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  The Price

  Arthur Miller

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  Arthur Miller's deeply moving drama reunites two long estranged middle-aged brothers. Nostalgia and recrimination erupt as they sell off an attic full of furniture, their last link to a family and a world that no longer exist. This 1968 classic is a wrenching saga of plaintive gestures and missed opportunities. A BBC Co-production.An L.A. Theatre Works full-cast performance featuring Richard Dreyfuss, Amy Irving and Harris Yulin.

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  Classic Radio Hour The - Volume...

  Frederick Englehardt, Morton S....

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  Back in the day radio was the medium; and its message was entertainment! 
  Whatever you craved, radio delivered. Detectives, Mysteries, Westerns, Sci-Fi, Literature. 
  This Golden Age really was crammed full of exciting, thrilling and downright brilliant programmes. 
  These classic radio hours serve up a wide range of genres, stars, stories, and yes, entertainment. 
  Let's jump right in.

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  Seasons of the Moon - Folk Names...

  Michael Carabetta

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  The perfect gift for moon and space enthusiasts, a collection of photographs and global folklore capturing Earth’s only natural satellite.   From Strawberry to Dragon, Harvest to Storm, the full moon is known by many names around the world and across the seasons, and each name has a story behind it. This beautiful photographic celebration of our closest celestial neighbor captures the visual wonder and the connection we feel to the moon. Including three dozen folk names and short evocative explanations drawn from Native American, Inuit, Celtic, medieval English, Hindu, Chinese, Japanese, and pagan cultures, Seasons of the Moon presents an inspired visual pairing for each, taken in the month the folk name represents. This portrait of our eternal fascination with the moon is a welcome companion as we look to the sky throughout the seasons.

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  In My Humble Opinion: My...

  Saraya Roberts

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  A smart, engaging investigation of the show that brought real teens to TV My So-Called Life lasted only 19 episodes from 1994 to 1995, but in that time it earned many devoted viewers, including the showrunners who would usher in the teen TV boom of the late ’90s and the new millennium. With its focus on 15-year-old Angela Chase’s search for her identity, MSCL’s realistic representation of adolescence on TV was groundbreaking; without her there would be no Buffy or Felicity, Rory Gilmore or Veronica Mars. The series’ broadcast coincided with the arrival of third-wave feminism, the first feminist movement to make teen voices a priority, and Angela became their small-screen spokesperson. From her perspective, MSCL explored gender, identity, sexuality, race, class, body image, and other issues vital to the third wave (and the world). To this day, passionate fans dissect everything from what Rickie Vasquez did for gay representation to what Jordan Catalano did for leaning, and Soraya Roberts makes an invaluable contribution to that conversation with In My Humble Opinion.

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  Cosmopolitan Film Cultures in...

  Rielle Navitski, Nicolas Poppe

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  Cosmopolitan Film Cultures in Latin America examines how cinema forged cultural connections between Latin American publics and film-exporting nations in the first half of the twentieth century. Predating today's transnational media industries by several decades, these connections were defined by active economic and cultural exchanges, as well as longstanding inequalities in political power and cultural capital. The essays explore the arrival and expansion of cinema throughout the region, from the first screenings of the Lumière Cinématographe in 1896 to the emergence of new forms of cinephilia and cult spectatorship in the 1940s and beyond. Examining these transnational exchanges through the lens of the cosmopolitan, which emphasizes the ethical and political dimensions of cultural consumption, illuminates the role played by moving images in negotiating between the local, national, and global, and between the popular and the elite in twentieth-century Latin America. In addition, primary historical documents provide vivid accounts of Latin American film critics, movie audiences, and film industry workers' experiences with moving images produced elsewhere, encounters that were deeply rooted in the local context, yet also opened out onto global horizons.

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  Lanford Wilson's Women: Three...

  Lanford Wilson

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  The Great Nebula in Orion 
  The Great Nebula in Orion centers on the accidental reunion of two mature women who went to college together. Louise (Stephanie Gordon) is a successful New York fashion designer who lives in an apartment overlooking the Hayden Planetarium. She has run into Carrie (Tanya Berezin) in Bergdorf's on a shopping trip from her home in Boston. Carry has married into the upper 2 percent, firmly entrenched in a life of social perquisites; but the site of the planetarium takes her back to an almost forgotten romance with a young dreamer who introduced her to the majestic mysteries of the constellations in the night sky. As these two catch up on the intervening years, secrets are revealed that shake the complacency of the present, with tumultuous passions buried in the past. 
  Ludlow Fair 
  In a turn of comedic mastery, Ludlow Fair treats us to the tribulations of two mismatched young women sharing an apartment. Rachel (Trish Hawkins) has turned in her recent boyfriend, Joe, for making off with her savings and now wonders if she's done the right thing. Her contrasting roommate is cynical Agnes (Conchata Ferrell), who reminds Rachel of the dizzying history of young men the pretty girl has run through before falling prey to a hunk who's ripped her off. While Rachel stews over her moral dilemma, Agnes is preparing for bed, fighting off a cold, and hoping for a threadbare romantic lunch with her boss' skinny son. All Rachel wants is to be assured things will be better tomorrow, but Agnes shoots that down: It will be exactly the same tomorrow. The bittersweet contrast between these young ladies is heartbreakingly funny. 
  The Moonshot Tape 
  The Moonshot Tape lets us listen to Diane (Judith Ivey), a famous short-story writer, revisiting her Midwestern hometown. She is being interviewed by a local girl writing for the high school paper. Diane is staying in a motel near a hospital where her mother is waiting to transfer to a nursing home. The young journalist's questions, although naïve, pierce Diane's sophisticated style and, with the aid of a little vodka, unleash memories that are at the foundations of her identity. She decides to answer the girl's questions as honestly as possible. The result is a reliving of experiences that shock and devastate the listener as we journey into a tormented past. 
  Together these three one-acts demonstrate the power and skill of a writer who understands the complex issues faced by women and has used his talent to create these unforgettable portraits. The actors are the original cast members who premiered these plays at the Circle Repertory Company, and this recording captures their electrifying performances. 
  
  "You'll always remember these women as intimate revelations of the human spirit." (Marshall W. Mason, founding artistic director of Circle Rep)

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