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  Useful Junk

  Erika Meitner

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  A master of documentary poetry, Erika Meitner takes up the question of desire and intimacy in her latest collection of poems.In her previous five collections of poetry, Erika Meitner has established herself as one of America’s most incisive observers, cherished for her remarkable ability to temper catastrophe with tenderness. In her newest collection Useful Junk, Meitner considers what it means to be a sexual being in a world that sees women as invisible—as mothers, customers, passengers, worshippers, wives. These poems render our changing bodies as real and alive, shaped by the sense memories of long-lost lovers and the still thrilling touch of a spouse after years of parenthood, affirming that we are made of every intimate moment we have ever had. Letter poems to a younger poet interspersed throughout the collection question desire itself and how new technologies—Uber, sexting, Instagram—are reframing self-image and shifting the ratios of risk and reward in erotic encounters.With dauntless vulnerability, Meitner travels a world of strip malls, supermarkets, and subway platforms, remaining porous and open to the world, always returning to the intimacies rooted deep within the self as a shout against the dying earth. Boldly affirming that pleasure is a vital form of knowledge, Useful Junk reminds us that our selves are made real and beautiful by our embodied experiences and that our desire is what keeps us alive.

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  Hell I Love Everybody: The...

  James Tate

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  An essential collection of James Tate’s extraordinary poems that will captivate today’s readers, with a foreword by Terrance Hayes 
  Celebrating James Tate’s work as it transcends convention, time, and everything that tells us, “No, you can’t do that,” Hell, I Love Everybody gives us the poet at his best, his most intimate, hopeful, inventive, and brilliant. John Ashbery called Tate the “poet of possibilities,” and this collection records forays into possibilities for American poetry’s future. With a foreword by Terrance Hayes, it is sure to give readers new and old a lasting collection of favorites.

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  Duino Elegies

  Rainer Maria Rilke

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  We have a marvelous, almost legendary image of the circumstances in which the composition of this great poem began. Rainer Maria Rilke was staying at Duino Castle, on a rocky headland of the Adriatic Sea near Trieste. 
  One morning, he walked out onto the battlements and climbed down to where the cliffs dropped sharply to the sea. From out of the fierce wind, Rilke seemed to hear a voice: Wer, wenn ich schriee, horte mich denn aus der Engel Ordnungen? (If I cried out, who would hear me up there, among the angelic orders?). 
  He wrote these words, the opening of the first Duino Elegy, in his notebook, then went inside to continue what was to be his major opus—completely only after another ten, tormented years of effort—and one of the literary masterpieces of the century.  
  Duino Elegies speaks in a voice that is both intimate and majestic on the mysteries of human life and our attempt, in the words of the translator David Young, “to use our self-consciousness to some advantage: to transcend, through art and the imagination, our self-deception and our fear.”

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  The Poetry of Khalil Gibran -...

  Khalil Gibran

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  Gibran Khalil Gibran was born on 6th January 1883 in the village of Bsharri, Beirut Vilayet, then part of the Ottoman Empire 
  His mother took him and his siblings to the United States in 1895 where he was enrolled into a Boston school and his creative talents soon noted.  He was sent home to be schooled at the Collège de la Sagesse in Beirut but returned to Boston following the death of his youngest sister in 1902.  Within a year his mother had also died. 
  In 1904, Gibran's drawings were displayed for the first time and, a year later, his first book, in Arabic, was published in New York City.  With financial help from a benefactress he studied art in Paris from 1908 and here his path crossed with dissident Syrian exiles.  Over the years he would meet many more like-minded exiles who were exploring ways to overthrow the yoke of the Ottoman Empire.   
  By 1911 he had settled in New York working on his drawings and paintings which were now being regularly exhibited. His writing was also attracting much attention and gaining an audience.   
  His first book in English, ‘The Madman’ became an international phenomenon.  Whilst his writing has overshadowed his visual works there is no doubt that a copy of ‘The Mad Man’ is never far from any bookshelf.  This and other works have ensured his stature as an artist is world-wide and that it continues into these more modern times.  Gibran was regarded as a literary rebel and a leading figure of the Arabic literary Renaissance and made influential contributions to Western poetry, stories and thought. 
  Khalil Gibran died on 10th April 1931 in New York City from cirrhosis and incipient tuberculosis in one lung.  He was 48.   
  Gibran was one of a number of Arab intellectuals and writers who lived in the United States at the beginning of the twentieth century and who had a great influence on the development of modern Arabic literature through the exploration of Western literary movements.  The group was presided over by Gibran himself and was baptized Arrabitah, or “The League.”  Its influence is acknowledged as fundamental. 
  In this volume of poetry Gibran is able to capture and demonstrate and enlighten much of the human condition and the wonder of the world around him.

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  The Wonder Paradox - Embracing...

  Jennifer Michael Hecht

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  Religion once formed the rhythms and structures of society: marking time with calendars, carving out space for contemplation, creating connection, reinforcing legacy and morality. Now, for many, religion no longer runs the show. So where shall we find our magic? How do we celebrate milestones? Which texts can focus our attention but still offer space for inquiry, communion, and the chance to dwell for a dazzling instant in what can’t be said? The answer, Jennifer Michael Hecht?the historian, poet, and bestselling author of Doubt?tells us, is poetry. In twenty chapters built from years of questions and conversation with those looking for an authentic and meaningful life, Hecht offers ways to excavate the useful aspects of tradition and to replace what no longer feels true. Through cultures and poetic wisdom from around the world?Sappho, Rumi, Shakespeare, Issa, Tagore, Frost, Szymborska, Angelou, and others?she blends literary criticism with spiritual guidance rooted in the everyday. Linking our needs to particular poems, she helps us better understand those needs, ourselves, and poetry. Our capacity for wonder is one of the greatest joys of being human; The Wonder Paradox celebrates that instinct and that yearning. Like Julia Cameron’s The Artist’s Way and Anne Lamott’s Bird by Bird, it promises to inspire generations.

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  The Big Smoke

  Adrian Matejka

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  Winner of the Anisfield-Wolf Award and finalist for the Pulitzer Prize in Poetry, the Hurston/Wright Legacy Award, and the National Book Award in Poetry—a collection that examines the myth and history of the prizefighter Jack Johnson 
   
   
   
  The legendary Jack Johnson (1878–1946) was a true American creation. The child of emancipated slaves, he overcame the violent segregationism of Jim Crow, challenging white boxers—and white America—to become the first African-American heavyweight world champion. The Big Smoke, Adrian Matejka's third work of poetry, follows the fighter's journey from poverty to the most coveted title in sports through the multi-layered voices of Johnson and the white women he brazenly loved. Matejka's book is part historic reclamation and part interrogation of Johnson's complicated legacy, one that often misremembers the magnetic man behind the myth.

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