D'autres livres qui pourraient vous intéresser

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  Love On A Checklist - A Lesbian...

  Alyson Root

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  Kelsey Peterson has one goal. To talk to Olivia Pritchard, the most beautiful woman she has ever seen. There’s only one problem with the plan! Kelsey is useless with women. So useless, in fact, that she tends to cause accidental bodily harm to herself when in the vicinity of an attractive female. Take her first meeting with Olivia, for example. Kelsey’s face meeting a pole because she was staring. Is she a lost cause? Well, Kelsey doesn’t think so. All she needs is a step-by-step method to reach her goals. Then she should be able to have at least a conversation with Olivia, right? As with all well-planned ideas, it goes to pot almost immediately. Still, Kelsey is nothing but persistent and positive. All she has to do is follow her checklist. Easy peasy!

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  Tangled Yet Coiled - A...

  Tom Burgess

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  Tangled Yet Coiled is a collection of 22 poems exploring the climate emergency, the unifying potential of nature, and experiences of wilderness that vault the ego, that captivate and sustain. It is written with the hope of turning powerlessness into small acts of courage and championing the natural beauty found in humans and all living things.

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  The Red Shoes

  Nancy Harris

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  'What's wrong with wanting to dance?'
  When an orphaned young woman is taken in by some local do-gooders, she is expected to be seen and not heard.
  Dazzled by a pair of beautiful shoes, she sees in them an opportunity to shine – but soon her feet betray her, taking her to places she does not wish to go.
  Nancy Harris's version of The Red Shoes is a contemporary retelling of Hans Christian Andersen's extraordinary fairytale of dance, desire and destruction. It was first performed at the Gate Theatre, Dublin, in 2017 and revived in the version published here in 2024 at the Swan Theatre, Stratford-upon-Avon, by the Royal Shakespeare Company, directed by Kimberley Rampersad.

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  Dark Beds

  Diana Whitney

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  Diana Whitney’s seductive second collection juxtaposes the conflicted emotions of motherhood and domesticity with the intoxicating promises of transgression. Fantasies fulfilled or imagined play out against the haunted backdrop of Vermont’s woods and fields, a landscape both harsh and magical, conjuring longing and grief, dissolution and repair. Here we see how time is reflected in our bodies, our children, our choices, and the natural world. Dark Beds is an anthem for the “sandwich generation”—tired adults caught between the demands of growing children and aging parents, yearning to reclaim desire and a sense of self. Sensual, elegant, and deeply resonant, these poems lay bare the dark beds of a marriage, a garden, a human life: the intimate places where truths are buried, exposed, and sown again in hope of renewal.

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  Footprints - The True Story...

  Margaret Fishback Powers

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  One night I dreamed a dream. I was walking along the beach with my Lord. So begins "Footprints," a poem written in 1964 by a young woman named Margaret Fishback, who was searching for direction at the crossroads of her life. The poem has appeared on plaques and cards, calendars, and posters, inspiring millions of people all over the world. The creation of the poem, its subsequent loss, and astonishing rediscovery are intertwined with a life full of challenge, adversity, and joy. This deeply moving and beautiful account tells the complete story behind the poem. The result is a memorable offering of the heart and soul, providing warm spiritual and emotional renewal.

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  The Consequence of Moonlight -...

  Anonyme

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  The act of writing poetry, for Sofia Starnes, is a "getting out of the way" so that a poem might occur, a poem that must itself become a place of resonance, where the reader might recognize a voice otherwise unheard. The Consequence of Moonlight is a poetic invitation to an awareness of an underlying Presence; it is also a call to be present as a loving witness of valuable—and vulnerable—things.
  These poems are written to be depositories for the reader's experiences. The poem's truth is its emotion, nothing else. Why moonlight? Because the moon has no light of its own; it lives on borrowed light, as we do. The moon is best perceived and most needed in the dark, fulfilling itself in absence. It is both here and there, as is often true for saints, whose luminosity is seen as lunacy in the world.

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