Maison d'édition: Imagination Books
China Beauty Through Watercolors A wonderful collection of watercolor paintings of this beautiful country, showcasing the sublime and amazing sites through the beauty of the brush stroke...Get it now!
The violin has formed an important aspect of Jewish culture for centuries, both as a popular instrument with classical Jewish musicians—Jascha Heifetz, Yehudi Menuhin, Itzhak Perlman—and also a central factor of social life as part of the enduring Klezmer tradition. But during the Holocaust, the violin assumed extraordinary new roles within the Jewish community. For some musicians, the instrument was a liberator; for others, it was a savior that spared their lives. For many, the violin provided comfort in mankind's darkest hour, and, in at least one case, helped avenge murdered family members. Above all, the violins of the Holocaust represented strength and optimism for the future. In Violins of Hope, music historian James A. Grymes tells the amazing, horrifying, and inspiring story of the violins of the Holocaust, and of Amnon Weinstein, the renowned Israeli violinmaker who has devoted the past twenty years to restoring these instruments in tribute to those who were lost, including 400 members of his own family. Juxtaposing tales of individual violins with one man's harrowing struggle to reconcile his own family's history and the history of his people, it is a poignant, affecting, and ultimately uplifting look at the Holocaust and its enduring impact.Voir livre
In a world where change is the only constant, Continuous Improvement (Kaizen) stands out as a proven approach to achieving excellence and sustained success. "Continuous Improvement (Kaizen): Embracing a Culture of Incremental Progress" offers a comprehensive guide to understanding and implementing Kaizen principles in both organizational and personal contexts. Rooted in Japanese management philosophy, Kaizen emphasizes the power of incremental changes and employee involvement to drive continuous progress. This book delves into the core principles of Kaizen, exploring its historical background, key techniques, and practical applications. From the foundational concepts of 5S and the PDCA cycle to real-world case studies of successful Kaizen implementations, readers will gain valuable insights into how small, consistent improvements can lead to significant long-term gains. Ideal for leaders, managers, and individuals seeking to foster a culture of continuous improvement, this book provides actionable strategies for creating a Kaizen-driven environment. Discover how to engage employees, overcome common challenges, and measure the impact of your improvement efforts. Whether you’re looking to enhance organizational performance, advance personal development, or apply Kaizen principles to community projects, this book offers the tools and knowledge you need to make lasting progress. With a forward-looking perspective on emerging trends and global perspectives, "Continuous Improvement (Kaizen)" equips you with the strategies to not only implement Kaizen effectively but also to sustain and evolve it in the face of future challenges. Embrace the Kaizen philosophy and unlock the potential of continuous improvement in every aspect of your life and work.Voir livre
Naive art first became popular at the end of the 19th-century. Until that time this form of expression, created by untrained artists and characterised by spontaneity and simplicity, enjoyed little recognition from professional artists and art critics. Influenced by primitive arts, naive painting is distinguished by the fluidity of its lines, vivacity, and joyful colours, as well as by its rather clean-cut, simple shapes. Naive art is represented by such artists as Henri Rousseau, Séraphine de Senlis, André Bauchant, and Camille Bombois. This movement has also found adherents abroad, including such prominent artists as Joan Miró, Guido Vedovato, Niko Pirosmani, and Ivan Generalic.Voir livre
William Shakespeare's comedy "as you like it" Done as a radio play. Immerse yourself in the forest of arden where all the action happens including usurped dukes, love sick young men, a clown, and of course an impossible love story that eventuality works itself out.Voir livre
The Heian Period, spanning from 794 to 1185 CE, marks one of the most culturally rich and politically significant eras in Japanese history. This chapter lays the groundwork for understanding the historical context, political dynamics, and societal structure that defined the early stages of the Heian era. The period officially began when Emperor Kanmu moved the imperial capital from Nara to Heian-kyō, present-day Kyoto. This relocation was intended to establish a new seat of power free from the influence of powerful Buddhist monasteries that had grown too entwined with politics in Nara. The move to Heian-kyō signified more than a change in geography—it was the beginning of a new political and cultural identity. The city was meticulously planned, modeled after the Chinese capital of Chang’an, with a grid-like structure that reflected a vision of order and centralized authority. However, over time, the influence of the emperor waned as powerful aristocratic families, particularly the Fujiwara clan, rose to prominence. By marrying their daughters into the imperial family and acting as regents, the Fujiwara effectively controlled the court, shaping policy and governance from behind the scenes. The political landscape of early Heian Japan was one of ceremonial grandeur and subtle manipulation. Real power resided in the hands of a few elite families, and the imperial court became increasingly detached from the provinces. This created a division between the cultured, refined life of the capital and the often turbulent realities of rural Japan, where local warrior clans began to assert their own authority.Voir livre
Cézanne was perhaps the most complex artist of the 19th century. One of the greatest of the Postimpressionists, his works and ideas were crucial to the aesthetic development of many 20th-century artists and art movements, especially Cubism. Cézanne’s ambition, in his own words, was "to make out of Impressionism something as solid and durable as the paintings of the museums". He aimed to achieve the monumental in a modern language of glowing, vibrating tones. Cézanne wanted to retain the natural colour of an object and to harmonize it with the various influences of light and shade trying to destroy it; to work out a scale of tones expressing the mass and character of the form.Voir livre
