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  Chronicles of the Juice Man - A...

  Juicy J, Soren Baker

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  A memoir by the Oscar-winning, platinum-selling rapper and producer for fans of Rick Ross’s Hurricanes and The Autobiography of Gucci ManeThe hustle still continues for hip-hop OG Juicy J as he shares his invaluable story as an unwavering force in the music industry. Jordan Houston’s rise to stardom was never easy. He began his journey on the streets of Memphis in the ’80s, always inspired by music and with big dreams of becoming a superstar rapper. Jordan stuck to his plan with determination, on a never-ending grind to greatness. From a young, poor, ambitious kid to an Academy Award–winning and Grammy-nominated recording artist and entrepreneur, the Juice Man offers his wisdom as one of the most influential tastemakers in the game.A raw, intentional portrait of artistry and a never-before-seen look into the making of a respected musical veteran, Chronicles of the Juice Man is an essential read for creatives everywhere.

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  Leaning on Gates

  Seamus O'Rourke

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  In the sequel to award-winning playwright Seamus O'Rourke's popular first memoir, Standing in Gaps, this innocent Leitrim lad finally flees the nest, briefly sampling life in New York, Dublin and London, before inevitably returning to his beloved, duller-than-dishwater home, to a life which now includes alcohol, Dr. Hook and some low-budget romance.
  But man does not live on romance alone and Seamus needs to get to the bottom of his general uselessness, spurred on as always by his ever-the-realist father, who prophesied his mediocrity from an early age. Seamus continues to underachieve whilst struggling to interpret his Auld Lad's advice and watered down compliments – 'You weren't as bad as I often saw ya', 'They must be badly stuck, if they asked you' and the classic 'What kind of an eejit are ya?' – in a memoir that captures the innocence and the absurdity of rural life in 1980s and 1990s Ireland.

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  Charles Babbage and Ada...

  Charles River Editors

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  While many are familiar with those facts, and a recent movie revived interest in Alan Turing’s achievements with computing during World War II, it was Charles Babbage who was the first to conceive the notion of a programmable and automatic universal computer, which, on top of its ability to calculate any mathematical equation at an unmatched speed, could also be used for a seemingly infinite number of other applications. In other words, he envisioned the precursor to the modern computer.   
  At first blush, Babbage hardly seemed the type, because in many ways, Babbage was the antithesis of the debonair, silver-tongued, and effortlessly charismatic CEOs of present-day tech giants. Babbage was a quirky individual to say the least. He was highly observant, but was in the same breath a habitual daydreamer, often caught in a trance of deep thought.  Indeed, his unquenchable thirst for knowledge and his brilliant mind were unparalleled, but this was paired with his restless, addictive, and extreme nature, as well as his obsession with precision and factual accuracy.  
  	Working with Babbage was certainly an unusual path for any woman, but Ada Lovelace managed to do so before an incredibly premature death. Augusta Ada King, Countess of Lovelace, died in 1852 at the age of 36, but during her short and tumultuous life, she was one of the first to recognize that computers could do far more than complex calculations. This was all the more surprising given that, during her life, no computers existed, and her ideas were based on an implicit understanding of the theoretical work of Charles Babbage, who himself is today recognized as the “Father of the Computer.” What makes her work truly startling is that she did this more than 100 years before the first computer had even been created. But Ada Lovelace was a woman, and in Victorian England, her work was generally either ignored or disparaged.

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  Bury My Heart at Chuck E Cheese's

  Tiffany Midge, Geary Hobson

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  Humor categories in publishing are packed with books by funny women and humorous sociocultural-political commentary—but no Native women. There are presumably more important concerns in Indian Country. More important than humor? Among the Diné/Navajo, a ceremony is held in honor of a baby's first laugh. While the context is different, it nonetheless reminds us that laughter is precious, even sacred. 
   
   
   
  Bury My Heart at Chuck E. Cheese's is a powerful and compelling collection of Tiffany Midge's musings on life, politics, and identity as a Native woman in America. Artfully blending sly humor, social commentary, and meditations on love and loss, Midge weaves short, stand-alone musings into a memoir that stares down colonialism while chastising hipsters for abusing pumpkin spice. She explains why she does not like pussy hats, mercilessly dismantles pretendians, and confesses her own struggles with white-bread privilege. 
   
   
   
  Midge goes on to ponder Standing Rock, feminism, and a tweeting president, all while exploring her own complex identity and the loss of her mother. Employing humor as an act of resistance, these slices of life and matchless takes on urban-Indigenous identity disrupt the colonial narrative and provide commentary on popular culture, media, feminism, and the complications of identity, race, and politics.

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  Finding Margaret - Solving the...

  Andrew Pierce

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  Finding Margaret is the moving story of journalist and broadcaster Andrew Pierce's search for his birth mother. As he was approaching fifty, Pierce decided that it was finally time to track down his biological mother. He knew that he had lived in a Roman Catholic orphanage in Cheltenham for more than two years and was adopted at the age of three by a family who loved and nurtured him. As his career in journalism flourished and despite feeling like he was betraying the adoptive parents who loved him so much, Pierce began to tentatively search for his birth mother, only to find that she had done everything she could to ensure he would never find her. 
   
  When he finally managed to meet her, the mystery only deepened, leading him to Ireland in search of the man who may or may not have been his father. During his search, Pierce also realises the extent of the mistreatment he suffered at the orphanage and attempts to forge a relationship with the woman who gave him away. 
   
  This candid book is a heartwarming page turner that takes the reader on an extraordinary journey. Full of amusing and arresting anecdotes, at its heart lies the inspirational story of one man's extensive search for his birth mother and what happened when he finally found her.

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  Elizabeth Taylor's Kiss and...

  David Wood

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  "What a treat. An all-star cast with one thing in common: they worked with David Wood. And just for us he's brought them to life again – and so vividly – in this irresistible memoir of his 'brushes with Hollywood'." Gyles BrandrethIn this memoir, actor and writer David Wood recalls his 'brushes with Hollywood', notably being kissed on the lips by Elizabeth Taylor as midnight struck on his 22nd birthday; playing Richard Burton's servant on stage in Dr Faustus; being seduced by Shelley Winters in The Vamp, a television two-hander play; hanging upside down from a chandelier and being rescued by David Hemmings in the West End musical Jeeves; singing songs and being shot down in flames as a Royal Flying Corps officer in the film Aces High, in which he was reunited with Malcolm McDowell (his fellow rebel schoolboy in the film If….) and acted alongside Christopher Plummer and Simon Ward; sharing the screen at sea in an oil rig supply vessel with Roger Moore, Anthony Perkins and James Mason in North Sea Hijack; penning the daytime Emmy-nominated Back Home, starring Hayley Mills, thereby becoming a Disney-approved writer; and writing The Queen's Handbag to celebrate the Queen's 80th birthday, performed in Buckingham Palace Gardens and seen live by 8,000,000 BBC TV viewers."I couldn't put it down. It has all the charm and warmth and wit that is David Wood and his lifelong passion for the theatre is inspiring. I loved it." Hayley Mills

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