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  Why Modern Music Sounds So...

  John Harpoon

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  The way we experience music has changed dramatically over the past century. From the rich, warm tones of analog recordings to the compressed and often lifeless sound of digital streaming, audio quality has taken a significant hit. While technology has made music more accessible than ever, it has also introduced trade-offs that have diminished the overall listening experience. Many listeners may not even realize how much sound quality has suffered, as modern production techniques prioritize loudness and convenience over depth and detail.  
    
  One of the most significant shifts in music recording came with the transition from analog to digital. Vinyl records and magnetic tape once captured the full range of a performance, preserving the natural dynamics and imperfections that made music feel alive. However, as CDs, MP3s, and streaming services took over, music was compressed to fit digital formats, stripping away much of its warmth and depth. While digital audio offers clarity and convenience, it often sacrifices the organic richness that older formats provided. This shift set the stage for an industry-wide decline in sound quality, where efficiency and portability took precedence over artistic integrity.  
    
  Another major factor in this decline is the so-called "loudness war." Over the past few decades, record labels and producers have increasingly pushed for louder music to grab listeners’ attention, especially in an era of short attention spans and endless competition. This practice involves compressing audio to its maximum volume, reducing the natural highs and lows that give music its emotional impact. The result is a flattened, fatiguing sound that lacks the depth and nuance found in older recordings. While louder tracks may stand out on first listen, they quickly become tiring and fail to leave a lasting impression. 

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  Creative Flow - Tap and Express...

  Jenny Hahn

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  You are a creative being worthy of expression! Creative Flow is an award-winning guide inviting you home to yourself and your fullest potential, using painting and process art as tools for self-discovery. Whether you identify as an artist or "don't have a creative bone in your body", artist and author Jenny Hahn offers a roadmap for moving through blocks and releasing self-criticism in order to discover the joys of free-flowing creativity and self-connection, through real-life stories, writing prompts, mindfulness practices, and expressive activities using basic art materials. Get ready to open your heart, invite playful curiosity, reclaim your power and express your juicy essence!

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  Glamour Addiction - Inside the...

  Juliet McMains

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  In the wake of the blockbuster television success of "Dancing with the Stars," competitive ballroom dance has become a subject of new fascination—and renewed scrutiny. Known by its practitioners as DanceSport, ballroom is a significant dance form and a fascinating cultural phenomenon. In this first in-depth study of the sport, dancer and dance historian Juliet McMains explores the "Glamour Machine" that drives the thriving industry, delving into both the pleasures and perils of its seductions. She further explores the broader social issues invoked in American DanceSport: representation of "Latin," economics that often foster inequality, and issues of identity, including gender, race, class, and sexuality. Putting ballroom dance in the larger contexts of culture and history, Glamour Addiction makes an important contribution to dance studies, while giving new and veteran enthusiasts a unique and unprecedented glimpse behind the scenes.

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  The Object at Hand - Intriguing...

  Beth Py-Lieberman

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  With charm and exuberance, The Object at Hand presents a behind-the-scenes vantage point of the Smithsonian collections. Veteran Smithsonian magazine editor Beth Py-Lieberman weaves together adaptations of the magazine's extensive and compelling coverage and interviews with scholars, curators, and historians to take listeners on an unforgettable journey through the Smithsonian museums. 
   
   
   
  Objects are grouped into the themes audacity, utopia, fierce, haunting, deception, lost, desire, triumph, scale, optimism, playful, rhythm, and revealing to engage with the emotional dimensions of each object, how they relate to each other, and how they fit into the larger American story. 
   
   
   
  Py-Lieberman reflects on the profound connections between even outwardly dissimilar objects and offers insight and stories from Smithsonian experts. The book explores artworks, scientific specimens, historical artifacts, airplanes, spacecraft, plants, and so much more, contemplating how each item represents different facets of humanity and resonates with cultural meaning in surprising ways. Whimsical, affecting, and insightful, The Object at Hand offers an intimate and exclusive tour of the Smithsonian collections.

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  The Secret Garden Enhanced Edition

  Frances Hodgson Burnett, Jeanne...

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  This enhanced edition is designed for headphones only to give you a truly immersive listening experience.
   
  
   
  In this L.A. Theatre Works original commission, playwright Jeanne Sakata has created a new audio adaptation of Frances Hodgson Burnett’s beloved classic. Mary Lennox is an orphaned 10-year-old who is sent to live with her uncle in his country house on the moors. Her new life is almost unbearable, but when she hears stories of the estate’s mysterious, abandoned garden she’s determined to discover its secrets.
   
  
   
  Recorded at The Invisible Studios, West Hollywood in June 2024.
   
  
   
  Directed by Jessica Kubzansky
   
  Producing Director: Susan Albert Loewenberg
   
  
   
  An L.A. Theatre Works full-cast recording, starring:
   
  
   
  Jonathan Charles as Colin Craven, British Army Officer
   
  Shannon Cochran as Mrs. Medlock, Regina Crawford, Susan Sowerby
   
  Adhir Kalyan as Archibald Craven, Servant Ramji
   
  Alma Marian as Mary Lennox
   
  Cerris Morgan-Moyer as Martha Sowerby, Rose Lennox, Lily Craven and second Crawford Child
   
  Alastair James Murden as Dickon Sowerby, Captain Lennox, and first Crawford Child
   
  Ian Ogilvy as Ben Weatherstaff, Doctor, Innskeeper, British Army Officer, Pastor Edward Crawford
   
  Lina Patel as Ayah Lakshmi
   
  
   
  Senior Producer: Anna Lyse Erikson
   
  Technical Producer: Mark Holden
   
  Recorded and edited by Neil Wogenson at The Invisible Studios, West Hollywood
   
  Designed and Mixed by: Charles Carroll
   
  Assistant Designer: Chloe Foster
   
  Foley Artist: Mark Holden
   
  Foley Engineer: Chloe Foster
   
  Senior Radio Producer: Ronn Lipkin
   
  Cultural Consultant: Lina Patel

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  Clever Girl - Jurassic Park

  Hannah McGregor

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  A smart and incisive exploration of everyone’s favorite dinosaur movie and the female dinosaurs who embody what it means to be angry, monstrous, and free
  		 
  The Jurassic Park series is one of the most famous and profitable cinematic experiences of all time, with an entire generation of people who have never known life without these CGI dinosaurs. But while the movie spectacle broke film and merchandising records, pioneered special effects, and made Jeff Goldblum into an unlikely sex symbol, it has also been re-envisioned as a classic of queer feminist storytelling.
  		 
  In Clever Girl, Hannah McGregor argues that the female-only dinosaurs of Jurassic Park are stand-ins for monstrous women, engineered by men to be intelligent, violent, and adaptive, and whose chaos resists the systems designed to control them. As they run wild through their prison, a profit-driven theme park, they destroy the men and structures who mistakenly believed in their own colonialist and capitalist power, showing the audience what it means to be angry, monstrous, and free. The velociraptors were not just jump scares for children, but also revelatory and predatory symbols of feminist rage. Clever girls, indeed.
  		 
  About the Pop Classics Series
  		 
  Short books that pack a big punch, Pop Classics offer intelligent, fun, and accessible arguments about why a particular pop phenomenon matters.

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