Other books that might interest you

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  The Death Mask - From their pens...

  Ella D'Arcy

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  Ella D'Arcy was born on 23rd August 1857 in London, one of nine children.  
  Her education spanned London, Germany, France and the Channel Islands. A student of fine art, her poor eyesight meant a switch to literature was needed and with this she had hopes to be an author. 
  She worked as a contributor and unofficial editor, alongside Henry Harland, to The Yellow Book, Aubrey Beardsley’s sensational quarterly magazine that combined art, stories, poetry, essays and much else besides.  D'Arcy wrote several stories for the magazine and her stories have an undeniable psychological and realist style through her engagement with various themes from marriage, the family, imitation through to deception.  
  Recognition of her talents grew after the publication of ‘Irremediable’, in the Yellow Book, where it received much praise from critics.   
  She also wrote and published in the Argosy, Blackwood's Magazine, and Temple Bar.  
  However, D’Arcy’s canon was small and, apart from her magazine stories, her book publishing was limited to ‘Monochromes’ (1895), ‘Modern Instances’ and ‘The Bishop’s Dilemma’ (1898). She also translated André Maurois's biography of Percy Bysshe Shelley entitled ‘Ariel’ (1924). 
  Her diligence with work aside she was notorious for her inability to maintain relationships with friends.  When she did appear to them it was often unannounced.  This earned her the sobriquet 'Goblin Ella.' 
  D'Arcy spent much of her life living alone, though she had a constant urge to travel, but usually she resided on the edge of poverty. Her writing was often motivated by this need. 
  Much of her later life was spent in Paris before returning to London in 1937, where she died, in hospital, on 5th September 1937.

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  The Unusual Uses for Olive Oil

  Alexander McCall Smith

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  The best-selling author of the internationally acclaimed No. 1 Ladies' Detective Agency series, Alexander McCall Smith continues to delight audiences with the hilarious adventure Unusual Uses for Olive Oil. When colleagues take issue with von Igelfeld's bachelor status, his friend Ophelia Prinzel endeavors to find him a good woman. Soon, the professor is on the path to romance with the charming widow Frau Benz - and it seems his true worth may finally be recognized.

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  The Dust of Death - From their...

  Fred M. White

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  Richard Bernard Heldmann was born on 12th October 1857, in St Johns Wood, North London.  
  By his early 20’s Heldmann began publishing fiction for the myriad magazine publications that had sprung up and were eager for good well-written content.  
  In October 1882, Heldmann was promoted to co-editor of Union Jack, a popular magazine, but his association with the publication ended suddenly in June 1883.  It appears Heldman was prone to issuing forged cheques to finance his lifestyle.  In April 1884 he was sentenced to 18 months hard labour. 
  In order to be well away from the scandal and the damage that this had caused to his reputation Heldmann adopted a pseudonym on his release from jail.  Shortly thereafter the name ‘Richard Marsh’ began to appear in the literary periodicals.  The use of his mother’s maiden name as part of it seems both a release and a lifeline. 
  A stroke of very good fortune arrived with his novel ‘The Beetle’ published in 1897.  This would turn out to be his greatest commercial success and added some much-needed gravitas to his literary reputation.   
  Marsh was a prolific writer and wrote almost 80 volumes of fiction as well as many short stories, across many genres from horror and crime to romance and humour.   His unusual characters, plotting devices and other literary developments have identified his legacy as one of the best British writers of his time.   
  Richard Marsh died from heart disease in Haywards Heath in Sussex on 9th August 1915.  He was 57.

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  Fantasy and Reality

  Robert Wain Woodward

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  Imaginative stories for casual reading by busy people, ranging from micro-stories to more conventional reads, covering historical facts reappraised, ordinary things reperceived, mind-stretching fantasy, and the downright fantastical.

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  Lolita at Leonard's of Great...

  Shira Dicker

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  Rich with authentic detail and insight, these compelling stories sweep the reader along on an intimate, uniquely Jewish journey from 1974 through the first decade of the new millennium as the characters wrestle with identity, independence, ambition, sexuality, faith, and love. 
   
  The five compelling tales comprising Lolita at Leonard’s of Great Neck and Other Stories from the Before Times will take you on an immersive journey from 1974 to the 2000s. Eighteen-year-old Anna, a Jewish college student, meets a German businessman at a Greek diner on Queens Boulevard. Claire Seltzer of Great Neck has the honeymoon from hell in Paris. Rebecca, a spunky eighth grader, is in love with Mr. Miller, her math teacher. Sarah Reinhardt, the wife of a celebrity doctor living in Central Park West, finds herself in a complicated love triangle. Rachel Rosensweig awakens one morning to find that her husband of thirty years, a Columbia professor, has become a dangerous radical. 
   
  The characters of this unforgettable collection inhabit the golden era of the postwar, pre-pandemic world. Age-old power struggles—between lovers, between friends, between parents and children—are illuminated and analyzed.  
   
  Heartbreaking and sometimes hilarious, their stories disclose and document what it meant to be American, Jewish, and female. Rich with cultural touchstones and reference points, they are suffused with self-awareness, longing, and sensual awareness. 
   
  Will Anna accept the invitation of the German businessman? Can Claire’s honeymoon be saved? Will Rebecca’s love for Mr. Miller remain secret? How will Sarah fix the mess she has made? And how will Rachel protect herself from the threat that has suddenly become very personal? 
   
  You are invited to fall in love with these characters and their long-gone world.

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  The Clusterf*ck Collection

  Elliot Grey

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  The ClusterF*ck Collection is it's namesake. It's a collection of works that have no rhyme or reason. Some poems are about love and some are about healing. Some short stories are about trauma and some excerpts are more horror themed. It's a well rounded approach at giving the world a glimpse into my own. As a neurodivergent, Native American and trans author I could not be more proud to bring these parts of me to more people.

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