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  Lemons Lemons Lemons Lemons Lemons

  Sam Steiner

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  'Let's just talk until it goes.'
  The average person will speak 123,205,750 words in a lifetime. But what if there were a limit? Oliver and Bernadette are about to find out.
  
  Lemons Lemons Lemons Lemons Lemons imagines a world where we're forced to say less. It's about what we say and how we say it; about the things we can only hear in the silence; about dead cats, activism, eye contact and lemons, lemons, lemons, lemons, lemons.
  Sam Steiner's play premiered at Warwick Arts Centre in 2015 and won three Judges' Awards at the National Student Drama Festival, before appearing at Latitude Festival, the Edinburgh Festival Fringe and Camden People's Theatre, London.

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  Make Your Own Magic - A...

  Amanda Lovelace

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  From the bestselling author of the princess saves herself in this one comes an accessible guide to welcoming magic into your life, perfect for beginner witches and the magic-curious alike. As witchcraft grows ever more popular, there are countless introductions and paths into magical practice to choose from—so many that you might not know where to begin. When you’re just getting started, it’s easy to be intimidated or discouraged or to feel that there’s no place for you in the craft. With make your own magic, amanda lovelace aims to change that. This inviting beginner’s guide shows that magic doesn’t have to be fancy, time-consuming, or one-size-fits-all. It introduces the tenets of witchcraft so that you can develop your own practice and relationship with magic in whatever way works for you. With simple explanations, twenty all-new inspiring poems, words of encouragement, magical journaling prompts, and more, this book sweeps away the gatekeeping and offers you the tools needed to begin building a strong, long-lasting practice focused on self-love.

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  Mrs Warren's Profession

  Bernard Shaw

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  'I am my mother's daughter. I am like you. But my work is not your work, and my way is not your way.'
  Vivie Warren is a woman ahead of her time. Estranged from her wealthy mother, she delights in a glass of whisky and a good detective story, and is determined to carve herself a sparkling legal career in an age ruled by men.
  Her mother, however, is a part of that old patriarchal order. Exploiting it has earned Mrs. Warren a fortune and paid for her daughter's expensive education – but at what cost?
  Bernard Shaw's incendiary moral classic was written in 1893, but, after being banned by the Lord Chamberlain, didn't receive a full public production in London until 1925. This version of the play, edited and introduced by director Dominic Cooke, was produced at the Garrick Theatre in London's West End in 2025, starring real-life mother and daughter Imelda Staunton and Bessie Carter.

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  The Iliad

  Homer Homer

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  "Sing, Goddess, of the ruinous wrath of Achilles..."
  
  Set in the tenth year of the siege of Troy, The Iliad focuses on the "Menin"—the soul-consuming anger—of the Greeks' greatest warrior, Achilles. When the high king Agamemnon dishonors him, Achilles withdraws from battle, leaving the Greek forces to face the devastating might of the Trojan prince, Hector. What follows is a visceral, blood-soaked drama that explores the high cost of pride and the crushing weight of fate. It is a world where the gods walk the earth, where men seek immortality through "Kleos" (eternal glory), and where even the greatest heroes must face their inevitable end.
  
  The Human and the Divine: The Iliad is a masterpiece of dual perspectives. On the ground, men struggle with the physical and emotional toll of war. Above, on Mount Olympus, the gods—from the vengeful Hera to the meddling Aphrodite—manipulate the conflict like a game of chess. This divine intervention raises the stakes from a mere tribal dispute to a cosmic tragedy.
  
  The Shield of Achilles: In one of the most famous passages in literature, Homer describes the forging of Achilles' new armor. The shield is a microcosm of the world, depicting scenes of peace, harvest, and justice alongside the horrors of war. It serves as a haunting reminder of the life and civilization that the heroes are fighting to preserve—or destroy.
  
  Experience the foundational story of Western culture. Purchase "The Iliad" today and witness the dawn of the hero.

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  Inheritance

  Jasmine Cooray

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  A Poetry Book Society Recommendation
  Inheritance is a profoundly moving exploration of what is passed down by our forebearers, what is left behind when we lose someone, and what we learn from being loved. Jasmine Cooray holds our most fiercely-guarded myths to the light, refracted through second-generation diaspora, family legend and life-changing loss. Her poems embrace both the quiet and the storms within. They sing of self-belief rising to the surface as drowning feels imminent, of desire and how it can cultivate hope. This is a timeless debut: wise, wild and empowering, a lodestar for survival.
  "A strident, playful language dance through life's more challenging parts, always towards something transcendent." Anthony Joseph, Sonnets for Albert, Winner of the 2022 T.S. Eliot Prize
  "Intimate, vulnerable, poignant and provocative. Inheritance is a stunning debut brimming with tenderness, authenticity and heart."  Salena Godden, Mrs Death Misses Death

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  Self-Portrait With Family

  Amaan Hyder

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  In Self-Portrait With Family, Amaan Hyder traces a personal history of family and queerness. With poems that focus on coming out, the collection depicts the relationship between a son and his parents, and an immigrant family and its community in the diaspora. Featuring snapshots of conversations across dinner tables and phone lines, Hyder's striking and beautifully precise poems bring into relief what is said and not said, the retreat from speech and the longing to hear from another.
  By turns tender and skilfully observed, this collection also looks from the family home to the individual experience of the brown queer man in public spaces, searching for intimate connection whilst experiencing discrimination. Self-Portrait With Family distinctively frames such narratives of closeness and distance, exploring a range of poetic forms to draw together intergenerational familial and gay relationships, English and Urdu, the world of the family home and the world outside of it.

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