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  Mother | Line

  Ankita Saxena

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  What do we inherit from our mothers? From our grandmothers? From the legacy of colonisation and empire? Mother | Line, Ankita Saxena's debut poetry collection, charts lineage in all its forms, delving into female rage, compassion, and endurance. Drawing on the author's British Asian heritage and experiences growing up as a woman in an increasingly violent world, this collection weaves together the personal and the political in ghazals, odes and specular poems, which hold a mirror to the world and to themselves. "We are daughters of Kali", Saxena writes, and "mothers linger on the sides, hearing us become them; / our routines only theirs to thank for, our spices, / our blends, and even our greedy tongues.
  "A sublime and considered collection, speaking to, and spanning lineage, inheritance, friendship; what it can mean to be a girl, a woman in the world — across continents, oceans, time." - Rachel Long

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  Leave Taking

  Winsome Pinnock

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  'What doctor know about our illness? Just give you pills to sick you stomach and a doctor certificate. What they know about a black woman soul?'
  In North London, Del and Viv are soul-sick. Del doesn't want to be at home; staying out late – 3 p.m.-the-next-day late – is more her thing. Viv scours her schoolbooks trying to find a trace of herself between their lines.
  When Enid takes her daughters to the local obeah woman for some traditional Caribbean soul-healing, secrets are spilled. There's no turning back for Del, Viv and Enid as they negotiate the frictions between their countries and cultures.
  Two generations. Three incredible women. Winsome Pinnock's play Leave Taking is an epic story of what we leave behind in order to find home. It premiered in 1987, and was revived at the Bush Theatre, London, in 2018, in a production directed by the Bush's Artistic Director, Madani Younis.
  Winsome Pinnock has written numerous plays, including Talking in Tongues, for which she won the George Devine and Pearson Best New Play Awards.
  'The godmother of Black British playwrights' Guardian

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  The Lightest Element

  Stella Feehily

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  'Nothing compares with being the first person in the history of the world to see something, but timing is everything. The world has to be ready for you.'
  Boston, 1956. Cecilia Payne-Gaposchkin, one of the most eminent astronomers of the twentieth century, is about to be appointed Chair of Astronomy and the first woman to head a department at Harvard University. Only two things stand in her way: a covert investigation aimed at exposing her as a Communist sympathiser, and the entrenched conservatism of her male colleagues.
  When a student journalist asks to profile her, it feels like an opportunity to control her own narrative – assuming, of course, that the invitation is actually what it seems…
  Stella Feehily's play The Lightest Element is a taut drama exploring how a challenge to social norms can be almost as difficult as overturning scientific orthodoxy. It premiered at Hampstead Theatre, London, in 2024, directed by Alice Hamilton.

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  Human Collateral

  Tanya Hilson

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  Millicent Brown is not the perfect mother, as she rents out her Chicago apartment to drug dealers as a trap house. However, when a deal goes wrong with one of her dealers, Mill is arrested as she watches the Director of the Department of Children and Family Services, Mrs. Ross, take her children away. 
  While it is Ms. Ross's responsibility to make sure these children are taken care of, Mrs. Ross instead starts orchestrating the sale of Mill's two children. 
  Will Mill be vindicated, or will she be lost in the system forever?

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  The Poetry of Edna St Vincent...

  Edna St Vincent Millay

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  Elinor Morton Hoyt was born on 7th September, 1885 in Somerville, New Jersey and from age 12 grew up in Washington D C where her father served as assistant attorney general and later solicitor general.  Her early education together with her renowned beauty suggests she was being trained for life as a debutante but her life quickly found another route as she became absorbed in the world of books. 
   
  An early marriage following her graduation ended when, after being pursued by Horace Wylie, 17 years her senior and a married Washington lawyer with three children, she eloped to England with him.  His wife would not divorce him and the subsequent scandal was widely publicised further fueled by the suicide in 1912 of her abandoned husband. 
   
  With Wylie's encouragement she published in 1912, ‘Incidental Number’, assembled from poems of the previous decade. 
   
  Despite a child from her first marriage Elinor subsequently endured miscarriages, a stillbirth and a premature child who lived for only one week.  When Wylie’s deserted wife agreed to a divorce, the couple returned to the United States and married but they were already drawing apart. 
   
