Verlag: Classica Libris
The romance of a man who slipped and recovered… As dramatic and moving anything the author of “The Scarlet Pimpernel” has ever written… “And the story—the lovable Amos, the wicked Mr. Horfman, patient Blue Eyes and adorable Grey Eyes—all contrive to bring about the well-known Orczy mixture of love and adventure, laughter nad tears.” Daily Telegraph
Introducing the captivating digital audiobook version of "Seven Keys to Baldpate," the timeless play by the legendary George M. Cohan! Unlock a world of suspense, mystery, and intrigue as you immerse yourself in this thrilling tale. With our high-quality audio production, you'll be transported to the enigmatic Baldpate Inn, where secrets lurk around every corner. Listen as the masterful storytelling of George M. Cohan unfolds, weaving a web of unexpected twists and turns. Lose yourself in the richly crafted characters and feel the tension mount as they chase after the elusive seven keys that hold the inn's secrets. The digital audiobook version adds an extra layer of depth to the experience, as talented narrators breathe life into the dialogue and expertly convey the play's emotions. You'll find yourself on the edge of your seat, eagerly following the characters on their thrilling journey.Zum Buch
When dystopian futures don’t feel so future at all… Four decades before George Orwell wrote 1984, The Napoleon of Notting Hill defined the dystopian genre. One of the first dystopian comedies, instead of a dark vision of jackboots and surveillance states, G.K. Chesterton explores the question of what a society would look like if no one could take a joke. In this future England, each new king is decided by lottery. When Auberon Quin, a man who cares only for a good joke, is chosen to be the next king, he resolves to spend his reign teaching his fellow governors how big a joke can really be. While most district leaders are content to put up with Auberon’s schemes even when he insists upon elaborate costumes and heraldry, one provost takes his games much too seriously. When Adam Wayne, the Provost of Notting Hill, takes a military stand against his fellow leaders and seeks to defend his tiny fiefdom by any means necessary, Auberon’s joke has gone too far. At a time when the dystopian genre is defined by hopelessness, Chesterton’s dry wit and tongue-in-cheek humor are a welcome respite. Follow Auberon and Wayne as they ponder the meaning of humor and virtue in a world where the swords are all too real and the defense of one’s pride may well result in blood in the streets. Foreword by Dale Ahlquist, president of the Society of G.K. Chesterton.Zum Buch
Shakespeare knew more about the art of acting and the art of theater than any other playwright— but there is no general consensus about how Shakespeare should be played. There are no rules. While the Bard created superhuman characters and placed them in situations that stretch the imagination to its limits, he also provided his actors with the keys to playing them. Discover his secrets in this remarkable guide. In A Shakespearean Actor Prepares, actor, director, and teacher Adrian Brine teams up with celebrated actor Michael York to reveal these keys. In pointing out sources of energy in Shakespeare's plays, they make it possible for actors to galvanize their fantasy and liberate their talents.Zum Buch
Barry Eric Odell Pain was born at 3 Sydney Street in Cambridge on 28th September 1864. He was one of 4 children. He was educated at Sedbergh School and then Corpus Christi College, Cambridge. In 1889, Cornhill Magazine published his short story ‘The Hundred Gates’. This opened the way for Pain to advance his literary career on several fronts. He became a contributor to Punch and The Speaker, as well as joining the staff of both the Daily Chronicle and Black and White. Pain was also a noted and prominent contributor to The Granta and from 1896 to 1928 a regular contributor to the Windsor Magazine. It is often said that Pain was discovered by Robert Louis Stevenson, who compared his work to that of Guy de Maupassant. It’s an apt comparison. Pain was a master of disturbing prose but was also able to inject parody and light comedy into many of his works. A simple premise could in his hands suddenly expand into a world very real but somehow emotionally fraught and on the very edge of darkness. Barry Pain died on 5th May 1928 in Bushey, Hertfordshire.Zum Buch
A king was dying. An old man told his sons that the water of life would save him. Each one set out in turn. The two older ones, setting out in hopes of being the heir, were rude to a dwarf on the way and became trapped in ravines. When the youngest son went the dwarf asked where he was going, and he told him. The dwarf told him it was in a castle, and gave him an iron wand to open the gates and two loaves to feed to the lions inside. Then he had to get the water before the clock struck 12 when the gates would shut again.Zum Buch
Arthur Llewelyn Jones was born in Caerleon, Monmouthshire on the 3rd March 1863. Machen came from a long line of clergymen, and when he was two, his father became vicar of a small parish about five miles north of Caerleon, and Machen was brought up at the rectory there. In his early years he received an excellent classical education, but family poverty ruled out university, and he was sent to London to sit exams to attend medical school but failed the exams. He did show literary promise with the publication of the poem ‘Eleusinia’ in 1821. But life in London was difficult and it was only in 1884 that he published again and was taken on to translate several French works which thereafter became the standard editions for many years. In 1887, his father died. That same year he married Amelia Hogg, a maverick music teacher with a passion for the theatre. He also began to receive legacies from Scottish relatives which allowed him to devote more time to writing. After publishing in literary magazines in 1894 he published his first book ‘The Great God Pan’. Its sexual and horrific content very much helped sales. Over the next decade or so he wrote some of his best work but was unable to find a publisher mainly due to the collapse of the decadent market over Oscar Wilde’s scandalous trial. In 1899, his wife died and during his long recovery he took up acting and travelled around the country as part of a travelling company. Three years later he was publishing again and had remarried. Re-publishing of earlier works helped anchor both his reputation and his income. By the time the Great War opened Europe’s wounds he returned to the public eye with ‘The Bowmen’ helped by the publicity around the ‘Angel of Mons’ episode. However, by the late 20’s new works had dried up and his back catalogue was no longer a source of regular income. In 1932 he received a Civil List pension of ₤100 per annum but other work was not forthcoming. His finances finally stabilised with a literary appeal in 1943 for his eightieth birthday and allowed him to live his remaining years in relative comfort. Arthur Machen died on 15th December 1947 in Beaconsfield. He was 84.Zum Buch
