Maison d'édition: JH
In this uproarious satire from Jacobean playwright Ben Jonson, the clever Venetian gentleman Volpone hatches an outrageous scheme to dupe a greedy trio of hangers-on who are after his fortune. A ragtag cast of characters, including a dwarf, a eunuch, and a hermaphrodite, get caught up in the plot along the way.
Emily Elizabeth Dickinson was born in 1830 in Amherst Massachusetts. Rightly regarded as a major American poet, her life was sheltered, introverted, and reclusive. Despite writing over 1800 poems, only a dozen or so were published during her lifetime. Her structures and wordings are at times difficult to get to grips with, though recurring themes of religion and death certainly shadow many of her works. At her death is 1886, it is likely her work might have been lost had it not been for a publication by her sister. Indeed it was only in the 1950s that a complete and unedited collection of her works was published. In the ensuing half century she has gradually climbed into the pantheon of Greats.Voir livre
From politics to pop, from the UK to California, wherever digital heartbeats flutter and stutter, Ticker-tape is a maximalist take on 21st century living. Rishi Dastidar's first full collection showcases one of contemporary poetry's most distinctive voices, delivering effervescence with equal servings of panache and whiplash-quick wit. Here is sheer madcap ingenuity and also impressive breadth; ranging from odes of love to deconstructed diversity campaigns and detonations of banter's worst excesses, plus appearances from ex-SugaBabes, a shark who comes to tea, to the matters of matchstick empires and national identity. Ticker-tape is bold, adventuresome and wry – an unmissable and irrepressible debut.Voir livre
In his fifth poetry volume, American poet Andrew Zawacki expands his inquiry into the possibilities and dangers of a ‘global pastoral,’ exploring geographies alternately enhanced and flattened out by digital networks, international transit, the uneven and invisible movements of capital, and the unrelenting feedback loops of data surveillance, weather disaster, war. Wheeling interference patterns of systems of meaning, from radio signals and runway signage to foreign phrases and babytalk, interact with the ‘langscape’ of English, while punctuation is retrofitted as coding. In creating a politically committed lyric form that opens all the dimensions of language – sonic and semantic, syntactic and graphic – Unsun sustains an oblique conversation with Paul Celan’s Fadensonnen, Chris Marker’s Sans soleil, and Michael Palmer’s Sun. Loosely structured by the settings of analog photography, the book features a suite of the author’s black-and-white, large format images alongside an adaptation of Tang Dynasty poet Wang Wei and a series of fractured sonnets for – and from – his young daughter.Voir livre
A collection of dark comedies about terrible therapists, dysfunctional parents, and more, from a winner of a Tony Award for Best Play and three Obies. Known for his dark, absurd humor and social commentary, Christopher Durang explores the pain and confusion of everyday life—and makes audiences laugh uproariously at the results. Sister Mary Ignatius Explains It All for You, the center of a storm of controversy for its satire of misplaced trust in religious authority, remains as powerful today as when it was originally produced. The excruciatingly funny The Nature and Purpose of the Universe asks whether Eleanor Mann’s Job-like suffering is really her fault, while Titanic takes us into the heart of children’s anger with their parents and parents’ manipulation of their children. In Beyond Therapy, two horrifyingly human therapists pursue their own needs at the expense of the most mismatched couple ever to meet through a personal ad. Also including ’Dentity Crisis and The Actor’s Nightmare, this collection demonstrates that laughter is the best surgery, slicing through prejudice and hypocrisy, cutting out dead beliefs and inflamed opinions. These black comedies, lit by lightning bolts of truth and humor, come from “one of the most explosively funny American dramatists” (Newsweek). Includes: The Nature and Purpose of the Universe ’Dentity Crisis Titanic The Actor’s Nightmare Sister Mary Ignatius Explains It All for You Beyond TherapyVoir livre
