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  Modern Poetry - Poems

  Diane Seuss

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  Diane Seuss's signature voice—audacious in its honesty, virtuosic in its artistry, outsider in its attitude—has become one of the most original in contemporary poetry. Her latest collection takes its title, Modern Poetry, from the first textbook Seuss encountered as a child and the first poetry course she took in college, as an enrapt but ill-equipped student, one who felt poetry was beyond her reach. Many of the poems make use of the forms and terms of musical and poetic craft—ballad, fugue, aria, refrain, coda—and contend with the works of writers overrepresented in textbooks and anthologies and those too often underrepresented. Seuss provides a moving account of her picaresque years and their uncertainties, and in the process, she enters the realm between Modernism and Romanticism, between romance and objectivity, with Keats as ghost, lover, and interlocutor. 
   
   
   
  In poems of rangy curiosity, sharp humor, and illuminating self-scrutiny, Modern Poetry investigates our time's deep isolation and divisiveness and asks: What can poetry be now? Do poems still have the capacity to mean? "It seems wrong / to curl now within the confines / of a poem," Seuss writes. "You can't hide / from what you made / inside what you made." What she finds there, finally, is a surprising but unmistakable love.

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  I Done Clicked My Heels Three...

  Taylor Byas

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  Inspired by The Wiz, this debut, full-length poetry collection celebrates South Side Chicago and a Black woman's quest for self-discovery—one that pulls her away from the safety of home and into her power 
   
   
   
  I Done Clicked My Heels Three Times takes its inspiration and concept from the cult classic film The Wiz to explore a Black woman's journey out of the South Side of Chicago and into adulthood. The narrative arc of The Wiz—a tumultuous departure from home, trials designed to reveal new things about the self, and the eventual return home—serves as a loose trajectory for this collection, pulling listeners through an abandoned barn, a Wendy's drive-thru, a Beyoncé video, Grandma's house, Sunday service, and the corner store. At every stop, the speaker is made to confront her womanhood, her sexuality, the visibility of her body, alcoholism in her family, and various ways in which narratives are imposed on her. 
   
   
   
  Subverting monolithic ideas about the South Side of Chicago, and re-casting the city as a living, breathing entity, I Done Clicked My Heels Three Times spans sestinas, sonnets, free-verse, and erasures, all to reimagine the concept of home. Chicago isn't just a city, but a teacher, a lingering shadow, a way of seeing the world.

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  Now I Lay Me Down to Fight - A...

  Katy Bowser Hutson

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  In stirring verse and essays, Katy Bowser Hutson chronicles her battle with breast cancer and the complications of faith amid such a fight. Accentuated by the art of Jodi Hays, Katy's words lead us through the realization of cancer, the experience of chemotherapy and a mastectomy, relentless rounds of radiation, the uncertainty of ongoing treatment, and what comes after survival. She writes in resistance to sickness, of wrestling toward beauty:
  Cancer is an overgrowth, a kudzu:Tangling and strangling legitimate life.
  
  Chemo is a killing, a burning out:
  
  Burning down to ashy carbon, indiscriminately
  
  But cancer, did you know that I am a poet?
  Through it all, she shows what it means to struggle in a battered body and to pray to a God who is near to the broken. Join her in this consideration of mortality and witness her persisting trust in God's unseen ways.

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  Dear Leader

  Damian Rogers

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  I'm ill-equipped   for this. I sit     by a fake fireplace
     
  that frames a real flame.   I've been crossed     by two crows today.
     
  'Multi-vectored, Rogers's poems hum with life and tension, their speaker poised as mother, seer, reporter and daughter. They speak of loss and cold realities (misplaced charms of luck, a tour of an assisted-living facility, coins thrown into Niagara Falls). They also interweave dreams and visions: “O Lion, I am / an old handmaiden; I will not lay the pretty baby in the lap / of the imposter.�* Simple but evocative, at once strange and plain, Rogers's poems of address ricochet off the familiar “Dear Reader�* or Dickinson's “Dear Master�* ... Rogers's poems provide instructions for what to leave, what to take and what to fight. They act as selvage between the vast mother-ocean — the mem of memory — and the fabric we make of the uncertain in-between.’
     
  — Hoa Nguyen, The Boston Review
     
  ‘How can we live with the kind of pain that worsens each day? Dear Leader explains through bold endurance, enumerated blessings and the artistic imagination. By pasting stark truths over, or under, images of strange, compelling beauty, Rogers creates a collage, a simulation of the human heart underassault, bleeding but unbroken. Part Orpheus, part pop-heroine who can “paint the daytime black,�* all, an original act of aesthetic violence and pure, dauntless, love.’
     
  — Lynn Crosbie
     
  ’In Dear Leader, Damian Rogers re-invents the same-old poetic lyric to offers us one-of-a-kind insights on childbirth and party bars, rolling blackouts and old rock standards. Here, what looks at first like familiar language always reveals itself to be a rare mineral. And that’s the magic: this is a poetry that refuses to be staged or to succumb to cliché or mannerism, insisting on celebration and condemnation, caution and cosmic vibrations. “Say you’re a poet,�* Rogers advises us, tongue-in-cheek, “Maybe you mean / Hi, I have a lot of feelings.�* Striking that balance between one-liners and mourning is no small feat.‘
     
  —Trillium Award Jury Citation
     
  Praise for Paper Radio:
     
  ‘Paper Radio jumped out at me and I can’t say why, but that’s what you want poetry to do, and I never want to say why. Because it’s real and talking to me. Because it’s bloody and horrifying beauty. It’s the Clash and Buckminster Fuller, Auden and Bowie.’
     
  — Bob Holman

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  A Healer’s Hymns

  Ved Vyas

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  "Dedicated to my mother, the Great Goddess." 
  Life, unpredictable, yields return for sacrifices made. Departing from the conventional path, I surrendered much to existence. Pain, a constant companion, birthed verse—each line a product of anguish turned art. In the ebb and flow of life's challenges, I found solace in writing. What emerged were rhythmic verses, transforming suffering into poetry. Some reflect, others introspect; some offer insight, and others observe. Regardless, each verse is a product of life's trials and emotions. Surprisingly, these verses multiplied over the years. Today, I share them not for accolades, but to be heard amidst the chaos. Some stories must be told, some silences shattered. I offer my rhymes openly, a reflection, a token of my journey.

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  Poetry Book Society Autumn 2022...

  Alice Kate Mullen

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  The Poetry Book Society was founded by T.S. Eliot to share the joy of poetry. It's a unique poetry book club and every quarter our expert selectors choose the very best new books to deliver to our members across the globe. Our lively quarterly magazine is packed full of sneak preview poems from all the selected poets, alongside exclusive interviews, insightful reviews by the Ledbury Critics and extensive listings of every book and pamphlet published this quarter.
  The Autumn 2022 Bulletin features Sandeep Parmar, Zaffar Kunial, Mark Pajak, Don Paterson, Alycia Pirmohamed, Jorie Graham, and Vénus Khoury-Ghata translated by Marilyn Hacker.

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