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  Aesop's Fables

  B.B. Gallagher

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  Enjoy classic tales such as “The Tortoise and the Hare,” and “The Boy Who Cried Wolf” in this reimagined collection of Aesop’s Fables.  
  Retold with simple-to-read, lyrical poetry, Aesop's Fables: A Poetic Primer is an excellent introduction to this classic. Parents can now introduce their kids to familiar tales like “The Tortoise and the Hare,” “The Fox and the Crow,” “The Boy Who Cried Wolf,” and many more! Together children and parents can read and then discuss the many virtues and vices embodied in the fables by reading through the character development section in the back of the book! Poetic Primers’ character development sections teach children the virtues or vices presented in each story and provide reflection questions to help the reader put these timeless lessons into practice. 
  Additionally, Aesop's Fables features QR code access to a free animated video version of the book. Watch the beautiful illustrations come to life and excite the child’s imagination. The video book is complemented with a full cast of character voices and sound effects, perfect for younger readers and auditory learners. 
  Plus, parents can now rest easy knowing that all books in our Poetic Primer series are free of adult content and filtered for an approachable reading level for younger readers. Now children can be introduced to great classics at an earlier age.

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  The Decadent Poets - Where words...

  Oscar Wilde, Charles Baudelaire,...

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  Decadent poetry was a late 19th-century movement that seemingly originated with the first use of the word by Charles Baudelaire.  The movement championed the idea that art should exist for its aesthetic value, unburdened by moral or social obligations.  As a consequence, it challenged the strict moral codes of the Victorian era, often exploring themes associated with eroticism, forbidden desires, artificiality, the ravages of time, beauty, death, and decay which were often perceived as transgressive, even taboo. 
  Within its ranks are a who’s-who of unconventional and confrontational talent as well as perhaps its greatest exponent; Oscar Wilde, whose embracing of moral rebelliousness and unmasking of Victorian hypocrisy sums up the movement’s greatest achievement.

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  The Top 10 Poets – The Americans...

  Walt Whitman, Emily Dickinson,...

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  The language of Poetry is an art that most of us attempt at some point in our lives.  Although its commonplace exposure has been somewhat marginalised in today’s often fast-paced lives we all recognise good verse that can empathise with our thoughts or open us up to experience new things in new ways, to better understand and to enjoy the many strands of our lives. 
  But finding a starting point can be overwhelming, even off-putting, so in this series we offer up our Top 10 classic poets, who brim with talent and verse, on a range of subjects and themes that we can all enjoy. 
  In this volume we discover poets whose storied verse has captured breath and imagination during its relatively short history as a nation.   Words, themes and subjects are melded together in unique and inspiring ways, stretched across its peoples, landscapes and history in ways that only Americans can.

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  Drive

  Elaine Sexton

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  " Silently / pulling for itself, / the will wants the body to // give it what it wants," Sexton writes in " Between the Car and the Sea," at once a description of a car' s body propelling her onward, and of the poet herself, the one behind the wheel of this masterful fourth collection. In an extraordinary act of volition, the author does not stop at the trope of ambition, but powers instead toward the urgent concerns of the will, and intention.
  
  
  In Drive, Sexton explores our most fragile points of connection— to lovers and family, to the living and the dead, and to oneself, one' s own life' s work— with the care and wisdom of one who knows these roads. In her hands, these delicate boundaries become navigable. They are both her route and her destination.

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  The Miniature

  George Pope Morris

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  George Pope Morris was an American editor, poet, and songwriter. In addition to his publishing and editorial work, Morris was popular as a poet and songwriter; especially well-known was his poem-turned-song "Woodman, Spare that Tree!" Lines from the poem are often quoted by environmentalists.

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  The Poetry of Hart Crane -...

  Hart Crane

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  Harold Hart Crane was born on the 21st July 1899 in Garrettsville, Ohio. 
  Crane was drawn to literature at an early age, becoming a voracious reader and pursuing self-education rather than attach himself to a more formal college education, although he did attend East High School in 1913.  His developing love of poetry was nurtured with the works of the English Romantics and the French Symbolists, as well as near contemporary American poets. 
  Much of his youth was spent shuttling between Cleveland and New York as his parents’ marriage descended into continuing conflict before they separated with Crane still in his teens.  Shortly after Crane attempted to enlist in the U S Military but was rejected for being a minor. 
  His first published poem also came in 1917 with ‘C33’ and its reference to the cell number that Oscar Wilde was incarcerated in. 
  Crane now centred more of his time in New York and immersed himself in the vibrant artistic scene of Greenwich Village.  Alongside this he dabbled in various jobs to support himself, including copywriting and work in a munitions factory, as he continued to develop his ambitions for a poetic career.   
  His early work was already being noticed for its lush and rich use of words and by the time ‘White Buildings’ was published in 1926 he was being critically acclaimed. 
  Despite this success his personal life was troubled.  It was both nourishing his work and fuelling complex patterns of despair as he sought to establish his identity.  In a time when homosexuality was openly condemned his openly gay attitude sat uneasily as he pursued relationships that were both intense and emotionally fraught. 
  His acclaimed work ‘The Bridge’ in 1930 was both ambitious and a foundation stone for new American poetry.  Against this his battles with depression and alcoholism were being lost. 
  Hart Crane died on the 27th April 1932 by jumping from the deck of a steamship into the Gulf of Mexico upon his return to the United States.  He was 32.

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