JULY - the seventh month of the year in the Gregorian calendar and Summer is a rich harvest of colours and sights. Poets of the calibre of Shakespeare, Keats, Pope, Whitman and Tennyson describe and marshall their thoughts for our delight. Among our readers are Richard Mitchley and Ghizela Rowe. The tracks are; July - An Introduction; July 2nd 1863 By Tom Reynolds; America, From The National Ode July 4th 1876 By James Bayard Taylor; 4th July 1882, Malines, Midnight By James Kenneth Stephen; Fourth Of July By Julia A Moore; July 4th 1857 By Alfred Gibbs Campbell; Ode For July 4th 1917 By HP Lovecraft; Ode For The 4th Of July By James Monroe Whitfield; Sonnet LVII - Summit Of Skiddaw, July 7th 1838 By Henry Alford; July 9th 1872 By Abram Joseph Ryan; London In July By Amy Levy; St Martins Summer By Robert Louis Stevenson; Summer By Alexander Pope; L' Envoi (An Extract) By Rudyard Kipling; Broadway, New York, July 1916 By George Sterling; In This Summer By Daniel Sheehan; A July Afternoon By The Pond By Walt Whitman; On The Grasshopper And Cricket By John Keats; Shall I Compare Thee To A Summers Day (Sonnet 18) By William Shakespeare; On My Sons Return Out Of England July 17th 1661 By Anne Bradstreet; Sonnet July 18th 1787 By William Lisle Bowles; Verses Upon The Burning Of Our House July 18th 1666 By Anne Bradstreet; Sonnet At Dover Cliffs July 20th 1787 By William Lisle Bowles; Summer Sun By Robert Louis Stevenson; Sonnet At Ostend July 22nd 1787 By William Lisle Bowles; Between The Dusk Of Summer By William Ernest Henley; Summer Night By Alfred Lord Tennyson; The School Boy By William Blake; Answer July By Emily Dickinson; Written In July By Samuel Rogers; From My Diary July 1914 By Wilfred Owen.Voir livre
Elinor Morton Hoyt was born on 7th September, 1885 in Somerville, New Jersey and from age 12 grew up in Washington D C where her father served as assistant attorney general and later solicitor general. Her early education together with her renowned beauty suggests she was being trained for life as a debutante but her life quickly found another route as she became absorbed in the world of books. An early marriage following her graduation ended when, after being pursued by Horace Wylie, 17 years her senior and a married Washington lawyer with three children, she eloped to England with him. His wife would not divorce him and the subsequent scandal was widely publicised further fueled by the suicide in 1912 of her abandoned husband. With Wylie's encouragement she published in 1912, ‘Incidental Number’, assembled from poems of the previous decade. Despite a child from her first marriage Elinor subsequently endured miscarriages, a stillbirth and a premature child who lived for only one week. When Wylie’s deserted wife agreed to a divorce, the couple returned to the United States and married but they were already drawing apart. In 1921, Elinor’s ‘Nets to Catch the Wind’, was published. It was an immediate success and a prize-winner. In New York’s literary circles she found her next husband who acted as her agent – the poer William Rose Benét, brother of the famed Stephen. They married in 1923 and that same year ‘Black Armor’, was published. The New York Times said "There is not a misplaced word or cadence in it." She also published her first of four novels, ‘Jennifer Lom’, to excellent reviews. She worked for a time as the poetry editor of Vanity Fair, an editor of Literary Guild, and a contributing editor of The New Republic. Her third book of poetry, ‘Trivial Breath’ arrived in 1928 as did the failure of her marriage with Benét. She moved again to England and fell in love with a friend’s husband, to whom she wrote, and later published a series of 19 sonnets; ‘Angels and Earthly Creatures’. Elinor Wylie suffered high blood pressure all her adult life and this eventually led to her death at Benet’s New York apartment on 16th December, 1928 where she suffered a stroke. She was 43. 1 - The Poetry of Edna St Vincent Millay - An Introduction 2 - The Ballad of the Harp-Weaver by Edna St Vincent Millay 3 - Dirge Without Music by Edna St Vincent Millay 4 - Renascence by Edna St Vincent Millay 5 - If Still Your Orchards Bear by Edna St Vincent Millay 6 - My Heart Being Hungry by Edna St Vincent Millay 7 - First Fig by Edna St Vincent Millay 8 - Feast by Edna St Vincent Millay 9 - Second Fig by Edna St Vincent Millay 10 - No Rose That in a Garden Ever Grew by Edna St Vincent Millay 11 - Three Songs of Shattering by Edna St Vincent Millay 12 - Rosemary by Edna St Vincent Millay 13 - I Too Beneath Your Moon by Edna St Vincent Millay 14 - Sonnet XLIII - What Lips My Lips Have Kissed, and Where, and Why by Edna St Vincent Millay 15 - Sorrow by Edna St Vincent Millay 16 - Departure by Edna St Vincent Millay 17 - Travel by Edna St Vincent Millay 18 - Journey by Edna St Vincent Millay 19 - Mist in the Valley by Edna St Vincent Millay 20 - Tavern by Edna St Vinent Millay 21 - Exiled by Edna St Vincent Millay 22 - A Visit to the Asylum by Edna St Vincent Millay 23 - Recuerdo by Edna St Vincent Millay 24 - The Philosopher by Edna St Vincent Millay 25 - Sonnet XXX - Love is Not All by Edna St Vincent Millay 26 - Sonnet XVIII - I, Being Born a Woman by Edna St Vincent Millay 27 - The Betrothal by Edna St Vincent Millay 28 - When I Too Long Have Looked Upon Your FaVoir livre
