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  The Poetry of Weddings

  W B Yeats, Kahlil Gibran,...

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  Whilst those of us old enough to remember the sixties might have thought weddings would become obsolete for all but the faithful, they still seem for the majority of us to be the benchmark, the gold standard of a relationship. 
   
  This symbol of love, commitment and sacrifice between two people, albeit for most, no longer mirroring the union between God and His Church, endures.  Others have found other words with which to celebrate, share and state their love, their spiritual and emotional commitment in front of family, friends and the wider world. 
   
  This wide-ranging and inclusive volume contains some of the most beautiful verses ever created in the English language from some of its greatest classic poetical voices including Shakespeare, John Donne, John Keats, Edna St Vincent Millay and Sara Teasdale.   
   
  Whether conventional, convenient or gimmicky, love is the theme and the feeling and used to offer the vows without focusing on the religious but still providing the personal and universal of that very mysterious emotion, love.

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  One Year

  H. Pearce

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  Approaching forty, Sophie is dealt a double blow. Already facing a life-altering diagnosis—cancer, a ticking time bomb that allows her only a year left to live—her decade-long marriage abruptly ends. 
  Just as the prospect of navigating her journey alone and the grip of despair seems to take hold, fate intervenes unexpectedly. In what is slated to be her last chemotherapy session, Sophie crosses paths with Lily, a vivacious young girl with an equally grim prognosis. 
  Together, they forge the most unlikely of friendships and find themselves on a life-changing journey. Their mission: to locate the man who might serve as the saviour Lily desperately needs. 
  One Year is a touching story that celebrates the power of friendship, hope and the extraordinary capacity of the human heart to find joy and meaning even in the most challenging circumstances.

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  The Grays - A short science...

  Dr. Amr Mounir

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  What if humans returned after years of hiding to find that what the invaders left behind in their homes was more dangerous than they ever imagined? Would they confront this new threat... or flee again?

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  Customs - Poems

  Solmaz Sharif

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  I said what I meant 
  but I said it 
  in velvet. I said it in feathers. 
  And so one poet reminded me 
  Remember what you are to them. 
  Poodle, I said. 
  And remember what they are to you. 
  Meat. 
  —from “Patronage” 
   
  In Customs, Solmaz Sharif examines what it means to exist in the nowhere of the arrivals terminal, a continual series of checkpoints, officers, searches, and questionings that become a relentless experience of America. With resignation and austerity, these poems trace a pointed indoctrination to the customs of the nation-state and the English language, and the realities they impose upon the imagination, the paces they put us through. While Sharif critiques the culture of performed social skills and poetry itself—its foreclosures, affects, successes—she begins to write her way out to the other side of acceptability and toward freedom. 
  Customs is a brilliant, excoriating new collection by a poet whose unfolding works are among the groundbreaking literature of our time.

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  Tears Laughs and Dreams - A...

  Alicia Rades

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  Experience the tears, listen to the laughter, and follow the dreams of one young author’s journey through life in this collection of short poems.

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  The Accounts

  Katie Peterson

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  The death of a mother alters forever a family’s story of itself. Indeed, it taxes the ability of a family to tell that story at all. The Accounts narrates the struggle to speak with any clear understanding in the wake of that loss. The title poem attempts three explanations of the departure of a life from the earth—a physical account, a psychological account, and a spiritual account. It is embedded in a long narrative sequence that tries to state plainly the facts of the last days of the mother’s life, in a room that formerly housed a television, next to a California backyard. The visual focus of that sequence, a robin’s nest, poised above the family home, sings in a kind of lament, giving its own version of ways we can see the transformation of the dying into the dead. In other poems, called “Arguments,” two voices exchange uncertain truths about subjects as high as heaven and as low as crime. Grief is a problem that cannot be solved by thinking, but that doesn’t stop the mind, which relentlessly carries on, trying in vain to settle its accounts. The death of a well-loved person creates a debt that can never be repaid. It reminds the living of our own psychological debts to each other, and to the dead. In this sense, the death of this particular mother and the transformation of this particular family are evocative of a greater struggle against any changing reality, and the loss of all beautiful and passing forms of order.

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