Weitere Bücher, die Sie mögen werden

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  Ballad of Old Joe Booth The (A...

  William Pauley III

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  Some monsters are impossible to see.This is The Ballad of Old Joe Booth.An epic poem in four parts.A song for Eighth Block.

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  Perve

  Stacey Gregg

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  An irreverent and unsettling play that interrogates paranoia, ambiguity and innocence in our highly sexualised world.
  Gethin has just finished his film course and reckons he's the next Scorsese. His mum is on at him to do her friend's wedding video - before the couple get divorced!
  But Gethin is interested in a much more daring project - one that will get him into dangerously deep water, question his idealism and turn his life and that of his family upside down.
  Stacey Gregg's play Perve was first staged at the Abbey Theatre, Dublin, in 2011.

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  Desert of Inspiration - Poems by...

  Roger Blakiston

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  Anyone who has visited Sedona, in the high desert of Arizona, will know that it is one of the most beautiful townships in the world. I am fortunate to live there. My home is nestled midst spectacular scenery, with views of red rocks and ancient vortexes. It is the perfect environment to inspire a poet, and hence the title of this book, Desert of Inspiration. Many of these poems were written while I was out on my daily hikes. 
  The poems are in the exact chronological order that they were written. I averaged writing more than one poem a week over a two year period. You can follow my path of inspiration and imagination during this time. I take you through the four seasons of each year. You will find deep, thoughtful poems; poems of fantasy, and humorous poems, as you explore my magical world. I am a professional magician, but also have a strong connection with the magic and miracles of nature. I was born in Northumberland, England, the son of an Anglican clergyman. As a child, I lived in vicarages with large gardens, and always enjoyed outside activities such as climbing trees, playing amongst wildflowers, and creating rock gardens. I felt my spirit was in tune with Mother Earth and the elementals. During these early years, I was also performing magic tricks and writing poetry. 
  The last two poems were written in March 2020, when planet Earth was in a turbulent time with the pandemic known as COVID-19. How this was all going to play out was unclear when the book was published, but we were certainly going through times of great change. I am hopeful that many good lessons were learned by humanity from this experience. There are powerful, positive, and profound messages hidden within these chapters. By inviting my listeners to look inward, I hope to make them see their true light, where there often appears to be only darkness and shadows. Enjoy the journey!  
  Roger Blakiston

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  Apologia

  Alexi Kaye Campbell

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  A disastrous family reunion is the occasion for a sharp and perceptive look at what has happened to 60s idealists and their children.
  Kristin Miller is an eminent and successful art historian. As a young mother she followed her politics and vocation, storming Parisian barricades and moving to Florence. Her birthday should be a time for celebration but, when her two sons deliver their versions of the past, everyone must confront the cost of Kristin's commitment to her passions.
  Alexi Kaye Campbell's play Apologia premiered at The Bush Theatre, London, in 2009. It was revived at the Trafalgar Studios, London, in 2017, directed by Jamie Lloyd.

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  Marie Corelli's Collected Poems

  Marie Corelli

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  Marie Corelli is best known as a novelist, but was always a poet at heart, composing on her strongest passions, whether for love, nature, God, or country.This volume collects poems from across her bestselling books and across her career, curated by Brenda Vyver, her her 'companion' of 40 years, who she left everything to when she died, and who is buried alongside her in a twin grave. It is perhaps worth noting that Brenda drove much of Corelli's work, which ran heavy to erotic descriptions of women.Corelli was the Victorian romance author who outsold Arthur Conan Doyle, H. G. Wells, and Rudyard Kipling put together. Despite critics labelling her as "as "the favourite of the common multitude", she was a favourite of Winston Churchill, Queen Victoria and William Gladstone. She was the only author invited to the coronation of Edward VII, and her friends included Mark Twain, Ouida, the Empress Frederick of Germany, and Alfred Tennyson. Her often darkly romantic works tried to reconcile Christianity with mystical ideas such as reincarnation and astral projection.A true character, Corelli claimed that she had warned the finders of the tomb of Tutankhamun about the "dire punishment" likely to occur to those who rifle Egyptian tombs, claiming to cite an ancient book that indicated that poisons had been left after burials. She . She was associated at some point with the Fraternitas Rosae Crucis; a mystical Rosicrucian group, and her books were a part of the foundation of today's corpus of esoteric philosophy."a woman of deplorable talent who imagined that she was a genius, and was accepted as a genius by a public to whose commonplace sentimentalities and prejudices she gave a glamorous setting." - Grant Allen "the imagination of a Poe with the style of an Ouida and the mentality of a nursemaid." -James Agate

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  Embark

  Sean O'Brien

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  A new collection by Sean O’Brien – ‘Auden’s true inheritor’, and one of our wisest poetic chronographers – is not just a literary event, but also, invariably, a reckoning of the times. Given the nature of our times, his voice is an essential one: there is no other poet currently writing with O’Brien’s intellectual authority, historical literacy and sheer command of the facts. Embark also registers our unique cultural climacteric, where the larger crises of the planet – the pandemic and the terrifying spectre of revanchist nationalism among them – impact all of us, and where the illusion of a church-and-state separation of the personal and political can no longer hold. As the poet turns seventy, he shows us how the inevitable absences that age brings are assuaged by how we furnish them; the result is not just a logic made from loss and pain, but a music, a metaphysic, and finally a redemptive art. Embark reminds us of the enduring consolations of love, of friendship, of the freedoms and possible futures still afforded by the imagination – and, through O’Brien’s own exemplary model, of poetry itself.

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