Outros livros que poderiam interessá-lo

• 

  Shane - Adapted from the...

  Mr Punch

  • 0
  • 0
  • 0

  Mr Punch Presents: SHANE, the classic western, nominated for six Academy Awards, is set in the late 1860’s and tells the story of the mysterious retired gunslinger (Alan Ladd), who arrives at the ranch of a family of homesteaders, only to find himself involved in a violent range war. In this special radio production both Alan Ladd and Van Heflin reprise their original film roles from the Oscar winning movie. 
   
  This high-quality audiobook has been re-mastered and re-edited from the original radio broadcast. 
    
  Also available as part of the Hollywood Playhouse BOX SET, a collection of 14 Oscar winning ear-movies, adapted from the original screenplays & performed for the radio by many of the original film stars in front of a live studio audience. 
    
  These radio dramas were….to become as popular as the movies themselves. Hollywood Movie Memories 
    
  This is an excellent audio product that will appeal to the majority of audiobook listeners. Talking Business 
    
  A lovely series to add to any film, audio or crime lovers’ collection. Audio World 
   

  Ver livro

• 

  Expressway

  Sina Queyras

  • 0
  • 0
  • 0

  Shortlisted for the Governor General's Award for Poetry
     
  This poem resembles urban sprawl. This poem resembles the freedom to charge a fee. The fee occurs in the gaps. It is an event. It is not without precedent. It is a moment in which you pay money. It is a tribute to freedom of choice.
     
  Reality is a parking lot in Qatar. Reality is an airstrip in Malawi.
     
  Meanwhile the expressway encloses, the expressway round and around the perimeters like wagon trains circling the bonfire, all of them, guns pointed, Busby Berkeley in the night sky.
     
  Echoing the pastoral and elegiac modes of the Romantic poets, whose reverence for nature never prevented them from addressing it with all the ideas and sensibilities their times allowed, Sina Queyras's stunning collection explores the infrastructures and means of modern mobility. Addressing the human project not so much as something imposed on nature but as an increasingly disturbing activity within it, Expressway exposes the paradox of modern mobility: the more roads and connections we build, the more separate we feel. 'Cleanse the doors of perception,' Blake urged, and with that in mind, Queyras has written a bravely lyrical critique of our ethical and ecological imprint, a legacy easily blamed on corporations and commerce, but one we've allowed, through our tacit acquiescence, to overwhelm us. Every brush stroke, every bolt and nut, every form and curve in our networks of oil and rubber, every thought and its material outcome – each decision can make or unmake us.
     
  'The works in Expressway are all so tightly wound, hyper-distilled and stressed ... This is poetry for the apocalypse.'
     
  —Broken Pencil
     
  'As a poet, Queyras is secretly romantic, writing with lyricism and a voice that's unafraid of sentiment or emotion ... Queyras' words spark like pickaxes on old asphalt.'
     
  — Eye Weekly
     
  'Queyras show[s] what poetry can do when it simultaneously maps roadways of transportation and lines of human thought.'
     
  —Spacing
     
  'Eclectic engagements characterize Queyras’s work, but any suggestion of characterization of her work immediately brings a morphing to something new, intelligent, and provocative ... Sina Queyras is a poet to read and reckon with.'
     
  —Lambda Literary Review

  Ver livro

• 

  Poets & Their Inner Demons –...

  William Blake, Edgar Allan Poe,...

  • 0
  • 0
  • 0

  The stereotypical image of a poet is one of unknown talent starving in a garret and who’s faithfulness and legacy to the art is discovered only after their death. 
  In some cases this is undoubtedly true, but Poets being human and with the same building blocks of physical and mental health as the rest of us, also had the same afflictions and problems as the rest of us.   
  The long roll call of names and the truncated legacies that were left behind is filled with these lost talents. 
  In this volume we bring together the poems and verse of those wordsmiths whose lives were corroded by depression and the black moods it wrapped them in.  For many the condition would return again and again often deepening into other more malign conditions as well.   
  The long roll call of names and the truncated legacies that were left behind is filled with these lost talents.

  Ver livro

• 

  Taking Root in the Heart - A...

  Jill Peláez Baumgaertner

  • 0
  • 0
  • 0

  A new collection from the best and most prolific poets published in the Christian Century over the past twenty-five years. 
  
  The 34 poets whose work appears defy the narcissistic tendencies of so much contemporary poetry. They do not necessarily express a particular orthodoxy, but they do connect with something larger than the self. Theirs is poetry that attempts to revitalize language, especially theological language. It is poetry that attempts to upset the usual modes of expression and offers up new angles of vision, especially in regard to biblical stories. For most of the poets—though not all by any means—Jesus is the Word made flesh, and the Incarnation is the paradigm as poets attempt to enflesh the abstract, make the spirit tangible, and put into words the unsayable. Poets have a way of taking on what utterly cannot be done. And those are the poems that should appear in a journal of religious news and reflection.
  The poetic approaches and styles of the work of these poets are immensely varied, from the masterful narratives of Sydney Lea to the finely wrought lyrics of Charles Hughes to the always edgy and surprising poems of Bill Stadick to the most imagistic and prolific work of Luci Shaw to the provocative poems of Christian Wiman. Then there are the superb sonnets of Gracia Grindal and Angela Alaimo O'Donnell and the compelling explorations of the deep spirituality of the everyday that comprise Tania Runyan's vision.
  The poems in the journal often explore biblical themes, doctrinal issues, or theological conundrums. But many of the poems that appear in the Christian Century present human experience or encounters with the natural world that do not seem on the surface "religious" but reveal a deep humanity at the core. What defines all of these poems is a commitment to communicating with readers seeking truth, beauty, and authenticity.
  Watch the Book Trailer HERE!

