 
  07 - The Grudging Ghost by Winifred Holtby 
  08 - Trains in France by Winifred Holtby 
  09 - The Frozen Earth Symphony by Winifred Holtby - The Dead Musician 
  10 - For the Ghost of Elinor Wylie by Winifred Holtby 
  11 - House on Fire by Winifred Holtby 
  12 - Happy Ending by Winifred Holtby

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  Poets & Their Trades –...

  William Shakespeare, Johann...

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  The life and career of a Poet is often thought of as musing at a desk, or lying in a meadow, or on long journeys to find inspiration for their next masterwork.  But more often than not a poet was a part-time profession in subservient submission to their actual, salary-paying job.   
  In this volume we bring together those whose craft is the drafting of words into stories and plays that others read or watch.  Of course, in Centuries past poetry was often interwoven into plays and yet, in the pens of these talents, their verse can not only stand alone and complete but rise to its own Art and the demanding tests of time.

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  Meister Eckhart's Book of...

  Meister Eckhart, Jon M Sweeney,...

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  “Within each of us is a divine treasure, and if we hope to discover it we need to go deep into the heart of who we are.”—Meister Eckhart Meister Eckhart has been a huge influence on spirituality for more than 800  years, including to philosopher Arthur Schopenhauer, Eckhart Tolle, Richard Rohr, D. T. Suzuki, Rudolf Steiner, and Matthew Fox—all crediting Eckhart as being an important influence on their thought.   This book of Meister Eckhart meditations is for people seeking the “wayless way.” It is not for those looking for a simple path. Many people in our time still go looking for a straight path toward a defined goal, without detours, led by a guide who tells them what to do and what not to do. They would be uncomfortable with Meister Eckhart—a Christian mystic from the century of Rumi and Francis of Assisi—who said to “take leave of God for the sake of God.” And, “Learn not to love in order that you may learn to love.” And, “All things are equal and alike in God and are God.”   These fresh, stunning renderings of his writings in poetic form bring life to one of the great spiritual voices of any age. They reveal what it means to love God and find meaning in darkness. In a culture that craved light—and what culture does not?—Eckhart dared to imagine that the darkness is what matters most. Not darkness in general, but your darkness, because it is the one thing you know something about, and without facing your darkness, you’ll never know what it means to desire the light. You’ll never even imagine what light is about. Only when you are in the darkness, Meister says, do you have even the possibility of seeing the light.

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  Noughts & Crosses

  Malorie Blackman

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  An electrifying, bittersweet love story with echoes of Romeo and Juliet, set in a society divided by racial bigotry and a world rocked by terrorism. Adapted from Malorie Blackman's best-selling novels.
  Sephy (a Cross) is the daughter of the Deputy Prime Minister. Callum is the son of a Nought agitator. United by a shared sense of injustice as children, and separated by intolerance as they grow up, their desire to be together begins to eclipse all family loyalty – sparking a political crisis of unimaginable proportions.
  'I wanted to turn society as we know it on its head, with new names for the major divisions, i.e. Noughts (the underclass) and Crosses (the majority, ruling society)' - Malorie Blackman
  Dominic Cooke's adaptation of Noughts & Crosses was first performed by the Royal Shakespeare Company in Stratford-upon-Avon in 2007.

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