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  The Ruins of Nostalgia

  Donna Stonecipher

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  What is it to feel nostalgia, to be skeptical of it yet cleave intently to the complex truths of feeling and thought? In a series of 64 gorgeous, ramifying, unsettling prose poems addressing late-twentieth- and twenty-first century experience and its discontents, The Ruins of Nostalgia offers a strikingly original exploration of the misunderstood phenomenon of nostalgia as both feeling-state and historical phenomenon. Each poem, also titled The Ruins of Nostalgia, is a kind of lyrical mini-essay, playful, passionate, analytic. Some poems take a location, memory, conceit, or object as their theme. Throughout the series, the poems recognize and celebrate the nostalgias they ironize, which are in turn celebrated and then ironized again. Written often in the fictional persona of the first-person plural, The Ruins of Nostalgia explores the rich territory where individual response meets a collective phenomenon.[sample poem]The Ruins of Nostalgia 13Where once there had been a low-end stationery store minded by an elderly beauty queen, there was now a store for high-end espresso machines minded by nobody. Where once there had been an illegal beer garden in a weedy lot, there was now a complex of luxury lofts with Parisian-style ivory façades. Where once there had been a bookstore and a bike shop and a bakery, there was now a wax museum for tourists. Where once there had been an empty lot there was now a building. Where once there had been an empty lot there was now a building. Where once there had been an empty lot there was now a building. Where once there had been an empty lot there was now a building. Where once there had been farms there were now subdivisions. Where once there had been subdivisions there were now sub-subdivisions. We lived in a sub-subdivision of a subdivision. We ourselves had become subdivided—where once we had merely been of two minds. * Where once there had been a river there was now a road. A vocal local group had started a movement to break up the road and "daylight" the river, which still flowed, in the dark, underneath the road. * Could we daylight the farms, the empty lots, the stationery store, the elderly beauty queen, the city we moved to? Was it still flowing somewhere, under the luxury lofts, deliquescing in the dark, inhabited by our luxury selves, not yet subdivided, because not yet whole? * Could we daylight the ruins of nostalgia?

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  Ode to Liberty - Famous Romantic...

  Percy Bysshe Shelley

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  One of the great names of English, and indeed World Poetry, delivers a specatacular poem

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  A Christmas Carol In Prose Ghost...

  Charles Dickens

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  Charles Dickens' classic morality tale for Christmastide, first published in 1843. 
  Elderly miser Ebenezer Scrooge receives an unexpected visit from a series of otherworldly advisors... 
  Narrated by Robin Reads.

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  Fuente Ovejuna

  Lope de Vega, Adrian Mitchell

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  A cruel conqueror has captured the Spanish city of Fuente Ovejuna. As his reign of terror builds, the townspeople look within themselves to find the courage to overthrow him. The eminent Spanish playwright Lope de Vega based his best-known play on a historical incident that took place in 1476. Written in the early 17th century, the play remains a timely meditation on honor and selflessness in the face of oppression. 
    
   Recorded at the DoubleTree Guest Suites, Santa Monica in June 1993. 
    
   Directed by Robert Robinson 
   Producing Director: Susan Albert Loewenberg 
    
   An L.A. Theatre Works full-cast recording starring: 
   Christine Avila as Laurencia 
   Ivonne Coll as Jacinta and Queen Isabel 
   Héctor Elizondo as Commander Fernándo Gómez de Guzmán 
   Jorge Galván as Mengo 
   Carlos Gómez as Frondoso 
   Peter A. Jacobs as Captain Flores and Master Rodrigo Téllez Girón 
   Marabina Jaimes as Pascuala 
   Jonathan Nichols as Barrildo and Cimbranos 
   Al Rodrigo as Leonelo, King Ferdinand, and Soldier 
   Ruben Sierra as Esteban  
   Sam Vlahos as Sergeant, Alonso, and Alderman  
    
   Associate Producer: Robert Robinson  
   Technical Director: Raymond Guarna  
   Second Engineer: Jim Machowsky  
   Technical Advisor: Leo del Aguila  
   Music Director: Gerald Sternbach  
   Guitar performed by Ricardo Gomez

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  Disbelief - 100 Russian Anti-War...

  Julia Nemirovskaya

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  Putin's war in Ukraine has been met by outrage and disbelief around the world. Since the start of the war, writers in Russia, Ukraine and the Russian diaspora have been expressing their opposition to the invasion. An international group of poets and translators have been collecting these poems as the Kopilka project. Disbelief/ Немыслимо presents 100 of the most moving and hard-hitting of these poems by poets including Polina Barskova, Vladimir Druk, Tatiana Voltskaya, Mikhail Aizenberg and Tatiana Shcherbina.

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  The Poetry of Robert Southey -...

  Robert Southey

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  Robert Southey was born on the 12th of August 1774 in Bristol. A poet of the Romantic school and one of the "Lake Poets". 
  Although his fame has been eclipsed by that of his friends William Wordsworth and Samuel Taylor Coleridge, Southey's verse was highly influential and he wrote movingly against the horrors and injustice of the slave trade.  Among his other classics are Inchcape Rock as well as a number of plays including Wat Tyler. 
  He was great friends with Coleridge, indeed in 1795, in a plan they soon abandoned, they thought to found a utopian commune-like society, called Pantisocracy, in the wilds of Pennsylvania. 
  However, that same year, the two friends married sisters Sarah and Edith Fricker. Southey's marriage was successful but Coleridge's was not. In 1810 he abandoned his wife and three children to Southey's care in the Lake District.  Although his income was small and those dependent upon him growing in number he continued to write and burnish his reputation with a wider public. 
  In 1813 on the refusal of Walter Scott he was offered by George II the post of Poet Laureate, a post Southey accepted and kept till his death 30 years later. 
  Southey was also a prolific letter writer, literary scholar, essay writer, historian and biographer. His biographies included those of John Bunyan, John Wesley, William Cowper, Oliver Cromwell and Horatio Nelson. 
  He was a renowned scholar of Portuguese and Spanish literature and history, and translated works from those two languages into English and wrote a History of Brazil (part of his planned but un-completed History of Portugal) and a History of the Peninsular War. 
  Perhaps his most enduring contribution is the children's classic The Story of the Three Bears, the original Goldilocks story, first published in Southey's prose collection The Doctor. 
  In 1838, Edith died and Southey married Caroline Anne Bowles, also a poet, on 4 June 1839. 
  Robert Southey died on the 21st of March, 1843 and is buried in Crosthwaite Church in Keswick. 
  This volume comes to you from Portable Poetry, a specialized imprint from Deadtree Publishing.  Our range is large and growing and covers single poets, themes, and many compilations.

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