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  Ode - The Age of Dryden' is a...

  John Dryden

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  John Dryden was born on August 9th, 1631 in the village rectory of Aldwincle near Thrapston in Northamptonshire. As a boy Dryden lived in the nearby village of Titchmarsh, Northamptonshire. In 1644 he was sent to Westminster School as a King's Scholar.  
  Dryden obtained his BA in 1654, graduating top of the list for Trinity College, Cambridge that year.  
  Returning to London during The Protectorate, Dryden now obtained work with Cromwell's Secretary of State, John Thurloe. 
   At Cromwell's funeral on 23 November 1658 Dryden was in the company of the Puritan poets John Milton and Andrew Marvell.  The setting was to be a sea change in English history. From Republic to Monarchy and from one set of lauded poets to what would soon become the Age of Dryden. 
  The start began later that year when Dryden published the first of his great poems, Heroic Stanzas (1658), a eulogy on Cromwell's death.  
  With the Restoration of the Monarchy in 1660 Dryden celebrated in verse with Astraea Redux, an authentic royalist panegyric. 
   With the re-opening of the theatres after the Puritan ban, Dryden began to also write plays. His first play, The Wild Gallant, appeared in 1663 but was not successful. From 1668 on he was contracted to produce three plays a year for the King's Company, in which he became a shareholder. During the 1660s and '70s, theatrical writing was his main source of income.  
  In 1667, he published Annus Mirabilis, a lengthy historical poem which described the English defeat of the Dutch naval fleet and the Great Fire of London in 1666. It established him as the pre-eminent poet of his generation, and was crucial in his attaining the posts of Poet Laureate (1668) and then historiographer royal (1670). 
  This was truly the Age of Dryden, he was the foremost English Literary figure in Poetry, Plays, translations and other forms. 
  In 1694 he began work on what would be his most ambitious and defining work as translator, The Works of Virgil (1697), which was published by subscription. It was a national event.  
  John Dryden died on May 12th, 1700, and was initially buried in St. Anne's cemetery in Soho, before being exhumed and reburied in Westminster Abbey ten days later.

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  Partners

  D.M. D.M.McGowan

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  Thomas Brash is trying to escape, but knows he never will. No thinking person can escape from their past. Pursuing him is the memory of the family he lost to cholera. Perhaps he believes that traveling alone in a wild, dangerous land will end all his memories; there is no doubt he wishes to be alone. Whatever his intentions, the appearance of Frank Clement and the circumstances of that meeting upset those plans. 
  Brash views Clement as an uneducated child who requires fatherly protection and guidance. Clement views Brash as a tenderfoot and can not understand how anyone who knows so little could live so long. These two loners are joined by others, and they all become partners. Having achieved relative sanctuary and surrounded by civilization, their wilderness past comes back to haunt them.

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  Blackbird Singing at Dusk

  Wendy Pratt

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  Blackbird Singing at Dusk by Wendy Pratt is an illuminating and lyrical exploration of place within nature; of Northern rural working-class lives, the female body, and of the ancestors and history still close to the surface, just beneath where our feet touch the earth. Moving through both landscapes and human lives, these poems weigh the impact of loss and consider the circular, deep nature of time itself; how lifetimes can be measured – whether in jackdaw, beech tree or even glacier time.
  From the silent sentinels of boulders to peels of birdsong "stopping the world", Wendy Pratt's archaeological attention to detail draws us into an intimate elegy, mindful of the connections of earth and people, the living and the dead. The wide horizons of her poems weave the heartbeat of working days and the rich inheritances of love in scribbled notes and domestic prayers – all that remains behind long after, marking us with grief for a lost parent or a baby daughter. These remarkable poems of solace consider what it is to endure and find reassurance in a rural land "quartered by barn owls and kestrels," with its ever-shifting seasons and skies, its permanence of stone and soil.

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  God's Gift Mothers

  Lee In-young

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  This collection is the author’s first collection and contains 85 poems in the following 4 parts.God’s Gift MothersThe Azalea embracing the SunThe name called LoveI am the tree reflected, on the lakeThis collection is full of reflections and determination toward author’s own life, and a loving heart that seeks to draw people’s warmth into her heart through her poetry, the author embraces both the self and others. 
  In her language, which spreads through her warm heart, the love and compassion that has been unconditional for long time are beautifully embodied. Her poetry will make readers feel affectionate by containing experiences from many years and narratives derived from them.

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  Hothouse

  Carys D. Coburn

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  A play that tackles climate breakdown with big ideas, a lot of laughs, and some truly grotesque cabaret numbers.
  Cruise ships, horny/murderous songbirds, fecund/fatalistic rabbits, loving/bruising parents and Minnie Riperton all make an appearance in this play with songs, which asks if things can ever get better.
  HOTHOUSE by Carys D. Coburn with MALAPROP Theatre was first staged at Project Arts Centre, Dublin, as part of the 2023 Dublin Fringe Festival.
  MALAPROP Theatre is an award-winning collective of Irish theatremakers, who seek to challenge, delight and speak to the world we live in (even when imagining different ones).

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  Reckon

  Anonyme

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  “Reckon illuminates all that tries to hide.” — JAVIER ZAMORA, author of Solito: A Memoir 
  “Logan Phillips’s Reckon is a hell of a book... Arizona needs this book. America needs this book. You do too.” — ANDER MONSON, author of Predator: A Movie, a Memoir, an Obsession 
  In Reckon, artist Logan Phillips returns to the fabled town of Tombstone to face the history he was raised on as a boy—gunfights, outlaws, and Hollywood cowboys—for a new, personal confrontation with the West’s foundational mythology. This hybrid memoir also explores sexuality, whiteness, masculinity, parenting, and what it means to love a land rife with contradiction and “slathered in murder.” 
  As innovative as it is moving, this memoir is constructed of essays, photography, poetry, newspaper clippings from the Tombstone Epitaph Local Edition, and of course, movie screenplays. As he writes the characters of his past––including Youngfather and Teenme––Phillips finds the real history to be much more complex than the stories he was told. This is Tombstone in the 1980s and 90s, a century after the West’s most famous gunfight––a fifteen-second event still performed every day in historical reenactments––where Phillips’s father works as a historical exhibit designer at the Courthouse Museum and his uncle as a stuntman at Old Tucson Studios.  
  With an original, searing voice, Reckon is an essential answer to the tough questions of past and future, inheritance and reinvention, all from the perspective of a boy stuck in the middle. 
  NARRATED BY THE AUTHOR. Cover: art by Logan Phillips, design by Leigh McDonald. 
  “A full-throated consideration of the antecedent of sultry desert queerness—the cowboy.” — RAQUEL GUTIÉRREZ, author of Brown Neon 
  “Reckon implodes the braggadocio and myth of the gunslinging West.” — ANTHONY CODY, Whiting Award winner 
  “Flying through masculine silence, Reckon is the owl.” — SESSHU FOSTER, author of City of the Future

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