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  Field Guide to the Haunted Forest

  Jarod K. Anderson

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  This poetry collection celebrates the impossible truths of the natural world and the magic that hides in plain sight. Poet and podcaster Jarod K. Anderson (creator of The CryptoNaturalist podcast) has built a large audience of social media followers and podcast listeners with his strange, vibrant appreciations of nature. Ranging from contemplations of mortality to appreciations of single-celled organisms, the poems in this collection highlight our connection to a living universe and affirm our place in a wilderness worthy of our love.

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  Queen of Hearts

  Hannah Hodgson

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  In this powerful collection Hannah Hodgson gives us the complexity of the disabled body; these poems address both its beauty alongside the rage that results from being continually overlooked and marginalised. Formally varied, inventive and brightly observed, these poems take on love, sex, family and the Covid pandemic, often with warm humour and a surrealist wit.

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  Towards Democracy

  Edward Carpenter

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  “Civilization sinks and swims, but the old facts remain-the sun smiles, knowing well its strength.”  Edward Carpenter (1844-1929) wrote his prose poem, Towards Democracy, styled after Walt Whitman’s Leaves of Grass, in a summer burst of creativity.  “Early in 1881, no doubt as the culmination and result of struggles and experiences that had been going on, I became conscious that a mass of material was forming within me, imperatively demanding expression . . .”  An English intellectual,  Carpenter was in rebellion against Victorian prudery. Railing against Industrialization’s dehumanization, he preached a return to a simple life in harmony with Nature.  Towards Democracy reads like Beat poetry-wild flowing word associations, moments of insight so clear they hurt, interspersed with pure rant!   Included is an essay Carpenter wrote in 1894 explaining his intent and feelings in writing Towards Democracy.  - Summary by Sue Anderson

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  Girls From the County

  Donna Lynch

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  This book is merely a record of dark events, the kind that you can sometimes move on from, yet can’t help but see in every old house, high school, or crumbling bridge. 
  In the county, eerie stillness can be mistaken for stagnation. In the county, rumination on pain and guilt can be confused with omens and curses. In the county, feelings of claustrophobia stem from understanding what the encroaching darkness brings with it. 
  You’ve heard of country girls, and city girls, but what of the forgotten girls from the in-between space of the county? Confronting the things too wild for urban areas, and too methodically malevolent for the countryside, girls from the county are often dismissed by popular narratives, left to solve riddles of grief and rage for themselves. 
  Known for weaving folk horror with confessional poetry, unflinching true crime approaches with myth and fable, contemporary appetites with gothic literature, award-winning author Donna Lynch has composed a lyrical reconstruction for readers to navigate the lives—and deaths—of girls from the county.

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  Pastors Eat Pwussy Too

  Quan Millz

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  Nashawna "NuNu" Spearman, a local Chicago native, lives her life by one simple motto: Use what you got to get what you want. She's a certified bad bish that knows how to use her honey to make money. But when her one of her many honey moneymaking plans falls through, she suddenly finds herself having to life normally...for once. The prospect of prison forces her to take a plea deal that requires community service. That's how she ends up in the company of a popular south side of Chicago pastor who is also running for mayor of the city. One thing leads to another, and NuNu finds herself scheming and scamming once again. But will her plan backfire? Find out more in Pastors Eat Pwussy Too!

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  Farhang - Book One

  Patrick Woodcock

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  Farhang honors the people, places, and things Patrick Woodcock has seen while working as a migrant writer, volunteer, and teacher for almost three decades. This book is the first of three that will celebrate, memorialize, or eulogize the myriad moments that impacted his life while also shaping the shade and content of his writing. Beginning in Poland in 1994 and ending in the hamlet of Paulatuk in the Northwest Territories in 2022, Farhang travels the globe through Lithuania, Russia, Iceland, Bosnia and Herzegovina, Oman, Saudi Arabia, Colombia, the Kurdish North of Iraq, Azerbaijan, Tanzania, Kenya, and Rwanda. From the salt mines in Wieliczka to the dirt paths to the Baraa government school in Tanzania, where he volunteered, Woodcock has tried to honor the moment before it becomes muddled, dulled, or romanticized. Some of the poems are about friends or students, others are about the cracked knuckles of strangers, the crawling and the abandoned. Art, language, architecture, politics, and the suffering from politicians left unchecked are also a focus. Sadly, many of the poems are for friends and locations lost to either time, neglect, or warfare. Farhang tries to chronicle some of what no longer exists or only lives on in the poet’s head and soul.

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