  In 1921, Elinor’s ‘Nets to Catch the Wind’, was published. It was an immediate success and a prize-winner.  In New York’s literary circles she found her next husband who acted as her agent – the poer William Rose Benét, brother of the famed Stephen. They married in 1923 and that same year ‘Black Armor’, was published. The New York Times said "There is not a misplaced word or cadence in it."  She also published her first of four novels, ‘Jennifer Lom’, to excellent reviews. 
   
  She worked for a time as the poetry editor of Vanity Fair, an editor of Literary Guild, and a contributing editor of The New Republic.  Her third book of poetry, ‘Trivial Breath’ arrived in 1928 as did the failure of her marriage with Benét.  
   
  She moved again to England and fell in love with a friend’s husband, to whom she wrote, and later published a series of 19 sonnets; ‘Angels and Earthly Creatures’. 
   
  Elinor Wylie suffered high blood pressure all her adult life and this eventually led to her death at Benet’s New York apartment on 16th December, 1928 where she suffered a stroke. She was 43. 
   
  1 - The Poetry of Edna St Vincent Millay - An Introduction 
  2 - The Ballad of the Harp-Weaver by Edna St Vincent Millay 
  3 - Dirge Without Music by Edna St Vincent Millay 
  4 - Renascence by Edna St Vincent Millay 
  5 - If Still Your Orchards Bear by Edna St Vincent Millay 
  6 - My Heart Being Hungry by Edna St Vincent Millay 
  7 - First Fig by Edna St Vincent Millay 
  8 - Feast by Edna St Vincent Millay 
  9 - Second Fig by Edna St Vincent Millay 
  10 - No Rose That in a Garden Ever Grew by Edna St Vincent Millay 
  11 - Three Songs of Shattering by Edna St Vincent Millay 
  12 - Rosemary by Edna St Vincent Millay 
  13 - I Too Beneath Your Moon by Edna St Vincent Millay 
  14 - Sonnet XLIII - What Lips My Lips Have Kissed, and Where, and Why by Edna St Vincent Millay 
  15 - Sorrow by Edna St Vincent Millay 
  16 - Departure by Edna St Vincent Millay 
  17 - Travel by Edna St Vincent Millay 
  18 - Journey by Edna St Vincent Millay 
  19 - Mist in the Valley by Edna St Vincent Millay 
  20 - Tavern by Edna St Vinent Millay 
  21 - Exiled by Edna St Vincent Millay 
  22 - A Visit to the Asylum by Edna St Vincent Millay 
  23 - Recuerdo by Edna St Vincent Millay 
  24 - The Philosopher by Edna St Vincent Millay 
  25 - Sonnet XXX -  Love is Not All by Edna St Vincent Millay 
  26 - Sonnet XVIII - I, Being Born a Woman by Edna St Vincent Millay 
  27 - The Betrothal by Edna St Vincent Millay 
  28 - When I Too Long Have Looked Upon Your Fa

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  Poetry Book Society Spring 2025...

  Alice Kate Mullen

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  The Poetry Book Society was founded by T.S. Eliot to share the joy of poetry. It's a unique poetry book club and every quarter our expert selectors choose the very best new books to deliver to our members across the globe. Our lively quarterly magazine is packed full of sneak preview poems from all the selected poets, alongside exclusive interviews, insightful reviews by the Ledbury Critics and extensive listings of every book and pamphlet published this quarter.
  Our Spring 2025 Selections are:
  CHOICE: Richard Scott, That Broke into Shining Crystals (Faber)
  RECOMMENDATIONS: Charles Lang, The Oasis (Skein Press)
  
  , Diane Seuss, Modern Poetry (Fitzcarraldo Editions), Dane Holt, Father's Father's Father (Carcanet Press), Desree, Altar (Bad Betty Press)
  SPECIAL COMMENDATION: Oluwaseun Olayiwola, Strange Beach (Fitzcarraldo Editions)
  TRANSLATION CHOICE: Anna Akhmatova, trans. Stephen Capus, In Love and Revolution (Shearsman Books)
  PAMPHLET CHOICE: Troy Cabida, Symmetric of Bone (fourteen poems)
  You can find out more and join our poetry community today at www.poetrybooks.co.uk.

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