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  The Rainbow Age of Television -...

  Shayna Maci Warner

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  With the last decade's television boom across a multitude of platforms, American audiences are being treated to a cascade of shows that some have trumpeted as a second Golden Age. But something completely new is stirring, too—the Rainbow Age. For the first time in the history of American television, we have shows in which LGBTQIA+ characters have evolved from being an anomaly to being an almost given and celebrated presence on the small screen. But what more can queer TV do? Is each new queer character really breaking ground? And has the curse of the fictional dead lesbian finally been defeated? 
   
   
   
  The Rainbow Age of Television tackles these questions and more as author Shayna Maci Warner tracks the history and evolution of LGBTQIA+ icons across the televised ages and into the future—from the first televised queer kiss (we think) to the shows that are making household names and heroes of queer characters. Warner uses original interviews with queer TV icons along with detailed history to investigate the constraints under which queer people have been allowed to exist on American television. The Rainbow Age of Television explores why queer people are so invested in—and conflicted by—the kinds of storytelling that TV has to offer. Above all, it's a celebration of the LGBTQIA+ shows, their characters, and their creators that define this new age in television.

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  Making Tutus

  Amanda Hall

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  Making Tutus is a practical guide to making these traditional costumes for classical ballet dancers. As with the tutu itself, the book approaches the task in three parts – the tutu plate, the bodice and the decorative sections. It shares the secrets of a leading costume-maker as it explains the challenging task of, on the one hand, creating a light and beautiful ballet outfit suitable for performance and, on the other, making a comfortable and hardwearing costume that suits a character. In doing so, it reveals the extraordinary talent and techniques required by the costume-maker.

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  Autonomous - Mankind's Greatest...

  Terence A. McSweeney

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  January 12, 2115, was the day the robots took over. It was not a violent insurrection. In fact, no one actually took notice of it at all. There were no threats of bodily harm. No one died in humanity's defense. The movies had it all wrong. We walked through that door voluntarily. We abdicated with our increasing reliance on convenience. It was not convenient to read so we submitted to be read to. It was not easy to drive, too much stress, so we invented self-driving vehicles. Finally, we did not have to leave our homes because everything was at the tips of our fingers. We surrendered without a shot. We chose to be slaves because it was easier than thinking." Tobias Smithwater would not submit and that made him dangerous. The bots will not stop until they have him in the fold and they will use every resource. Together with his half-bot, half-human wife, and adopted son he will dare to escape across the roughest terrain in North America.

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  Combat Love - A Story of Leaving...

  Alisyn Camerota

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  CNN anchor Alisyn Camerota's memoir Combat Love is her story of growing up longing for stability and attachment as the foundation of her family crumbled. Set on the Jersey Shore in the free-range 1980s, Camerota finds the belonging she craves courtesy of a local punk rock band named Shrapnel and their diehard fans. Combat Love chronicles her near-misses and misadventures at clubs like CBGB and Max's Kansas City, coupled with the sex, drugs, and punk rock of 1980s New Jersey. By the time she leaves home at sixteen, it feels like home had left her long ago. 
   
    
   
  Combat Love is also the story of two women, mother and daughter, trying to forge their own paths and independence, and find their own happiness, success, and wholeness. Camerota's story searches for the line between shelter and risk, nurture and neglect, parenting and personal freedom. What are we willing to sacrifice for self-actualization and happiness? What if the answer is your mother, or your daughter? 
   
    
   
  The two-time Emmy-award-winning Camerota retraces her steps down an often gritty path toward her dream of becoming a journalist. At times heartbreaking and pulse-pounding, Combat Love is an inspiration for anyone who's ever searched for that elusive place called home.

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  Truth is Still Out There The:...

  Bethan Jones

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  In September 1993, a TV show like no other appeared on our screens, asking us to consider the essence of truth and belief, to think about the nature and roles of science and humanity, and to question what we were told by those in power. Combining horror, science fiction, drama, crime, and comedy with cinematic filmmaking, The X-Files transported the paranoia of the sixties and seventies to the technologically savvy nineties as it followed two iconic characters, FBI Agents Fox Mulder and Dana Scully, in their labyrinthine pursuit of truth. Further, The X-Files reversed conventional television gender roles: Mulder was our believer in the paranormal, chasing down clues in search of his abducted sister; Scully was the skeptic, a scientist preaching rationality and objective truth. Now, thirty years later, the nature of conspiracy theories may have changed, but the anxiety surrounding them has not. In an era in which Watergate has been replaced by Gamergate and conspiracy theorists blindly embrace the myth of a stolen election and maintain that an all-powerful cabal of Satanic Democrats—defeatable by only one man—is preying on children, The X-Files remains as relevant as ever.

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  Summer and Smoke

  Tennessee Williams

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  Alma Winemiller is a shy, religious young woman who grew up pining for the boy next door, John Buchanan. He’s grown up to become a doctor with a penchant for sexual conquest, so when he returns to their Mississippi town to start a medical practice, their strange attraction sets them on a path of turmoil and heartbreak.
   
  
   
  Recorded before a live audience at the Skirball Cultural Center in June 2008.
   
  
   
  Directed by Michael Hackett
   
  Producing Director: Susan Albert Loewenberg
   
  
   
  An L.A. Theatre Works full-cast recording, starring:
   
  
   
  Ann Gee Byrd as Mrs. Winemiller and Rosemary
   
  Kristen Frazier as Nellie
   
  Mark Kudisch as John Buchanan Jr.
   
  Carlos Lacamara as Papa Gonzalez
   
  Gabriel Olds as Dusty, Vernon, and Archi Kramer
   
  Tina Sánchez as Rosa Gonzalez
   
  David Selby as Dr. Buchanan Senior
   
  Tegan West as Roger Doremus 
   
  Armin Shimerman as the Reverend Winemiller
   
  Kitty Swink as Mrs. Bassett
   
  Sarah Zimmerman as Alma Winemiller
   
  
   
  Recording, editing and mixing engineer: Mark Holden
   
  Live Sound Effects by Eddie Mills
   
  Music Supervisor: Scott Willis
   
  
   
  Original music by Gareth S. Brown

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