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  Antony and Cleopatra

  William Shakespeare

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  Antony and Cleopatra (First Folio title: The Tragedie of Anthonie, and Cleopatra) is a tragedy by William Shakespeare. The play was first performed, by the King's Men, at either the Blackfriars Theatre or the Globe Theatre in around 1607; its first appearance in print was in the Folio of 1623.
  The plot is based on Thomas North's 1579 English translation of Plutarch's Lives (in Ancient Greek) and follows the relationship between Cleopatra and Mark Antony from the time of the Sicilian revolt to Cleopatra's suicide during the Final War of the Roman Republic. The major antagonist is Octavius Caesar, one of Antony's fellow triumvirs of the Second Triumvirate and the first emperor of the Roman Empire. The tragedy is mainly set in the Roman Republic and Ptolemaic Egypt and is characterized by swift shifts in geographical location and linguistic register as it alternates between sensual, imaginative Alexandria and a more pragmatic, austere Rome.
  Many consider Shakespeare's Cleopatra, whom Enobarbus describes as having "infinite variety", as one of the most complex and fully developed female characters in the playwright's body of work. She is frequently vain and histrionic enough to provoke an audience almost to scorn; at the same time, Shakespeare invests her and Antony with tragic grandeur. These contradictory features have led to famously divided critical responses. It is difficult to classify Antony and Cleopatra as belonging to a single genre. It can be described as a history play (though it does not completely adhere to historical accounts), as a tragedy (though not completely in Aristotelian terms), as a comedy, as a romance, and according to some critics, such as McCarter, a problem play. All that can be said with certainty is that it is a Roman play, and perhaps even a sequel to another of Shakespeare's tragedies, Julius Caesar.
  Among the most significant works William Shakespeare: Hamlet, Othello, King Lear, Macbeth, Orpheus, Romeo and Juliet, Julius Caesar, Troilus and Cressida, The Tempest, Venus and Adonis, Antony and Cleopatra, Measure for Measure, The Winter's Tale and many more.

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  Marquis de Sade's Midsummer...

  Ophelia T'Wat, Robert Dwight...

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  Full-Cast Audiobook! 
  Go Beyond Your Wettest Dreams... as If You Are Penniless and Yet Listening From Outside the Globe Theater! 
  In the last decade of the 16th century, William Shakespeare could not dare write A Midsummer Night's (Wet) Dream unabridged. By the happenchance of his birth-century, The Bard wrote in a poetic 'Shakespearean Code', hinting at sexualities and paraphilias he fully intended to compose and expose his Elizabethan audience to. His intended 'erotica for every fetish' morphed instead into a 'humane and wise drama' by happenchance.  
  But What If? there was a multiversal reality where the Marquis de Sade deciphered the Shakespearean Code during his long stay at the lunatic asylum at Charenton. But now Ophelia T'Wat, living in a much more sexually accepting century, can reach across realities to snatch these pages from the bloody quill of the Marquis and finally, fatefully publish the Wettest Midsummer Night'sDream conceivable! 

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  The Price of Scarlet - Poems

  Brianna Noll

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  A debut collection of poetry combining the scientific and the fantastic with Japanese culture. A honeycomb long vacated by honeybees still possesses an “echo of the swarm, / a lingering song.” Living things are made and make themselves: “My bones came first. / Like long needles, / they knitted muscle / and tendon / and tissue and skin. / Filled themselves / with marrow.” In her debut collection, Brianna Noll fuses the scientific and fantastic, posing probing questions that explore the paradoxes of experience. Interweaving themes of creation, art, and nature, the poet gives voice to animate and inanimate figures such as woolly mammoths, star-nosed moles, cells, mylar balloons, and puzzle boxes. Her vivid poems obscure the line between what is literal and what is figurative. The result is alchemic and ethereal—each verse intricately layered with sharp observation as well as emotional and intellectual exploration and questioning. Collectively, the poems draw significantly on Japanese culture and language in their imagery, with cultural nuances and implications embedded in words and expressions. They tend to be tied, not to subjects, but to ways of seeing and considering the world. Noll’s lyrical voice reflects a curious and imaginative approach that results in tight poems, typically enjambed, which build together into a thoughtful collection. Her work offers ways of seeing and considering the world that exceed our lived experience, begging the reader to consider how far we are willing to go when faced with roadblocks, doubts, and uncertainties.Named one of the best books of 2017 by the Chicago Review of Books Praise for The Price of Scarlet “Brianna Noll’s vivid, haunting collection contains poetry wide-ranging and deep, with a brilliance reminiscent of Marianne Moore, and a similar interest in creation.” ―Lisa Williams, author of Women Reading to the Sea and Gazelle in the House "Brianna Noll is on the find-out committee. Like an Emily Dickinson for the twenty-first century, she rules out nothing. These quiet, powerful poems tells us that the world is connected, that all we need to see those connections is what Noll has in abundance: openness, patience, and an eye for beauty.” ―David Kirby, author of Get Up, Please “The Price of Scarlet doesn’t sneak up on the reader as much as it swallows the reader whole, pushes us out at the other end, more erudite than upon entrance. There’s a certainty in every poem, whether she is investigating the nature of the wind or invoking the Kraken from the deep. This is a remarkable first book of poems. From the first poem to the last these solid poems feel polished to a fine gloss. Read The Price of Scarlet, it will intoxicate you.” ―Today's Book of Poetry

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  Red Pitch (NHB Modern Plays)

  Tyrell Williams

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  Red Pitch. South London. Three lifelong friends Omz, Bilal and Joey are playing football. Like they always have. Living out dreams of football stardom. Beyond their football pitch, local shops are closing, old flats are being demolished as new flats shoot up, some residents struggle to stay while others rush to leave.
  When your local football pitch has been a home from home, a place where you've laughed, fought and forged friendships, what happens when it's under threat?
  A coming-of-age story about what it means to belong somewhere, Tyrell Williams' fast-paced and sharp-edged play tells a powerful story about gentrification, regeneration and the impact of this relentless change on London's communities.
  Red Pitch was first performed at the Bush Theatre, London, in February 2022, directed by Associate Artistic Director Daniel Bailey.

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  Table Manners

  Alan Ayckbourn

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  England’s famous seducer of other men’s wives lays siege to his sister-in-law in the first “battle” of Ayckbourn’s celebrated trilogy The Norman Conquests. In Table Manners, the action occurs in the dining room of Mother’s house, where a conventional middle-class family is attempting to have a pleasant country weekend. But they are no match for Norman, the bane of the family, who horrifies everyone by doing exactly as he likes.An L.A. Theatre Works full-cast performance featuring:Rosalind Ayres as SarahKenneth Danziger as RegMartin Jarvis as NormanJane Leeves as AnnieChristopher Neame as TomCarolyn Seymour as Ruth.

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  Fuel

  Naomi Shihab Nye

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  Poems that find meaning in a world where we are "so tired of meaning nothing."
  
  Narrated by the author.

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