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  Born in England – Exploring...

  William Cowper, Thomas Nashe,...

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  Poetry. A form of words that seems so elegantly simple in one verse and so cleverly complex in another.  Each poet has a particular style, an individual and unique way with words and yet each of us seems to recognise the path and destination of where the verses lead, even if sometimes the full comprehension may be a little beyond us. 
   
  Through the centuries every culture has produced verse to symbolize and to describe everything from everyday life, natural wonders, the human condition and even in its more hubristic moments, the crushing triumph of an enemy. 
   
  In the volumes of this series, we take a look at poetry through the prism of individual regions of England, or sometimes more quaintly known as ‘Albion’, or ‘Blighty’, through the centuries of its gloried history. 
   
  England, despite its perception of reserve and under-statement has, in reality, strode the global stage at various time in many things, both good and bad, from Empire to long distance running. Here our focus in on its literature.  Famed for its fiction and dramas, it is equally admired for its plethora of gifted poets and the dazzling verse which has added so much to its artistic legacy.  These classic poets are wonders of their age and of their art.  Genius is written in their names. 
   
  In this volume we have collected verse from poets born in the East of England.  These flat lowlands face out towards Europe yet within their counties are centuries of poetical history that indelibly mark out their talents as among our very best.  Our poets include Amelia Opie; Sir John Suckling; Margaret Cavendish, Duchess of Newcastle; Thomas Nashe and many others.

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  Modern Poetry - Poems

  Diane Seuss

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  Diane Seuss's signature voice—audacious in its honesty, virtuosic in its artistry, outsider in its attitude—has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft—ballad, fugue, aria, refrain, coda—and contend with the works of writers overrepresented in textbooks and anthologies and those too often underrepresented. Seuss provides a moving account of her picaresque years and their uncertainties, and in the process, she enters the realm between Modernism and Romanticism, between romance and objectivity, with Keats as ghost, lover, and interlocutor. 
   
   
   
  In poems of rangy curiosity, sharp humor, and illuminating self-scrutiny, Modern Poetry investigates our time's deep isolation and divisiveness and asks: What can poetry be now? Do poems still have the capacity to mean? "It seems wrong / to curl now within the confines / of a poem," Seuss writes. "You can't hide / from what you made / inside what you made." What she finds there, finally, is a surprising but unmistakable love.

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  The War Poems of Siegfried Sassoon

  Siegfried Sassoon

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  Unlike his more famous fellow war poets, Wilfred Owen and Rupert Brooke, Siegfried Sassoon survived the First World War.   In this collection of 64 poems, first published in 1920,  Sassoon portrays the dehumanizing horror of modern warfare with its staggering death toll, while also satiring the jingoistic fervour of politicians and armchair strategists.   
  Sassoon's own war service fell into two distinct periods.  The first was marked by a number of heroic actions on the battlefield which earned him the Military Cross.  However, after a period of convalescence in 1917, Sasson became a pacifist and refused to return to active duty.  This change of attitude was diagnosed as a psychological disorder and he was posted to Ireland where he trained new recruits.  By the end of the war he had been promoted to captain. For the rest of his long life he remained staunchly anti-war. 
  Production copyright 2024 Voices of Today

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  Children of the Sun Part 1 - I...

  Daniel Nsengimana

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  Children of the Sun is the first installment of its self-titled trilogy. This recording is the first portion of the book, and more episodic installments will follow in the near future.  
  In a reimagined precolonial Africa, a powerful king's nephew comes home to find his nation on the brink of war. Unsure of his own next move, he joins his royal warrior cousins on their westward march to stop an invasion. Though he has no plans to fight, other problems find him on the road, pushing him toward an instability of his own. Back in the kingdom, a more distant relative is called upon to keep the peace in a land missing most of its strength. As the overt invasion looms above, she leads the king's defense against an enemy they cannot see, gathering strength right there at home. 
  All the while, old wounds inside the family and out are brought to the surface, threatening to unravel all the players involved. The demons of the past converge with the troubles of the present, giving way to an uncertain future for them all.

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  Keeping Count

  M. Travis Lane

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  Keeping Count, M. Travis Lane’s 18th collection of poetry, begins in the poet’s favourite terrain: short, condensed lyric that focuses on the natural world. “But pull a thread: music turns” Lane writes, and the book progressively defamiliarizes the reader, moving from ecopoetry to a longer poetry of interiority in the second section, concluding with a final section that focuses on issues of mortality. As George Elliott Clarke has written so aptly, “If you have not read Lane before, prepare to travel: Like T.S. Eliot, she wants you to have a transporting experience in your imagination. If you have read Lane before, prepare for fresh astonishment. She is Homeric breadth and Sapphic brevity."

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  Your Heart My Soul - Piece by Piece

  Claudine (Dean) Donaldson

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  This book will be different, but unique. 
  For my poetry is real and somewhat sheik. 
  They’re all short stories about my past. 
  Family, loved ones, and dreams that couldn’t last. 
    
  Freedom of speech {so called} I am blunt. 
  I can write about anything and everything I want. 
  Fighting for life, children, and my rights has been a hassle. 
  Throughout my life it’s been a long battle. 
    
  Reading these poems are pieces of me. 
  Funny, sad, about love, and eternity. 
  Opening to others is new for me as well. 
  Hopefully, guide, or give you relief, time will tell. 
    
  Thank you to those who gave me the chance. 
  Thanks to my Family and Kids for the influence. 
  Thanks to my Husband for dealing with my crap. 
  Thanks to God for getting me out of those traps. 
  - Claudine Donaldson

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