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  Cellophane - Dramatic story

  Amr Mounir

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  How can a man live if he loves a woman who does not reciprocate his feelings and marries him for his money? And how will he face the blame he feels when she goes through a health crisis that makes him think he is responsible?

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  Side Chick

  Pamela Hayes

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  In Side Chick, the main character addresses three women involved with a man who has already committed to someone else. She encourages them to recognize their own self-worth and urges them to stop giving men power in these situations. She empowers them to build their self-esteem, take control of their lives, and realize that they are more than enough to deserve their own relationships without relying on someone else's man.

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  Ground Provisions

  Shauna M. Morgan

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  In her debut collection, Ground Provisions, Shauna M. Morgan takes us on a sensory journey across landscapes of the body and the earth. Immersing readers in lush language and imagery, the collection traverses the natural world from the Caribbean to North America and provokes questions about identity in the making of diasporas and the formation of multi-ethnic realities. What remains and what is created anew? Who emerges at the fissures of culture? What is learned from human relationships with the land? How do we make provisions between generations?
  These poems guide us through a backabush Jamaican community to an often-hostile US environment as they interrogate power, follow the desire for freedom, explore the necessity of ancestral memory, and answer the crucial need to touch the earth and each other.
  Sonnet and sestina walk alongside contemporary poetic forms such as haibun and duplex to explore family origins and Afro-Indo cultural syncretism while offering intimate views of the speakers and their interior lives. We witness grief overwhelming the mind and body, children holding painful secrets, women leaning into sensuality, and families coming to terms with fracture and reconciliation.
  Through intertwined familial and historical inheritances, these poems ask us to imagine the liberatory possibilities of establishing new roots with legacy seeds.

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  mahogany

  Eric Lewis

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  mahogany takes its name from the dark wood prized for its durability, workability, and elegant look, and from the Diana Ross movie, whose theme song asks if what lies ahead is what you really want. This book is the third in a trilogy, and like the first two books it is steeped in pop music. Each poem here takes its title from a line of a Diana Ross and The Supremes song, as well as songs from Diana Ross' solo career. Short lines flow down the page like postmodern psalms, connecting dailyness to timelessness, merging the historical and the beloved through reverence for family, music, and the life we actually live. mahogany is a lament for the passing of time and unimaginable loss, and at the same time it models the daily search for joy, and the deep shine that can arise from the darkest times.[sample poem]i'm like a woman who once knew splendor*sometimes i feel like the pink pantherall naked and pinklost in the morass ofdo the best you can todayand nigga heal thy selfour end of winterspirits breaklike old tibetan snowi rememberyou was conflictedand i found myself alonehere on my ancient hurtthe disquieting humof living historydear god, pleaseput my head above my heartwe can only be togetherif the stories are toldplain facesame instrumentjust a couple of coke bottlesfull of gasolinelike god and rainis a waste of timemy mother used to clean housesas a childsome days i can barelyget out of bedin my mindshe's like diana rossscrubbing the white lady's stairsin lady sings the bluesexcept prettierand with green eyesi've just been livingoff of cough dropsand water and angerjust sitting in the whole foodsparking lot eating pineapplei am literallythe definition of "hot mess"pain changes everythingsomebody comeand pick upmy limp bodyoff the groundi am dyinga slow ohio deathwe miss you starmanit's our first sunrise of the burn* "dark side of the world"erica lewis

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  Lacunae - New Poems

  Scott Cairns

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   This is a book to savor slowly and return to often." —Malcolm Guite, author of Sounding the Seasons and other collections
  New poetry from Scott Cairns on containing the uncontainable
  
  Often, when speaking of what he has called the poetic operation of language, Scott Cairns has characterized that event as our "glimpsing an indeterminate, inexhaustible enormity within a discrete space." This is the poet's continuing fascination with lacunae, those spaces, those openings that offer more within than appearances can register from outside the ostensible covert of their terms. Cairns is here focused upon how an image, a word, or—in the case of the Theotokos—a womb can contain the uncontainable. As Orthodox hymnography avers, she is more spacious than the heavens. So, too, the poet suggests, in its own, modest way, the poem might give birth to more, and more, and yet more than even the poet supposes.

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  Out for Air

  Olly Todd

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  Infused with movement, surprise and play, Out for Air presents a unique vision of the built environment, celebrating places where 'the bridges are endless / beyond the cantilever / of reality'. Expansive in scope but intricate in form, a masterclass in precision engineering. Todd rewires T. S. Eliot's Waste Land in his strange, compelling descriptions of the modern city: melting asphalt; a U-turning taxi; a diner swallowed by a sinkhole. In this disorientating landscape the skateboarder-poet is genius loci, the spirit of the place.
  From Manhattan's 'silky streets' and the Pacific Coast Highway to inner-city London and his native Cumbria, together these poems record a life lived on the move, in motion, on the cusp of things.
  'I'm dazzled by this wonderful debut...The language itself crunches, glides, grinds. A radically different way of experiencing the built and natural environment and an endlessly engaging, witty, serious and astute new voice.' - Luke Kennard
  'Out for Air is an inventive and alluring debut...With shades of Kleinzahler and Eliot, these poems explore angles and movement, friendship and distance, in a voice that is genuinely original, graceful and often strange.' - Martha Sprackland
  'Through his words a whole world and potential opens up, a distillation of experience that feels universal and intimate.' - Nick Jensen
  'Out for Air creates a world of familiarity gone strange, a world of signs of the human in motion, where the living in place becomes its constant study. It makes a hard-to-pin-down language which is all its own, and which mirrors its subjects' international scope, its playful, sometimes arch, worldview, and which announces a wholly original voice.' - Will Burns

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