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  Story Of Vikram and Betal: Whose...

  Saurabh Kumar

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  Like every time, King Vikram again takes Betal down from the tree and carries it on his back and sets out to take it to Yogi. In such a situation, once again Betal starts telling a new story to force King Vikram to speak. The story is of King Roopsen and his bodyguard Veervar.

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  The Legend of Sleepy Hollow

  Washington Irving

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  "The Legend of Sleepy Hollow" is an 1820 short story by American author Washington Irving, contained in his collection of 34 essays and short stories titled The Sketch Book of Geoffrey Crayon, Gent. Irving wrote the story while living in Birmingham, England. "The Legend of Sleepy Hollow" is among the earliest examples of American fiction with enduring popularity, especially during Halloween because of a character known as the Headless Horseman believed to be a Hessian soldier who was decapitated by a cannonball in battle. The story is set in 1790 in the countryside around the Dutch settlement of Tarry Town (historical Tarrytown, New York), in a secluded glen known as Sleepy Hollow. Sleepy Hollow is renowned for its ghosts and the haunting atmosphere that pervades the imaginations of its inhabitants and visitors. Some residents say this town was bewitched during the early days of the Dutch settlement, while others claim that the mysterious atmosphere was caused by an old Native American chief, the "wizard of his tribe ... before the country was discovered by Master Hendrik Hudson." Residents of the town are seemingly subjected to various supernatural and mysterious occurrences. They are subjected to trance-like visions and frequented by strange sights, music, and voices "in the air." The inhabitants of Sleepy Hollow are fascinated by the "local tales, haunted spots, and twilight superstitions" on account of the mysterious occurrences and haunting atmosphere.

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  Steel Victories - A...

  Monica C. Smith

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  This father-daughter tale reveals how the author’s father taught her how to fight and survive in an unfiltered America. Born in the early 1940s, her father was thrown into a world where he had no choice but to fight in many different arenas, including the boxing ring and the courtroom. He instilled in her his unrelenting drive and will to win. As a result, she went through life with his priceless survival playbook at her side. She became a corporate commercial real estate (CRE) director and dealmaker overcoming adversity to manage billion-dollar real estate portfolios. She also walked the path of a CRE broker. 
  Based on true stories, join Monica as she narrates her father’s lifelong quest for justice and how it impacted his parenting and subsequently her life. She will take readers on the powerful and poignant journeys of her and her father, covering decades from the 1940s through present day—from Northwest Indiana to New York City and points in between. 
  Long before the last page, readers will find themselves deeply contemplating their life journey and wishing they had the author and her father somewhere in their personal orbit. 
  Steel Victories will… 
  ·         Reveal the necessity of having Black fathers in the home and their impact on their children. 
  ·         Turbocharge you to never run from a fight for your dignity. 
  ·         Share secret weapons for navigating life’s challenges. 
  ·         Give you a peek into the “secret society” of commercial real estate in Corporate America. 
  ·         Encourage you to face your faith.

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  Wah! - Things I Never Told My...

  Cynthia Rogerson

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  Shortlisted for the 2022 Highland Book Prize
  Cynthia's mother is dying. Often.
  Travelling between her home in Scotland and California, as she spends time at her mother's bedside Cynthia recalls her youthful adventures: living in a squat, train-hopping, hitchhiking and all the other things she never told her mother.
  'A master of fresh and sparky writing.' The Guardian

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  George Balanchine: The Life and...

  Editors Charles River

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  By the turn of the 20th century, American entertainment was still preoccupied with European-style operetta, as embodied in the works of cellist-composer Victor Herbert. Traditional dance forms moved from European stories to the American prairie in Oklahoma by the late 1940s, and what was once the property of Bavarian princes became the singing standards of cowboys riding through the corn fields in Oh What a Beautiful Morning and Out of My Dreams.  
  	At the time, the availability of classical ballet in America was scant. In contrast to the evolution of an American style in musical theater, Broadway, and film, ballet in the United States was ushered in largely through the efforts of an individual who brought with him a strong traditional sense from Russia and the rest of Europe but was intent on producing a distinctly American style. Other experimentalists appeared, such as Isadora Duncan, but it was George Balanchine who managed to institutionalize and fund both a hybrid traditional as well as experimental form.  
  	Balanchine, although a dancer as well, is today regarded as the “foremost contemporary choreographer in the world of ballet.”[1] Despite much work in Russia and other parts of Europe, his eventual relocation to the United States made possible the establishment of an American ballet school and an elite ballet company, the New York City Ballet. In contrast to the fiercely guarded Russian classical style of the Bolshoi Theater, the New York City Ballet featured uniquely choreographed performances to previously unfamiliar musical works. These were approached with a uniquely American style of dance, however steeped in tradition the basic steps may have been.

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  Better Dead - From their pens to...

  J M Barrie

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  Sir James Matthew Barrie, 1st Baronet, OM, was born in Kirriemuir, Angus on 9th May, 1860.  
  Barrie knew from an early age that he wished to be an author. His family wished otherwise. The compromise was that he would attend university to study literature at the University of Edinburgh. He graduated with an M.A. in April, 1882. 
  His first job was as a staff journalist for the Nottingham Journal. The London editor of the St. James's Gazette "liked that Scotch thing" in Barrie’s work and he wrote several stories for them and later several novels based on his mother’s early life.  
  Barrie though was increasingly drawn to working in the theatre.  His first plays achieved little attention but in 1901 and 1902, Barrie had back-to-back theatre successes with Quality Street and The Admirable Crichton. 
  The character of ‘Peter Pan’ first appeared in The Little White Bird in 1902. This most famous and enduring of his works; Peter Pan, or The Boy Who Wouldn't Grow Up had its first stage performance on December 27th, 1904.  
  Peter Pan would overshadow all his other works.  But his short stories cannot be overlooked.  Indeed, from today’s vantage point they are excellent gems of social manners, of class and the way characters, sometimes in the most mundane of circumstances, react in the most surprising of ways.

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