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  To Never Say Goodbye

  Mike DeFrench

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   I didn’t want to do the holograms. I never did. 
  I reiterated this fact, to myself, as I saw her standing there, beautiful as ever. My sweet Mollie. She even was wearing that blue dress that she loved so much (I loved it even more, if that was possible—she looked so good in it!) And even from where I was standing, ten feet away, I could see the curls in her blonde hair bounce as she turned her head. I could see her blue eyes. Vibrant. Real. So real... 
  But they were not real. 
  I knew this. Of course. I held Mollie’s hand as she passed. I looked her in the eyes as we shared one last moment. I heard her last breath leave her lips as she gave up the ghost. But now her ghost is with me. It is so real. But it is not real. And I can’t let her go. 
   

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  Captain Rogers - From their pens...

  W Jacobs

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  William Wymark Jacobs was born on 8th September 1863 in Wapping, East London.  
  He was educated at a private school and then Birkbeck Literary and Scientific Institution, now part of the University of London. 
  In 1879, Jacobs began work as a clerk in the civil service, in the Post Office Savings Bank.  In 1885 his first short story was published but it was not until almost the turn of the century that he would abandon his post office career to that as a full-time writer. By then he was a very popular author, his collections selling extremely well and with an excellent income. 
  His best-known work is the macabre ‘The Monkey's Paw’ and he is also highly regarded for his ghost stories although much of his remaining short story output is streaked with humour.  His characters are immediately identifiable and we all know that life will take chunks out of them in no time at all.  
  Jacobs married the noted suffragette Agnes Eleanor Williams in 1900 at West Ham, Essex. They went on to have two daughters and three sons as they settled down to life.  
  By the outbreak of the First World War his literary output had declined and he now mainly spent his time rewriting his earlier stories for the stage.  In all he wrote 18 plays. 
  W W Jacobs died on 1st September 1943 at Hornsey Lane, Islington in London. He was 79.

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  Roses

  Elaine Rowe

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  Elaine Rowe is a Toronto writer who likes to write for children (and others) about unexpectedly talented animals and resourceful women. After years of hiding her light under a bushel, she decided to see if anyone else likes her stories. This one is about a woman whose husband has died suddenly and she gets some unexpected help coming to terms with her loss.

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  Darkness Box

  Ursula K. Le Guin

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  This is the first story I ever got paid for; the second story I ever got published; and maybe the thirtieth or fortieth story I wrote. I had been writing poetry and fiction ever since my brother Ted, tired of having an illiterate five-year-old sister around, taught me to read. At about twenty I began sending things off to publishers. Some of the poetry got printed, but I didn’t get systematic about sending out the fiction till I was getting on to thirty. It kept systematically coming back. 
  “April in Paris” was the first “genre” piece—recognizably fantasy or science fiction—that I had written since 1942, when I wrote an Origin-of-Life-on-Earth story for Astounding, which for some inconceivable reason rejected it (I never did synch with John Campbell). At age twelve I was very pleased to get a genuine printed rejection slip, but by age thirty-two I was very pleased to get a check. “Professionalism” is no virtue; a professional is simply one who gets paid for doing what an amateur does for love. But in a money economy, the fact of being paid means your work is going to be circulated, is going to be read; it’s the means to communication, which is the artist’s goal. Cele Goldsmith Lalli, who bought this story in 1962, was as enterprising and perceptive an editor as the science fiction magazines have ever had, and I am grateful to her for opening the door to me.

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  Rex

  D H Lawrence

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  'Rex' is a riotous story of the turmoil caused in a household by the arrival of a puppy. The setting is similar to the one found in 'Sons and Lovers' but Lawrence thought this scene deserved the fuller treatment of a short story. The question of the destructive force of unconditional love is left open.

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  Trouble is Our Business - New...

  Declan Burke

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  Thrilling, disturbing, shocking and moving, Trouble Is Our Business: New Stories by Irish Crime Writers is a compulsive anthology of original stories by Ireland's best-known crime writers. Featuring: Patrick McGinley, Ruth Dudley Edwards, Colin Bateman, Eoin McNamee, Ken Bruen, Paul Charles, Julie Parsons, John Connolly, Alan Glynn, Adrian McKinty, Arlene Hunt, Alex Barclay, Gene Kerrigan, Eoin Colfer, Declan Hughes, Cora Harrison, Brian McGilloway, Stuart Neville, Jane Casey, Niamh O'Connor, William Ryan Murphy, Louise Phillips, Sinéad Crowley, Liz Nugent. Irish crime writers have long been established on the international stage as bestsellers and award winners. Now, for the first time ever, the best of contemporary Irish crime novelists are brought together in one volume. Edited by Declan Burke, the anthology embraces the crime genre's traditional themes of murder, revenge, intrigue, justice and redemption. These stories engage with the full range of crime fiction incarnations: from police procedurals to psychological thrillers, domestic noir to historical crime – but there's also room for the supernatural, the futuristic, the macabre. As Emerald Noir blossoms into an international phenomenon, there has never been a more exciting time to be a fan of Irish crime fiction.

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