Weitere Bücher, die Sie mögen werden

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  Unruly Blood

  Olivia Douglass

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  'the song soil sweat of it knowing nothing ofa binary bondage a bountiful mess of myself everything under the sun is changing all thetime all my skin soft lovers flocking to the river'
  Olivia Douglass' new pamphlet takes us into the shape-shifting experiences of young selfhood, family and what it means to be between worlds. Douglass' poetry is like a strong shot of the good stuff, an irresistible introduction to this multi-talented artist.
  'The poems of Unruly Blood are careful, dangerous, sparse; full. Each space held within it sings as much as its words do, its every phrase simmers first before spilling over with untold possibility.'  Victoria Adukwei Bulley
  'An artist of the body, in Unruly Blood, Douglass transmits physical sensation to the page with rapturous fluidity. Expressive of the joy and pain of every kind of love, their work sings with exciting originality.' Erica Wagner
  'Olivia Douglass is a new, clear voice and these are deep, intriguing, dangerous poems.' Brian Eno

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  Prophet the

  Kahlil Gibran

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  Brought to you by Altrusian Grace Media and narrated by Matthew Schmitz. Gibran’s book follows the final hours of the prophet Almustafa as he prepares to depart the city of Orphalese, offering distilled reflections on the fundamental forces of human existence—love, work, joy, sorrow, freedom, self-knowledge, and death. Each teaching arises from direct insight rather than doctrine, presenting life as an interwoven field of opposites whose tensions refine the soul. The text unfolds as a sequence of poetic addresses that cut through sentiment and moralism, pointing the reader toward inward clarity and responsibility.

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  Sylvia Plath Reads Her Poetry

  Sylvia Plath

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  Sylvia Plath born on October 27, 1932, in Boston, MA, was an American poet, novelist, and short story writer. She is credited with advancing the genre of confessional poetry and is best known for two of her published collections, The Colossus and Other Poems (1960) and Ariel (1965), and also The Bell Jar, a semi-autobiographical novel published shortly before her suicide on February 11, 1963. In this recording, Plath reads "Black Rook in Rainy Weather," "A Secret, Stopped Dead," "A Birthday Present," "November Graveyard," "Medusa," "The Disquieting Muses," "The Stones," and "Cut."

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  After the Fall: Dirges Among Ruins

  Eric Tinsay Valles

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  This collection explores the creative space of poetry as a means to unravel feelings evoked by the violence of war or by everyday traumatic events. One may come to terms with uncomfortable, including unspeakable, feelings by describing them with imagery from nature and one’s immediate environment. By participating in grieving, the self can better face any lingering effects of trauma. In this creative space, dramatic speakers retell stories and give vent to contradictory feelings through silences and free play. Their accounts attest to the dappled beauty of the human condition even if the full nature, scope and effects of traumatic memories are always beyond their grasp.

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  Poems about Paintings

  James Sey

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  This chapbook of poetry and prose pieces reflects philosophically and aesthetically on the relationships between art and the world, including through the global experience of Covid-related lockdowns. Though generally following an extended haiku-like format, some are longer prose poems, and an extended verse poem reflects on the city where the author lives, Johannesburg, South Africa.

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  The Tenderness of Silent Minds -...

  Martha C. Nussbaum

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  The human body is the primary instrument of war, yet those waging war often confront soldiers' bodies in a detached or merely intellectual way. In The Tenderness of Silent Minds, Martha C. Nussbaum, a leading thinker on emotion, morality, and justice, conducts a pioneering study of Benjamin Britten's musical representations of the tender male body amidst the brutality of war, and their ability to transform consciousness by evoking potent, non-personal emotions. 
   
   
   
  Offering a reading of Britten's views about the value and beauty of the body that situates these in the context of his thirty-nine year partnership with his lover, the singer Peter Pears, and also surveying pacifist themes in works written both before and after War Requiem, Nussbaum presents a compelling framework for critically assessing Britten's oeuvre. Nussbaum engages with a remarkably wide range of Britten's works, examining his treatment of aggression and its roots in his collaborations with the poet W. H. Auden, offering readings of the value placed on the body in early partnerships with Britten's beloved and singer Peter Pears, and surveying pacifist themes in Britten's earlier works. The analysis throughout is enriched with perspectives from Britten's personal letters and thoughtful study of the social and political backdrop of fear and homophobic disgust in mid-twentieth century Britain.

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