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  Fanny

  Calum Finlay

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  'You're not stupid for wanting things to change, Fanny – it's just that we have to play the music that gets handed to us.'
  Meet Fanny Mendelssohn. You'll probably know of her younger brother Felix, from nineteenth-century smash hits like 'The Wedding March'. He was such a huge star that Queen Victoria requested a private concert, during which she sang her favourite of his compositions, a song called 'Italien'.
  The only problem is, that particular piece was actually composed by Fanny, though it was published under her brother's name.
  When Fanny intercepts the letter inviting Felix to play for the queen, she decides to hide it away, don her brother's clothes, and take his place at the palace…
  Calum Finlay's play Fanny is a joyful and irreverent comedy celebrating music, family and – at last – the work of a composer overlooked because of her sex. It opened at the Watermill Theatre, Newbury, in 2024.

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  To My Most Dearly Beloved Friend...

  Michael Drayton

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  Michael Drayton was born in 1563 at Hartshill, near Nuneaton, Warwickshire, England. The facts of his early life remain unknown.  Drayton first published, in 1590, a volume of spiritual poems; The Harmony of the Church.  Ironically the Archbishop of Canterbury seized almost the entire edition and had it destroyed.  In 1593 he published Idea: The Shepherd's Garland, 9 pastorals celebrating his own love-sorrows under the poetic name of Rowland. This was later expanded to a 64 sonnet cycle.  With the publication of The Legend of Piers Gaveston, Matilda and Mortimeriados, later enlarged and re-published, in 1603, under the title of The Barons' Wars. His career began to gather interest and attention.  In 1596, The Legend of Robert, Duke of Normandy, another historical poem was published, followed in 1597 by England's Heroical Epistles, a series of historical studies, in imitation of those of Ovid. Written in the heroic couplet, they contain some of his finest writing.  Like other poets of his era, Drayton wrote for the theatre; but unlike Shakespeare, Jonson, or Samuel Daniel, he invested little of his art in the genre. Between 1597 and 1602, Drayton was a member of the stable of playwrights who worked for Philip Henslowe. Henslowe's Diary links Drayton's name with 23 plays from that period, and, for all but one unfinished work, in collaboration with others such as Thomas Dekker, Anthony Munday, and Henry Chettle. Only one play has survived; Part 1 of Sir John Oldcastle, which Drayton wrote with Munday, Robert Wilson, and Richard Hathwaye but little of Drayton can be seen in its pages.  By this time, as a poet, Drayton was well received and admired at the Court of Elizabeth 1st. If he hoped to continue that admiration with the accession of James 1st he thought wrong.  In 1603, he addressed a poem of compliment to James I, but it was ridiculed, and his services rudely rejected.  In 1605 Drayton reprinted his most important works; the historical poems and the Idea. Also published was a fantastic satire called The Man in the Moon and, for the for the first time the famous Ballad of Agincourt.  Since 1598 he had worked on Poly-Olbion, a work to celebrate all the points of topographical or antiquarian interest in Great Britain. Eighteen books in total, the first were published in 1614 and the last in 1622.  In 1627 he published another of his miscellaneous volumes.  In it Drayton printed The Battle of Agincourt (an historical poem but not to be confused with his ballad on the same subject), The Miseries of Queen Margaret, and the acclaimed Nimphidia, the Court of Faery, as well as several other important pieces.  Drayton last published in 1630 with The Muses' Elizium.  Michael Drayton died in London on December 23rd, 1631.  He was buried in Westminster Abbey, in Poets' Corner.  A monument was placed there with memorial lines attributed to Ben Jonson.

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  Our New Girl & Little Dolls: two...

