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  44 Poems on Being with Each...

  Pádraig Ó Tuama

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  This celebratory anthology explores human connection through forty-four poems curated by Pádraig Ó Tuama, the host of On Being's Poetry Unbound podcast. 
   
   
   
  44 Poems on Being with Each Other is a new volume that offers immersive reflections on the human connection. With an observant eye, Pádraig Ó Tuama shares an enlightening meditation on each poem, revealing the ways we relate to each other, the world around us, and ourselves. Among the selections, Ó Tuama examines friendship and its loss through Langston Hughes's "I Loved My Friend," changing familial bonds in Rita Dove's "Eurydice, Turning," the relationship with the past in Mary Oliver's "The Uses of Sorrow," the power of declaration in Lucille Clifton's "Won't You Celebrate with Me," and the necessity of connection to land in Joy Harjo's "Conflict Resolution for Holy Beings." 
   
   
   
  Blending humor with insight, tension with tenderness, complexity with care, 44 Poems on Being with Each Other articulates the power of poetry itself. Through careful and incisive readings, it illuminates aspects of the human condition, particularly the ways we are inextricably linked to each other, and provides inspiration for grounded self-reflection. It is an anthology that will delight listeners, just as Pádraig's podcast has done for millions around the world.

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  Leaves of Grass

  Walt Whitman

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  Leaves of Grass is a groundbreaking collection of poems by Walt Whitman, often hailed as the most influential American poet of the 19th century. Known for its unconventional themes and free verse style, the work challenged traditional poetic conventions and established Whitman as a revolutionary figure in American literature. 
  At the heart of Leaves of Grass is a celebration of the individual, the body, and the natural world. Whitman's poetry often explores themes of democracy, equality, and the interconnectedness of all things. The collection is filled with vivid imagery, powerful metaphors, and a sense of boundless optimism. 
  One of the most striking aspects of Leaves of Grass is Whitman's use of free verse. By abandoning traditional poetic structures, he was able to capture the rhythm and cadence of everyday speech. This innovation allowed him to express his ideas with greater freedom and spontaneity

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  A Time To Live And A Time To Die

  Ron E. Hignite

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  Ronald E. Hignite demonstrates in A Time to Live and a Time to Die his poetic skills and gives greater understanding and meaning to God's seasons for man as revealed by Solomon in the Book of Ecclesiastes. 
  Listeners will be inspired by the manner in which Hignite presents the contrasts of the ever-changing seasons of man in poetry and rhyme. 
  Ronald E. Hignite was born in North Carolina and grew up in Connersville, Indiana. He returned to North Carolina with his family after high school and attended East Carolina University in Greenville, NC. There he earned both his undergraduate and graduate degrees. Following college, he taught English at Fork Union Military Academy in Fork Union, VA. 
  After two years in Fork Union, he moved back to northeastern North Carolina where he spent most of his educational career in the towns of Washington, Camden, Murfreesboro, and Ahoskie. His interest in writing poetry was sparked while in college with his readings of the English poets, Byron, Shelley, and Keats. 
  ©2013 Ronald E. Hignite (P)2013 Ronald E. Higniite

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  BLUFF - Poems

  Danez Smith

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  Written after two years of artistic silence, during which the world came to a halt due to the COVID-19 pandemic and Minneapolis became the epicenter of protest following the murder of George Floyd, Bluff is Danez Smith's powerful reckoning with their role and responsibility as a poet and with their hometown of the Twin Cities. This is a book of awakening out of violence, guilt, shame, and critical pessimism to wonder and imagine how we can strive toward a new existence in a world that seems to be dissolving into desolate futures. 
   
   
   
  Smith brings a startling urgency to these poems, their questions demanding a new language and a deep self-scrutiny. A series of ars poetica gives way to "anti poetica" and "ars america" to implicate poetry's collusions with unchecked capitalism. A poem makes clear the consequences of America's acceptance of mass shootings. Another offers the history of Saint Paul's vibrant Rondo neighborhood before and after officials decided to run an interstate directly through it. 
   
   
   
  Bluff is a kind of manifesto about artistic resilience, even when time and will can seem fleeting, when the places we most love—those given and made—are burning. In this soaring collection, Smith turns to honesty, hope, rage, and imagination to envision futures that seem possible.

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  A Rare Recording of Poet John...

  John Ciardi

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  John Anthony Ciardi (June 24, 1916 - March 30, 1986) was an American poet, translator, and etymologist. While primarily known as a poet, Ciardi pursued etymology, contributed to the Saturday Review as a columnist and long-time poetry editor, directed the Bread Loaf Writers' Conference in Vermont, and recorded commentaries for National Public Radio. In 1959, Ciardi published a book on how to read, write, and teach poetry, How Does a Poem Mean?, which has proven to be among the most-used books of its kind. The following recording is from a speech Ciardi gave in 1965.

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  Churchill in Moscow

  Howard Brenton

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  'Everything is possible in Moscow at night.'
  The Kremlin, Moscow, 1942. A top-secret meeting between Winston Churchill and Joseph Stalin: one, a wealthy aristocrat from a blue-blooded line of English nobility; the other, a Georgian peasant, hell-bent on destroying capitalism and the class system. Can these two leaders find common ground? As diplomats struggle to control the escalating chaos, two interpreters find themselves caught in the eye of the storm.
  Howard Brenton's gripping play Churchill in Moscow dramatises the historic meeting of two unpredictable titans as history teeters on a knife-edge. It opened in 2025 at London's Orange Tree Theatre, directed by the venue's Artistic Director Tom Littler, starring Roger Allam as Churchill and Peter Forbes as Stalin.
  'Brenton is a masterly storyteller'Financial Times

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