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  Carrie: Book summary & analysis

  Alexander Pike

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  This content is an independent and unofficial summary created for informational and educational purposes only. It is not affiliated with, authorized, approved, licensed, or endorsed by the original author or publisher. All rights to the original work belong to its respective copyright holders. This summary is not intended to substitute the original book, but to offer a concise overview and interpretation of its main ideas. 
  A visceral journey into the transformative power of empathy and the perils of unchecked cruelty, Carrie follows an isolated young woman whose telekinetic awakening unleashes both terror and catharsis. From the fear and shame of her high school locker room to the triumphant yet tragic prom night, this audiobook immerses listeners in raw emotional crescendos and the mechanics of crisis response. Interwoven with lessons on compassion-driven leadership, ethical decision-making, and structured support systems, it offers both heart-pounding suspense and practical frameworks for nurturing latent potential and preventing destructive breakdowns. Perfect for those seeking edge-of-your-seat drama paired with actionable insights on building resilient, humane organizations.

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  The Battle - Cross Intents Book 3

  S. R. Wells

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  The Cross Intents trilogy is an action-packed view of spiritual warfare and the interaction of the natural with the supernatural, centered around the time of Christ. 
  In The Battle, book 3 of the trilogy:  the days of remaining hidden are over. Empowered for action, the Son of Man begins His campaign in full view of all creation. His small team of angels do their best to stay one step ahead of the enemy, but in an unthinkable chain of events, the plan for conquest goes horribly wrong. But then, was that part of the mysterious plan from the beginning?

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  The 415 Express - Murder mystery...

  Amelia Edwards

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  Amelia Ann Blanford Edwards was born on 7th June 1831 in Islington, London.  She was educated at home by her mother and showed early promise as a writer, publishing her first poem at the age of 7 and her first story at 12.  Thereafter several popular periodicals published her poetry, stories and articles. 
   
  In addition she also illustrated some of her own writings and painted scenes from books she had read.  This talent was not supported by her parents, who saw an artist’s life as scandalous.  Undeterred Amelia took up composing and performing music until a bout of typhus caused throat damage.  Other interests soon followed until, early in the 1850s, Amelia focused exclusively on writing.  Her early novels were well received, and with ‘Barbara's History’ in 1864, a work revolving around bigamy, her reputation was established.  
   
  Amelia’s pen was also the purveyor of ghost stories for magazines and are still anthologized as classic tales to this day. 
   
  In January 1851, Amelia became engaged, apparently to please her parents, but she quickly broke it off.  In reality her emotional attachments were almost exclusively with women.  From the early 1860s she lived with Ellen Drew Braysher, a widow 27 years her senior, until both women died in early 1892.  During this relationship other women also entered and left her life.  Her frequent travelling companion, Lucy Renshaw, accompanied her to Egypt in the winter of 1873 and there she found a life-changing interest in Egyptology.  Aware of increasing threats from tourism and modern development she became an advocate for their research and preservation.  
   
  To advance the work Amelia largely abandoned much of her writing in favour of Egyptology and even took on strenuous lecture tours to raise funds. 
   
  After catching influenza, Amelia Edwards, ‘the Godmother of Egyptology’ died on 15th April 1892 at Weston-super-Mare.  She was 60.

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  A Heart So Haunted - A Novel

  Hollie Nelson

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  In this evocative and stunning debut, secrets in the very bones of Harthwait House are disturbed when a new tenant moves in, for fans of Ashley Poston and A House with Good Bones.Be wary the beds and the space beneath,
   
  the cracks in the floors and the furnace teeth.
   
  Keep your eyes from the shadows and tongue so still.
   
  Because once Harthwait grows dark, the monsters become real.Landry is ready to clean house—not just Harthwait, but the traumatic memories and family entanglements that haunt her. Left reeling from her aunt’s sudden death, Landry knows she has to restore the old house and sell it for much needed cash. Preferably, before autumn arrives. But as renovations begin on Harthwait, she notices some peculiarities: motion sensors activate when no one is home, doors slam shut, and every night, at a quarter after midnight, the disembodied crying begins. Then, when she uncovers a hidden door during the renovations, she dares to open it.Behind the door is a world of nightmares, some of which are hers, while others belong to a monster—who is trapped inside and desperate to get out. Both haunted by their pasts, Landry makes a deal with the monster, but as they develop feelings for each other, she realizes that the thing that looks like a beast may not be the most beastly thing after all.This rich and spellbinding tale explores the idea of what we call home and who we call family.

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  On Ghosts

  Mary Shelley

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  "We all believe in ghosts, even if we say we don't."
  
  In this atmospheric and intellectually sharp essay, Mary Shelley explores the universal human fascination with the spectral world. Rather than a simple collection of scares, "On Ghosts" examines the psychological "vibration" we feel when we hear a tale of the uncanny. Shelley recounts eerie anecdotes from her own travels and social circles, questioning whether ghosts are external entities or reflections of our own inner anxieties. With her characteristic blend of haunting imagery and rational inquiry, she invites readers to consider why we seek out the very things that terrify us most.
  
  The Psychology of Fear: Shelley argues that the belief in ghosts is rooted in our deepest emotions—specifically our inability to let go of the dead. She explores the idea that the "ghosts" we see are often the products of a heightened imagination or a guilty conscience, making the supernatural a deeply personal experience.
  
  A Bridge Between Science and Spirit: Writing during a time when science was beginning to challenge ancient superstitions, Shelley positions herself as a skeptical yet open observer. She doesn't just ask if ghosts exist, but why the human soul seems to require them to make sense of the world's mysteries.
  
  A Must-Read for Horror Fans: For anyone who has ever felt a shiver down their spine in an empty room, this essay provides a profound "why." It is an essential companion piece to Frankenstein, revealing the theoretical foundations of Shelley's fictional nightmares.
  
  Peer into the veil between worlds. Purchase "On Ghosts" today.

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  The Burial of the Rats

  Bram Stoker

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  In Paris, a lovelorn young man ventures beyond the city's boundaries, stumbling upon a mysterious village and an eerie couple. Drawn into their captivating conversations, he is soon consumed by discomfort as he unravels their sinister secret. Fleeing for his life, he discovers the ghastly truth—a horrifying burial ritual conducted by rats.

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