D'autres livres qui pourraient vous intéresser

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  A Dream of Wild Bees - From...

  Olive Schreiner

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  The bookshelves of World literature are incredible collections that have gathered together centuries of very talented authors.  From their countries and continents their fame spread and whilst among their number many are now forgotten or neglected their talents endure.  Among them is Olive Schreiner.

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  Five Chimneys - A Woman...

  Olga Lengyel

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  Olga Lengyel tells, frankly and without compromise, one of the most horrifying stories of all time. This true, documented chronicle is the intimate, day-to-day record of a beautiful woman who survived the nightmare of Auschwitz and Birchenau. This book is a necessary reminder of one of the ugliest chapters in the history of human civilization. It was a shocking experience. It is a shocking book.

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  Seeing What Is There - My Search...

  Erica Rex

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  For fans of Aldous Huxley and Timothy Leary, a woman’s personal journey unfolds in a historically documented and scientifically elucidated memoir of lifelong struggle to overcome CPTSD with the help of psychedelics. 
  In 2009 following a breast cancer diagnosis, Rex found herself spiraling into a depression that led her to a groundbreaking clinical trial at Johns Hopkins University in 2012, where she was given two doses of psilocybin. 
  As she reflects on her tumultuous childhood marked by violent abuse from psychiatrist parents, Rex uncovers the psychological influences that shaped her life and therapeutic search. Her journey intersects with a dark history of psychological experimentation, including the work of Harvard’s Dr. Henry A. Murray—her mother’s mentor—whose controversial research influenced modern psychology and led to the psychopathology of Ted Kaczynski, the Unabomber. 
  Despite years of failed conventional treatments, Rex sought alternative paths, discovering transformative healing through ayahuasca, MDMA, and 5-MeO-DMT. Seeing What Is There navigates the complexities of the psychedelic therapy movement, questioning its ethical pitfalls and motivations. Ultimately, Rex demonstrates that true healing requires more than just pharmaceuticals—it demands economic security, community, and social support, offering a powerful meditation on trauma, survival, and the potential for transformation.

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  The Women Who Make Our Novels

  Grant M. Overton

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  ”This book, the rather unpremeditated production of several months’ work, is by a man who is not a novelist and who is therefore entirely unfitted to write about women who are novelists.” The author is a literary reporter and from that perspective he offers a short biographical sketch “of all the living American women novelists whose writing, by the customary standards, is artistically fine . . . [or] whose writing has attained a wide popularity.” This book was published in 1918. (Summary taken from the Introduction by MaryAnn)

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  Short Stories for Christmas

  Various Authors

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  An entertaining selection of short stories for the festive season, including 'The Gift of the Magi' by O' Henry and a full cast classic recording of 'The Christmas Carol' by Dickens.

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  We Tell Ourselves Stories - Joan...

  Alissa Wilkinson

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  In this riveting cultural biography, New York Times film critic Alissa Wilkinson examines Joan Didion's influence through the lens of American mythmaking. As a young girl, Didion was infatuated with John Wayne and his on-screen bravado, and was fascinated by her California pioneer ancestry and the infamous Donner Party. The mythos that preoccupied her early years continued to influence her work as a magazine writer and film critic in New York, offering glimmers of the many stories Didion told herself that would come to unravel over the course of her career. But out west, show business beckoned. 
   
   
   
  We Tell Ourselves Stories eloquently traces Didion's journey from New York to her arrival in Hollywood as a screenwriter at the twilight of the old studio system. She spent much of her adult life deeply embroiled in the glitz and glamour of the Los Angeles elite, where she acutely observed—and denounced—how the nation's fears and dreams were sensationalized on screen. Meanwhile, she paid the bills writing movie scripts like A Star Is Born, while her books propelled her to celestial heights of fame. 
   
   
   
  Peering through a scrim of celluloid, Wilkinson incisively dissects the cinematic motifs and machinations that informed Didion's writing—and how her writing, ultimately, demonstrated Hollywood's addictive grasp on the American imagination.

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