Verlag: Nick Hern Books
A daringly theatrical investigation of the climate crisis through the perspectives of class, patriarchy and colonialism. Chris Bush's play Not the End of the World was first staged at the Schaubühne in Berlin in 2021, directed by Katie Mitchell.
In Open Mouths Sharan Hunjan presents a vision of a world simultaneously familiar and strikingly strange. The quotidian, the domestic, the commonplace are interrogated and manipulated through the poet's eye for detail, linguistic sense of play and restless imaginative and philosophical impulses. The shortcomings of language, the gulf between words and meaning, between experience and description, the space between translation, between places, between generations—these are the problems with which Hunjan grapples. Full of seemingly quiet, yet startlingly profound thought, razor-sharp wordplay, raw emotion and dazzling image and phrase-making, Open Mouths marks the emergence of another stellar talent from the 4 BROWN GIRLS WHO WRITE stable.Zum Buch
John Davidson was born at Barrhead, East Renfrewshire on 11th April 1857. In 1862 his family moved to Greenock and there he began his education at Highlanders' Academy. Davidson would now spend many years at school and the beginnings of a career in various industries before gaining employment in various schools. By now literature was a large part of his activities and his first published work was ‘Bruce, A Chronicle Play’ in 1886. Four other plays quickly followed including the somewhat brilliant pantomimic ‘Scaramouch in Naxos’ (1889). With his reputation gradually providing an income he was also able to explore his true medium; Verse. ‘In a Music Hall and Other Poems’ (1891) together with ‘Fleet Street Eclogues’ (1893) were ample proof that he possessed a quite rare, genuine and distinctive poetic gift. Davidson now turned further and further towards verse. In 1894 he published his most popular volume, ‘Ballads and Songs’ (1894), and this was followed by a further ‘Fleet Street Eclogues’ (Second Series) (1896) and by ‘New Ballads’ (1897) and ‘The Last Ballad’ (1899). As the new century dawned Davidson was hard at work on a series of ‘Testaments’, in which he gave definite expression to his philosophy and were published over a seven year period; ‘The Testament of a Vivisector’ (1901), ‘The Testament of a Man Forbid’ (1901), ‘The Testament of an Empire Builder’ (1902), and ‘The Testament of John Davidson’ (1908). However, on 23rd March 1909, with his finances in ruins, the onset of cancer and profound hopelessness and clinical depression he left his house for the last time. His body was only found on September 18th by some local fishermen.Zum Buch
Shipwrecked on the shores of Illyria, Viola assumes the role of a male page to Duke Orsino. The Duke sends Viola, now disguised as ‘Cesario’ to press his suit with the beautiful Olivia – who promptly falls in love with Cesario. Confusion reigns until the truth is untangled and true love triumphs. Recorded at The Invisible Studios, West Hollywood in July 2022. Adapted and Directed by Martin Jarvis Producing Director: Susan Albert Loewenberg An L.A. Theatre Works full-cast recording starring: Rosalind Ayres as Maria Tara Lynne Barr as Olivia Chris Butler as Orsino JD Cullum as Antonio Sarah Drew as Viola Martin Jarvis as Sir Toby Belch Adhir Kalyan as Sir Andrew Aguecheek Stacy Keach as Feste, the Fool André Sogliuzzo as Fabian, Curio, Valentine and others Josh Stamberg as Malvolio Mark Jude Sullivan as Sebastian Senior Producer: Anna Lyse Erikson Recording and Mixing Engineer: Charles Carroll Editing and Sound Design: David Wilson and Charles Carroll Senior Radio Producer: Ronn Lipkin Foley Artist: Jeff Gardner Guitar Accompaniment by JD CullumZum Buch
Chapter 6 - Disconnect - Disconnect is about the psychological action of disconnecting from everything that influences you in a negative manner. To not listen to the thoughts and voices of others who begin to steer your life, but instead, to focus on what you want and what you believe in. In short, it is the disconnection from outside influences, replaced with the connection to what's inside.Zum Buch
Sir Arthur Conan Doyle's most celebrated Sherlock Holmes story gets a gloriously funny makeover. When Sir Charles Baskerville is found dead on his estate, with a look of terror still etched on his face, and the paw prints of a gigantic hound beside his body, the great detective Sherlock Holmes is summoned from Baker Street, with Dr Watson in tow, to unravel the mysteries surrounding his death, and investigate the ancient curse of the Hound of the Baskervilles... Packed full of the verbal and visual ingenuity that hit comedy team Peepolykus is known for, and offering abundant opportunities for riotous comedy and slapstick, The Hound of the Baskervilles will suit any theatre company looking to dust off their deerstalkers for a sublimely funny adaptation of a classic tale. It was adapted by Olivier Award nominees Steven Canny and John Nicholson, and first performed by Peepolykus at the West Yorkshire Playhouse, Leeds, in 2007, before transferring to the West End. It has since become a firm favourite with theatre companies – both professional and amateur – around the world. This revised, definitive version of the play was first seen in a revival at Theatre by the Lake, Keswick, in 2024, directed by John Nicholson.Zum Buch
Elif shears sheep for a rich landowner. Every other waking hour she spends queuing outside the palace, hoping that the King will let her live within the city walls. She comes from a faraway land. She is searching for sanctuary. And this is what we call a 'hostile environment'. Sami Ibrahim's play A Sudden Violent Burst of Rain is a poetic fable about an impenetrable immigration system that mirrors our own. It premiered in Paines Plough's Roundabout in 2022, including a run at the Edinburgh Festival Fringe, as a co-production between Paines Plough and Rose Theatre, Kingston, in association with the Gate Theatre, London.Zum Buch
