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  The Land Is Sung - Zulu...

  Thomas M. Pooley

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  What does it mean to belong? In The Land is Sung, musicologist Thomas M. Pooley shows how performances of song, dance, and praise poetry connect Zulu communities to their ancestral homes and genealogies. For those without land tenure in the province of KwaZulu-Nata, performances articulate a sense of place. Migrants express their allegiances through performance and spiritual relationships to land are embodied in rituals that invoke ancestral connection while advancing well-being through intergenerational communication. Engaging with justice and environmental ethics, education and indigenous knowledge systems, musical and linguistic analysis, and the ethics of recording practice, Pooley's analysis draws on genres of music and dance recorded in the midlands and borderlands of South Africa, and in Johannesburg's inner city. His detailed sound writing captures the visceral experiences of performances in everyday life. The book is richly illustrated and there is a companion website featuring both video and audio examples.

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  The Courtauld - Highlights from...

  Mark Hallett

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  A revised and updated hardback edition of the book first published to mark the reopening of The Courtauld Gallery in late 2021.
  The Courtauld houses one of the United Kingdom's great art collections, displayed in the magnificent historical setting of Somerset House in central London. This publication presents a selection of its highlights – paintings, drawings, prints, sculpture and decorative arts – each beautifully illustrated and accompanied by insightful commentary. Notable among these treasures are remarkable Impressionist and Post-Impressionist paintings, including the world-famous A Bar at the Folies-Bergère by Édouard Manet and Vincent van Gogh's Self-Portrait with Bandaged Ear.
  This book is also an engaging account of how The Courtauld became an internationally renowned centre for the teaching and research of art history, conservation and curating. It was founded nearly a century ago in the belief that art has the power to enrich people's lives. The Courtauld continues that mission today, promoting the understanding of the visual arts and offering a place where everyone can find enjoyment and inspiration.

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  Classic Interview with Music...

  Frank Zappa

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  Frank Vincent Zappa (December 21, 1940 - December 4, 1993) was an American composer, songwriter, guitarist, conductor, actor, satirist, filmmaker, and activist. In a career spanning more than 30 years, Zappa composed rock, pop, jazz, jazz fusion, orchestral and musique concrète works; he additionally produced nearly all the 60-plus albums he released with his band the Mothers of Invention and as a solo artist. His discography is characterized by nonconformity, improvisation, sonic experimentation, musical virtuosity and satire of American culture. Zappa also directed feature-length films and music videos, and designed album covers. He is considered one of the most innovative and stylistically diverse musicians of his generation. The following recording is from a 1990 interview.

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  The Book of saved the Earth

  Dinesh Redhu

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  . We toss out paper, chemicals, garden waste, and plastic without thinking about where they goes and what that does to our environment

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  It Doesn't Suck: Showgirls

  Adam Nayman

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  A new edition of the first book in the acclaimed Pop Classics series The Worst. Movie. Ever. is a masterpiece. Seriously. Enough time has passed since Showgirls flopped spectacularly that it’s time for a good hard look back at the sequined spectacle. A salvage operation on a very public, very expensive train wreck, It Doesn’t Suck argues that Showgirls is much smarter and deeper than it is given credit for. In an accessible and entertaining voice, the book encourages a shift in critical perspective on Paul Verhoeven’s Showgirls, analyzing the film, its reception, and rehabilitation. This in-depth study of a much-reviled movie is a must-read for lovers and haters of the 1995 Razzie winner for Worst Picture. This expanded edition includes an exclusive interview between the author and Showgirls director Paul Verhoeven, as well as a new preface.

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  I Knew a Man Who Knew Brahms - A...

  Nancy Shear

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  Nancy Shear was only fifteen when she began sneaking into Philadelphia Orchestra concerts through the stage door, and seventeen when she was hired as a member of the orchestra's library staff to help prepare the music; one year later, she became Leopold Stokowski's musical assistant. Being young and female, she was a pioneer in both positions. 
   
   
   
  I Knew a Man Who Knew Brahms takes listeners into the homes, studios, and minds of legendary artists with whom Shear shared close personal relationships, including Stokowski, Mstislav Rostropovich, Eugene Ormandy, and others with the Philadelphia Orchestra. Many of these brilliant and talented artists were also outrageous, egocentric, and tyrannical. Throughout this book, Shear topples more than a few revered musicians from their podiums and their pedestals. 
   
   
   
  A literary welcome mat to the beautiful world of classical music, this memoir is accessible and engaging for all. It brings listeners into rehearsals and concert halls, revealing the choices musicians must consider, and what conductors, players, and composers really do. A heartwarming story about passion, determination, and survival, I Knew a Man Who Knew Brahms explores music at its core. You will never listen to music the same way again, after hearing Nancy Shear's story.

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