Maison d'édition: Imagination Books
Forest - Nature Through Watercolors A wonderful collection of beautiful watercolor paintings, showcasing the sublime, wild and amazing power of Mother Nature through the beauty of the brush stroke...Get it now!
"Movies with Balls is equal parts fandom, analysis, and nerdiness. It's a wonderful time." —Shea Serrano, New York Times bestselling author of Movies (and Other Things) Movies with Balls will make you want to rewatch the movies you already love, and discover gems you've never seen. Play ball! If you're the kind of fan who cheers every single time you watch Rocky beat Drago, or remembers who said "Be the ball, Danny" and "If you build it, he will come," this is the book for you. Movies with Balls celebrates and analyzes more than two dozen of the greatest sports films of all time, with expert play-by-play and color commentary on the movies themselves and the athleticism they portray. You'll be transported into fictional arenas, stadiums, gyms, fields, and golf courses to relive the climactic moments from: Caddyshack; The Natural; Field of Dreams; Dodgeball; The Karate Kid; Rocky IV; The Waterboy; Bend it Like Beckham; Creed; and many more!Voir livre
In the early 20th century, Westerns were one of the most popular genres in Hollywood, and one of the young stars at the forefront was Roy Rogers, who had come from an Ohio farm to transform himself into a cowboy. Regardless of his background, Rogers certainly looked the part of the quintessential cowboy, along with his wife Dale Evans and his horse Trigger. His versatile singing and acting abilities made him successful both on radio and on the screen. Rogers came of age at a time when the “singing cowboy” was at the apex of his popularity, and that was favorable because he actually got his start in show business as a singer. In the early ‘30s, he bounced around several groups as a country music singer before earning national attention as a member of the Sons of the Pioneers, who were signed to Decca and had a couple of hits. As a result, when he first appeared in movies in 1935, it was usually in bit roles that required singing, but when Gene Autry threatened to quit acting in 1938, Rogers was viewed as a suitable replacement for lead roles. As it turned out, he became the premiere “singing cowboy” in Autry’s stead, and from 1939-1954, he was one of the Top 10 Western stars in Hollywood, and a Top 10 movie star overall during some of those years. As Rogers evolved into the “King of the Cowboys”, he became a pop culture icon, and he was shrewd enough to capitalize on his image. All sorts of Roy Rogers merchandise hit stores, from action figures to comic strips, and Rogers even banked on the popularity of his horse Trigger by featuring him enough to make the horse a household name as well. Even today, people can find the name Roy Rogers all over the place, if only because he eventually had his name lent to a popular fast food chain in later years.Voir livre
This is a book and audio of waiata resulting from a collaboration between Ōpōtiki Mai Tawhiti kapa haka and the Auckland Philharmonia. The twelve waiata document part of the history of the Ōpōtiki Mai Tawhiti kapa haka and provide detail about historical, geographical and social aspects in the songs as well as information about the composition of the music and lyrics and where the waiata were first performed. The book is bilingual throughout, and the lyrics and an explanation of each waiata are given. People involved in the collaboration between Ōpōtiki Mai Tawhiti and the Auckland Philharmonia give their perspectives on the experience and the participating artists are detaileVoir livre
From the acclaimed, controversial singer-songwriter Sinéad O’Connor comes a revelatory memoir of her fraught childhood, musical triumphs, fearless activism, and of the enduring power of song. Blessed with a singular voice and a fiery temperament, Sinéad O’Connor rose to massive fame in the late 1980s and 1990s with a string of gold records. By the time she was twenty, she was world famous—living a rock star life out loud. From her trademark shaved head to her 1992 appearance on Saturday Night Live when she tore up Pope John Paul II’s photograph, Sinéad has fascinated and outraged millions. In Rememberings, O’Connor recounts her painful tale of growing up in Dublin in a dysfunctional, abusive household. Inspired by a brother’s Bob Dylan records, she escaped into music. She relates her early forays with local Irish bands; we see Sinéad completing her first album while eight months pregnant, hanging with Rastas in the East Village, and soaring to unimaginable popularity with her cover of Prince’s “Nothing Compares 2U.” Intimate, replete with candid anecdotes and told in a singular form true to her unconventional career, Sinéad’s memoir is a remarkable chronicle of an enduring and influential artist.Voir livre
Against the background of the media commercialization reform since the 1990s in China and drawing on the case of »X-Change« (2006-2019), Wei Dong investigates the affective meaning-making mechanism in the multimodal text of Chinese reality TV. The focus lies on the ways in which emotions are appropriated and disciplined by regimes of power and identity, and the ways in which affect - in this case primarily kuqing (bitter emotions) communicated by the material and the body - have the potential to challenge or exceed existing relations of power in the mediascape. Wei Dong shows how Chinese reality TV provides a historical and theoretical opportunity for understanding the affective structures of contemporary China in the dynamic process of fracture and integration.Voir livre
Designer, activist, and educator Cheryl D. Holmes-Miller is legendary for her decades of scholarship and advocacy, and as a touchstone and conscience for the design profession. In HERE: Where the Black Designers Are, Holmes-Miller documents the history of—and answers to—the question she has been asking for decades: “Where are the Black designers?” Holmes-Miller explores this essential question through the lens of her own development as a designer and leader, beginning with her own family and its rich multiethnic history. She narrates her experiences as a design student at Rhode Island School of Design (RISD), Maryland Institute College of Art (MICA), and Pratt Institute, leading up to her oft-cited Pratt thesis examining barriers to success for Black designers. Holmes-Miller describes the work of her eponymous studio for noted clients that included NASA, Time Inc., and the nascent Black Entertainment Television (BET), as well as the story of her later critiques of the industry in Print magazine and other design publications. Holmes-Miller also recounts the parallel history of collective efforts by fellow scholars and advocates over the past fifty years to identify and celebrate Black designers. HERE is part memoir, part historical investigation, and an urgent call for justice and recognition for Black designers. “This book is representative of the shoulders on which we, as Black graphic designers, stand. These are the legacies we are fighting to uphold and the torches we must continue to carry. The journey of the Black designer has not been easy. It isn’t easy. And while we may be left out of history books, this is a reminder that we are here. Always have been. Always will be.”—Tré Seals, Vocal TypeVoir livre
