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  Bad Weather Mammals - Poems

  Ashley-Elizabeth Best

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  “The sick should be good. / It is a kind of undoing,” Ashley-Elizabeth Best writes in her second collection. Bad Weather Mammals navigates the devastations and joys of living in a disabled and traumatized body. By taking a backward glance, she traces how growing up under the maladaptive bureaucracy of social services with a single disabled mother and five younger siblings led her to a precarious future in which she is also disabled and living on social assistance. In poems that explore a variety of formal constraints, such as the suite “ODSP 1, 2, & 3,” which infuses government forms with lyric poetry, she suggests all the ways the medical and bureaucratic systems can dehumanize and traumatize our most vulnerable citizens. By digging deep into her own experiences, Best has archived the ways we fail each other in our most desperate times — while at the same time outlining how we can show up to revel in disabled joy and community. Bad Weather Mammals disassembles dominant narratives about how disabled individuals should be and reconceptualizes the embodied experiences that recenter us in our own narrative.

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  An Orange A Syllable

  Gillian Sze

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  The latest book by Gillian Sze, author of the Pat Lowther Memorial Award–winning book Quiet Night Think
  		 
  This prosimetrical work is a meditation on motherhood, language, and art. The central speaker witnesses the earliest utterances of her child and launches into a poetic inquiry of words themselves, asking, How to measure one’s mouth by its words? The speaker seeks an answer amidst the language that surrounds her — words misspoken, mispronounced, remembered, unwritten — and, in doing so, struggles with signification and significance.
  		 
  Each prose poem in the five-part collection darts between the many meanings of “fit” — as in “a sudden burst of emotion” or “to be the right size and shape,” and the archaic “fytte” (a section of a poem). A text becomes an open mouth, a square day of a calendar, or a bare fragment of a narrative. The final section of the book is an intimate and ekphrastic engagement with the work of Danish painter Vilhelm Hammershøi. Drawn to Hammershøi’s paintings of the empty rooms of his apartment, the speaker recognizes a familiar space of art’s insistence.
  		 
  An Orange, A Syllable details a period of maternal and artistic transformation.

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  Behind the Web

  Fimalia McNoll

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  Tears, dropping, running like a river 
  Genuine attention needed 
  But how to wipe them with hands tied 
  Call for help, people will hear 
  Some might hear and turn a blind eye 
  Others might pretend they don't hear you cry 
  Yet a kind one must come running 
  If not running, to your aid, walking, scrambling

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  Homer's The Iliad and The Odyssey

  Homer Homer

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  "Ah how shameless – the way these mortals blame the gods. From us alone they say come all their miseries yes but they themselves with their own reckless ways compound their pains beyond their proper share.” – The OdysseyExperience the stunning Greek poetry of Homer in this collection of his two major works: The Iliad and The Odyssey. These epic poems are beloved for their presentation of Greek history and belief systems, their strong theming and lessons on Greek virtues, and their continued influence on the literary canon.The Iliad –In the final days of the long-fought Trojan War, the Greek gods begin to interfere with the events of the war. When plagues strike the Achaean army, the fierce leader Achilles uses his connections with the gods to further interfere, which begins a series of events that leads to death and destruction on both sides of the war. This dramatic poem is a commentary on human folly and hubris, while also an in-depth explanation of the warfare styles of the time and a representation of the Greek views on the interference of gods in major historical events.The Odyssey –Following the events of The Iliad, Odysseus begins a journey to return to his home of Ithaca after being away for a decade due to angering Poseidon, the god of the sea. After sneaking away from Poseidon, he embarks on a years-long voyage home during which he is captured and circumvented by earthly and godly foes alike. His journey home is slow and full of turmoil and adventure. Themes in this poem include hospitality, predetermined fate and omens, journeying home, and wandering as a test of faith and resilience.

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  The Poetry of Algeron Charles...

  Algernon Charles Swinburne

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  Algernon Charles Swinburne was born on April 5th, 1837, in London, into a wealthy Northumbrian family.  He was educated at Eton and at Balliol College, Oxford, but did not complete a degree.  
  In 1860 Swinburne published two verse dramas but achieved his first literary success in 1865 with Atalanta in Calydon, written in the form of classical Greek tragedy. The following year "Poems and Ballads" brought him instant notoriety. He was now identified with "indecent" themes and the precept of art for art's sake.  
  Although he produced much after this success in general his popularity and critical reputation declined. The most important qualities of Swinburne's work are an intense lyricism, his intricately extended and evocative imagery, metrical virtuosity, rich use of assonance and alliteration, and bold, complex rhythms.  
  Swinburne's physical appearance was small, frail, and plagued by several other oddities of physique and temperament. Throughout the 1860s and 1870s he drank excessively and was prone to accidents that often left him bruised, bloody, or unconscious. Until his forties he suffered intermittent physical collapses that necessitated removal to his parents' home while he recovered.  
  Throughout his career Swinburne also published literary criticism of great worth. His deep knowledge of world literatures contributed to a critical style rich in quotation, allusion, and comparison. He is particularly noted for discerning studies of Elizabethan dramatists and of many English and French poets and novelists. As well he was a noted essayist and wrote two novels. 
  In 1879, Swinburne's friend and literary agent, Theodore Watts-Dunton, intervened during a time when Swinburne was dangerously ill. Watts-Dunton isolated Swinburne at a suburban home in Putney and gradually weaned him from alcohol, former companions and many other habits as well.  
  Much of his poetry in this period may be inferior but some individual poems are exceptional; "By the North Sea," "Evening on the Broads," "A Nympholept," "The Lake of Gaube," and "Neap-Tide."  
  Swinburne lived another thirty years with Watts-Dunton. He denied Swinburne's friends access to him, controlled the poet's money, and restricted his activities. It is often quoted that 'he saved the man but killed the poet'.  
  Swinburne died on April 10th, 1909 at the age of seventy-two. 
   This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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  I Didn't Mean for That to Happen

  Grace Weather

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  Before she turned thirteen, Tahiya became the life-line of her tribe. Everyone celebrated except her brother. Now, no matter how hard she tries, whatever Tahiya achieves, he steals all the attention. She wants it back. How far will she go? At what cost? Some things once done cannot be undone.

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