  Ver livro

• 

  The Poetry of Edna St Vincent...

  Edna St. Vincent Millay

  • 0
  • 0
  • 0

  Elinor Morton Hoyt was born on 7th September, 1885 in Somerville, New Jersey and from age 12 grew up in Washington D C where her father served as assistant attorney general and later solicitor general.  Her early education together with her renowned beauty suggests she was being trained for life as a debutante but her life quickly found another route as she became absorbed in the world of books. 
   
  An early marriage following her graduation ended when, after being pursued by Horace Wylie, 17 years her senior and a married Washington lawyer with three children, she eloped to England with him.  His wife would not divorce him and the subsequent scandal was widely publicised further fueled by the suicide in 1912 of her abandoned husband. 
   
  With Wylie's encouragement she published in 1912, ‘Incidental Number’, assembled from poems of the previous decade. 
   
  Despite a child from her first marriage Elinor subsequently endured miscarriages, a stillbirth and a premature child who lived for only one week.  When Wylie’s deserted wife agreed to a divorce, the couple returned to the United States and married but they were already drawing apart. 
   
  In 1921, Elinor’s ‘Nets to Catch the Wind’, was published. It was an immediate success and a prize-winner.  In New York’s literary circles she found her next husband who acted as her agent – the poer William Rose Benét, brother of the famed Stephen. They married in 1923 and that same year ‘Black Armor’, was published. The New York Times said "There is not a misplaced word or cadence in it."  She also published her first of four novels, ‘Jennifer Lom’, to excellent reviews. 
   
  She worked for a time as the poetry editor of Vanity Fair, an editor of Literary Guild, and a contributing editor of The New Republic.  Her third book of poetry, ‘Trivial Breath’ arrived in 1928 as did the failure of her marriage with Benét.  
   
  She moved again to England and fell in love with a friend’s husband, to whom she wrote, and later published a series of 19 sonnets; ‘Angels and Earthly Creatures’. 
   
  Elinor Wylie suffered high blood pressure all her adult life and this eventually led to her death at Benet’s New York apartment on 16th December, 1928 where she suffered a stroke. She was 43. 
   
  1 - The Poetry of Edna St Vincent Millay - An Introduction 
  2 - The Ballad of the Harp-Weaver by Edna St Vincent Millay 
  3 - Dirge Without Music by Edna St Vincent Millay 
  4 - Renascence by Edna St Vincent Millay 
  5 - If Still Your Orchards Bear by Edna St Vincent Millay 
  6 - My Heart Being Hungry by Edna St Vincent Millay 
  7 - First Fig by Edna St Vincent Millay 
  8 - Feast by Edna St Vincent Millay 
  9 - Second Fig by Edna St Vincent Millay 
  10 - No Rose That in a Garden Ever Grew by Edna St Vincent Millay 
  11 - Three Songs of Shattering by Edna St Vincent Millay 
  12 - Rosemary by Edna St Vincent Millay 
  13 - I Too Beneath Your Moon by Edna St Vincent Millay 
  14 - Sonnet XLIII - What Lips My Lips Have Kissed, and Where, and Why by Edna St Vincent Millay 
  15 - Sorrow by Edna St Vincent Millay 
  16 - Departure by Edna St Vincent Millay 
  17 - Travel by Edna St Vincent Millay 
  18 - Journey by Edna St Vincent Millay 
  19 - Mist in the Valley by Edna St Vincent Millay 
  20 - Tavern by Edna St Vinent Millay 
  21 - Exiled by Edna St Vincent Millay 
  22 - A Visit to the Asylum by Edna St Vincent Millay 
  23 - Recuerdo by Edna St Vincent Millay 
  24 - The Philosopher by Edna St Vincent Millay 
  25 - Sonnet XXX -  Love is Not All by Edna St Vincent Millay 
  26 - Sonnet XVIII - I, Being Born a Woman by Edna St Vincent Millay 
  27 - The Betrothal by Edna St Vincent Millay 
  28 - When I Too Long Have Looked Upon Your Fa

  Ver livro

• 

  The Way Old Friends Do

  Ian Hallard

  • 0
  • 0
  • 0

  In 1988, two Birmingham school friends tentatively come out to one another: Edward as gay; Peter, even more daringly, as an ABBA fan.
  Nearly thirty years later, they meet again – and take a chance by forming the world's first ABBA tribute band in drag. It's a riot of platform boots and dodgy beards, 'Waterloos' and 'Chiquititas', and they couldn't escape if they wanted to. But can Edward and Peter's friendship survive the tribulations of a life on the road?
  Ian Hallard's The Way Old Friends Do is a tender, laugh-out-loud comedy about devotion, desire and dancing queens. It premiered at Birmingham Rep in 2023, directed by Mark Gatiss, before touring the UK, including a run at Park Theatre, London.
  The play offers every theatre company and drama group all the ingredients to give their audience the time of its life.

  Ver livro