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  Don Rodriguez: Chronicles of...

  Lord Dunsany

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  Lord Dunsany was the progenitor of modern fantasy fiction. From Tolkein to Gaiman, from Le Guin to Moorcock, his words inspired an entire genre of modern dark fantasy.A fun adventure in a Spain that never was, in the vein of Dumas and Stevenson, with more than a taste of Cervantes. Don Rodriguez is a young nobleman who is banished from the family castle, and must set out with his rapier and mandolin to win his own estate, and perhaps even a bride. Along with his trusty servant Morano, he journeys far into the heart of the mythical Shadow Valley. Echoes of The Princess Bride resonate throughout. “How to describe this book? It's a pretty problem. As might a child, after dashing off to play on a bright summer morning—hours splashing in the river, exploring the forests, duelling with sticks against the Infidel (or the child next door if the Infidel be not available), winning a week's pocket-money at marbles and losing it again—as such a child, when asked "what did you do today?" simply shrugs and replies "oh, nothing much"; just so should I feel, dear Reader, were I to attempt to pin down the precise qualities of this book for you. It doesn't wash. And yet I must make the attempt. I can say this much: this is a book to be approached lightly. The magic Lord Dunsany weaves is delicate, and you may raise an eyebrow and start to protest that you know the history of Spain, and the events he relates cannot possibly have taken place in the manner he describes. Moreover the characters in his story are surely stereotypes, mere caricatures, and no such people can possibly have walked those dusty roads, and even if they did they cannot have subsisted merely on bacon. Not possible, you say. But when you read of Morano's noble frying pan, of bacon cooked beneath the stars and eaten at the wayfarer's green table, you might find that you believe in Bacon after all.” [Iain, Goodreads]

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  Marius' Mules XV: The Ides of...

  S.J.A. Turney

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  The war in Gaul is over. 
   
  The rebels are defeated. 
   
  Now the battle for Rome has begun.

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  The Roads We Take

  Christy K. Lee

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  The year is 1885, and what Clara Thomas desires most is a life beyond the ordinary. As one of Canada’s first female physicians, she yearns to start her own medical practice. Unfortunately, her parents view her goals as an idle preoccupation, encouraging her instead to settle down with a man of their choosing and give up her dreams. Fleeing this conventional life, Clara marries a handsome stranger in haste and journeys to British Columbia to start a life she wants to live. Unfortunately, she shortly discovers that her husband has a crippling addiction and a tendency towards laziness and anger. She could escape to Ontario, but this would also mean giving up her clinic and the relationships she’s made in her new home. In an age where a woman’s worth, rights, and choices are determined by her husband’s whims, will Clara be forced to bow to convention, or will she throw caution to the wind and follow her heart? A heart-rending historical fiction about finding your way, The Roads We Take brings to life the struggles of women in late nineteenth-century Canada.

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  A Prince in the Pantry - A...

  May McGoldrick, Jan Coffey

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  Prince Timour Mirza, an heir to the Persian throne, is visiting England on a diplomatic mission to choose a wife. Brought up in a world where his every move is dictated, Timour longs for one night of freedom.
  Pearl Smith was raised amid London's ton, but a reversal of fortune has left her father languishing in debtors' prison. Now, on the night of the grand ball, she has been reduced to working below stairs at the Whitwell House in London's fashionable West End, the unwitting victim of a former friend's venomous envy.
  Curious about the life of everyday people, Timour trades his clothes and his position with a companion and escapes the masquerade ball. With the absence of his royal regalia, his darker skin and his beliefs draw unwanted attention.
  Stunned and humiliated by women she thought were her friends, Pearl flees the mansion. But the last thing she expects is to become the champion of a tall, dark stranger.
  And in the hours that follow, as a full moon bathes London in a May glow, Pearl and Timour will find that love can come when it's least expected.

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  My Land of Freedom - A poem of...

  Ifeanyi Njoku

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  This poem is a powerful reflection on war, displacement, and the struggle for freedom. It tells the tragic story of a people who fought for liberation but were met with violence, loss, and eventual surrender. Likely referencing the Igbo experience during the Nigerian Civil War, it captures the pain of oppression and the resilience of those who endured it. 
  The poem begins with a contradiction: "In my land of freedom, I walked with fear." This highlights the irony of living in a place meant to be free but being consumed by anxiety. The people demand justice, yet their cries are silenced by violence. The line "Killing our brothers, and leaving us undone" conveys both physical loss and emotional devastation. 
  The imagery of "scorching soil" and "separated from families" paints a picture of suffering and displacement. War does not just take lives—it tears families apart and leaves hearts unable to thrive. The mention of "refugee camps" emphasizes how many were forced from their homes, left to question their identity: "Are we unlucky, to be Igbo?" This speaks to a deep sense of abandonment and injustice. 
  The poem also highlights betrayal, as leaders fail to protect their people. "Everyone was a soldier, in this war we couldn't win." This line captures the grim reality of a war where survival itself was a battle. Despite their bravery, they were up against overwhelming forces. 
  The final lines are heartbreaking: "We had to surrender, and say goodbye to our pride." This is not just a loss of battle but a loss of dignity. Yet, even in surrender, their story lives on. This poem is a tribute to resilience, a reminder of suffering, and a call to remember those who fought, even when the world turned away.

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  Waiting for Wovoka - Envoys of...

  Gerald Vizenor

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  In the summer of 1962, a group of young Native American puppeteers travel in a converted school bus from the White Earth Reservation to the Century 21 Exposition, World's Fair in Seattle, Washington. The five Natives, three young men and two young women, have endured abandonment, abuse, poverty, and find solace, humor, and courage with a mute puppeteer—a Native woman in her seventies who writes original dream songs, and creates hand puppets and ironic parleys that mock the ghosts of authority. Dummy Trout, the mute puppeteer, also figured in Native Tributes and Satie on the Seine. The troupe attends a performance of Waiting for Godot by Samuel Beckett and they create a puppet parley for Wovoka, the inspiration of the Native American Ghost Dance Religion.

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