  Nancy Harris

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  A startling psychological drama about the darker side of modern parenthood.
  Behind the shiny door of Hazel Robinson's immaculate London home, things aren't as good as they look. Her plastic surgeon husband, Richard, has embarked on his latest charitable mission to Haiti, leaving the heavily pregnant Hazel to cope with a failing business and a problem son. When a professional nanny arrives unannounced on her doorstep, Hazel finds her home under the shadow of a seemingly perfect stranger, and one who has an agenda of her own. 
  Nancy Harris's play Our New Girl was first performed at the Bush Theatre, London, in 2012.

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  Why I Write Poetry - Essays on...

  Ian Humphreys

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  What motivates poets in the 21st century? How do they find their voice? What themes and subject matters inspire them? How do they cope with set-backs and deal with success? What keeps them writing? Why I Write Poetry, edited by Ian Humphreys, combines lively and thought-provoking essays, along with individual writing prompts to help you create your own new poetry.
  In this book, twenty-five contemporary poets reflect with insight, wit and wisdom on the writing life. Each offers their distinctive take on what inspires and spurs them on to write poetry. The essays shine a light on everything from performance, dialect, the body and paying attention, to bearing witness, finding your wings and joining the journey of poetry, and encompass the practical, personal, and political. Within these pages, you'll discover how a poet's background and values can fundamentally shape and inform their work. New voices sit alongside poets with many collections under their belts and you'll find encouragement, creative provocations, advice and, above all, reasons to write. Read on, learn and enjoy.
  With essays by: Romalyn Ante, Khairani Barokka, Hafsah Aneela Bashir, Leo Boix, Vahni Capildeo, Mary Jean Chan, Jo Clement, Sarah Corbett, Jane Commane, Rishi Dastidar, Jonathan Edwards, Rosie Garland, W. N. Herbert, Ian Humphreys, Keith Jarrett, Zaffar Kunial, Rachel Mann, Andrew McMillan, Kim Moore, Pascale Petit, Jacqueline Saphra, Clare Shaw, Daniel Sluman, Jean Sprackland, and Jennifer Wong.

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  The Plays of JM Synge

  J. M. Synge

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  The Complete Works of J.M. Synge. 
  Riders to the Sea: A mother and her daughters are dealing with a familial curse that seems to cause all of the men in the family to die. Anxieties come to a peak when the last, remaining son is getting ready to ride out to sea in order to try and provide for his family. 
  Shadow of the Glen: A contemplative Drama in One Act about how a women's integrity can be unjustly scrutinized through hearsay and speculation, and how forcing those opinions out into the open can have disastrous consequences for everyone involved. 
  The Tinker's Wedding: A story of two young tinkers trying to con a travelling holy man into marrying them, all while their mother is constantly trying to satiate her indomitable thirst for drink, thereby inadvertently causing more problems than the drink is worth. Blaming, miscommunication, and utter tomfoolery ensues, leading to the final culmination of each party getting ready to pounce on each other's necks and outrageously strangle each other Saturday-morning-cartoon style. 
  The Well of the Saints: A blind couple regains their sight only to realize they hate the look of one another. Hilarity and pigheadedness ensues. 
  Deirdre, a woman of immeasurable beauty, is betrothed/condemned to the King of Ulster, Conchubar. But in true mythological fashion, there is a prophecy which prevents this--. Loyalty, familial ties, and unadulterated love will be strained and broken, with only one question remaining: Who will be left to admire the beauty and sorrow of life? 
  Playboy of the Western World: A young traveler has come from out of town boasting that he's committed patricide, which, rather than ostracizing him, causes many women of the town to become morbidly curious about this young man, including the prettiest girl in town and the quite newly vivacious widow. But what happens when the supposedly dead father shows up in town to whoop his son into submission?

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  Sometimes Therapy Isn’t Enough

  D. R. Nguyen

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  “Sometimes Therapy Isn’t Enough” finds the author coping with mental health struggles through poetry. The book is divided into four chapters taking the reader on a raw emotional journey through anxiety, addiction, depression, and grief. 
  “Some people are so broken  
  They mistake abuse  
  For love”

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